Chords for Billy Gibbons -- Billy's Arrival [Live from Daryl's House #63-02]
Tempo:
57.875 bpm
Chords used:
G
Em
Am
C
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
![Billy Gibbons -- Billy's Arrival [Live from Daryl's House #63-02] chords](https://i.ytimg.com/vi/t3ZifJYIK_s/mqdefault.jpg)
Start Jamming...
[Bm] [Em] [G]
[A] [G]
Hey, I'm heading up to Darryl's house.
Can I get a lift?
Yeah, I'm in.
I don't think it's too far.
It's a little cold.
Let me get in.
Yeah, well, thanks for the lift, man.
I've been walking since that last pound.
I hope Darryl's still here, man.
I've been kind [Em] of anxious to start spanking the plank [B] a little bit.
Well, what's good about today getting [F#m] to work with [Am] Darryl [G] is something that I don't often get to do,
which is playing in a very intimate setting.
And, of course, he's surrounded by some of the [C] best musicians on the planet, so what more to ask for?
He sings high, man.
[Bm] I hate them low notes.
I want to hear [Dm] him singing high notes.
[C] He's got it going on.
[Am] Finally [G] made it.
Finally made it.
So good to see you, man.
Really good to see you.
I'm so glad you came up here.
It's going to be good.
It's going to be great.
I'm waiting to make some loudness with you.
[Em] This is a good place to do it.
You sing the [G] high notes.
I'll take whatever's left. Okay.
I know that this is so casual.
I kind of dressed down for the occasion.
Well, I see I dressed up.
Okay.
[Em] You got it.
You got it.
That's nice.
All right.
So [Am] we're going in.
We're going in.
[G] [E] [D#] Yeah, y'all vamp on the one, and then we'll start it on the one. [N] Okay.
All right.
I'm going to [D] pause.
Hey. Man.
[F] [C] [Cm] I like [A] those stabs.
[G]
[A] [G]
Hey, I'm heading up to Darryl's house.
Can I get a lift?
Yeah, I'm in.
I don't think it's too far.
It's a little cold.
Let me get in.
Yeah, well, thanks for the lift, man.
I've been walking since that last pound.
I hope Darryl's still here, man.
I've been kind [Em] of anxious to start spanking the plank [B] a little bit.
Well, what's good about today getting [F#m] to work with [Am] Darryl [G] is something that I don't often get to do,
which is playing in a very intimate setting.
And, of course, he's surrounded by some of the [C] best musicians on the planet, so what more to ask for?
He sings high, man.
[Bm] I hate them low notes.
I want to hear [Dm] him singing high notes.
[C] He's got it going on.
[Am] Finally [G] made it.
Finally made it.
So good to see you, man.
Really good to see you.
I'm so glad you came up here.
It's going to be good.
It's going to be great.
I'm waiting to make some loudness with you.
[Em] This is a good place to do it.
You sing the [G] high notes.
I'll take whatever's left. Okay.
I know that this is so casual.
I kind of dressed down for the occasion.
Well, I see I dressed up.
Okay.
[Em] You got it.
You got it.
That's nice.
All right.
So [Am] we're going in.
We're going in.
[G] [E] [D#] Yeah, y'all vamp on the one, and then we'll start it on the one. [N] Okay.
All right.
I'm going to [D] pause.
Hey. Man.
[F] [C] [Cm] I like [A] those stabs.
[G]
Key:
G
Em
Am
C
Bm
G
Em
Am
[Bm] _ _ [Em] _ _ _ _ [G] _ _
_ _ _ _ _ _ [A] _ [G] _
Hey, I'm heading up to Darryl's house.
Can I get a lift?
Yeah, I'm in.
I don't think it's too far.
It's a little cold.
Let me get in.
Yeah, well, thanks for the lift, man.
I've been walking since that last pound.
I hope Darryl's still here, man.
I've been kind [Em] of anxious to start spanking the plank [B] a little bit.
Well, what's good about today getting [F#m] to work with [Am] Darryl [G] is something that I don't often get to do,
which is playing in a very intimate setting.
And, of course, he's surrounded by some of the [C] best musicians on the planet, so what more to ask for?
He sings high, man.
[Bm] I hate them low notes.
I want to hear [Dm] him singing high notes.
[C] He's got it going on.
[Am] Finally [G] made it.
Finally made it.
So good to see you, man.
Really good to see you.
I'm so glad you came up here.
It's going to be good.
It's going to be great.
I'm waiting to make some loudness with you.
[Em] This is a good place to do it.
You sing the [G] high notes.
I'll take whatever's left. Okay.
I know that this is so casual.
I kind of dressed down for the occasion.
Well, I see I dressed up.
Okay.
[Em] You got it.
You got it.
That's nice.
All right.
So [Am] we're going in.
We're going in. _
[G] _ _ [E] [D#] Yeah, y'all vamp on the one, and then we'll start it on the one. [N] Okay.
All right.
I'm going to [D] pause.
Hey. Man.
[F] _ [C] _ _ [Cm] I like [A] those stabs.
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ [G] _
Hey, I'm heading up to Darryl's house.
Can I get a lift?
Yeah, I'm in.
I don't think it's too far.
It's a little cold.
Let me get in.
Yeah, well, thanks for the lift, man.
I've been walking since that last pound.
I hope Darryl's still here, man.
I've been kind [Em] of anxious to start spanking the plank [B] a little bit.
Well, what's good about today getting [F#m] to work with [Am] Darryl [G] is something that I don't often get to do,
which is playing in a very intimate setting.
And, of course, he's surrounded by some of the [C] best musicians on the planet, so what more to ask for?
He sings high, man.
[Bm] I hate them low notes.
I want to hear [Dm] him singing high notes.
[C] He's got it going on.
[Am] Finally [G] made it.
Finally made it.
So good to see you, man.
Really good to see you.
I'm so glad you came up here.
It's going to be good.
It's going to be great.
I'm waiting to make some loudness with you.
[Em] This is a good place to do it.
You sing the [G] high notes.
I'll take whatever's left. Okay.
I know that this is so casual.
I kind of dressed down for the occasion.
Well, I see I dressed up.
Okay.
[Em] You got it.
You got it.
That's nice.
All right.
So [Am] we're going in.
We're going in. _
[G] _ _ [E] [D#] Yeah, y'all vamp on the one, and then we'll start it on the one. [N] Okay.
All right.
I'm going to [D] pause.
Hey. Man.
[F] _ [C] _ _ [Cm] I like [A] those stabs.
[G] _ _ _ _ _ _ _ _