Chords for Beth Hart & Joe Bonamassa: Live From Amsterdam - Episode 4

Tempo:
152.75 bpm
Chords used:

G

C

Am

Bb

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Beth Hart & Joe Bonamassa: Live From Amsterdam - Episode 4 chords
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[Gm] [G] Yeah, if [D] I don't somebody wrong, [C] Lord, let me see.
[Bb]
[G] Yeah, [C] [Gm] I'm just a hater.
[F] [G] [C] [Gm]
I'm [G] just a hater.
You know, obviously I'm doing my own original music when I'm [Gm] doing my thing.
And so it's a lot [G] of very, very personal stories.
[Dm] And a lot of being [G] willing to be [C] vulnerable and open up about stuff that might [G]
[A] otherwise, you know, [G] make you go, [C] like, what the hell are you doing?
For some reason, when I'm doing a show, I feel very safe to be very vulnerable and open.
Whereas [Gm] maybe offstage I am that way [Cm] too, but onstage it seems [Gm] like I'm even more so.
So it goes, I think, [G] more on that kind of thing.
And if we get to the last one, we'll get to the last one.
We may not get to the second one.
I'll put a [Ab] second one.
How many [Db] songs are we getting in?
All of them.
[G]
We're doing I Love You [Ab] More Than [N] You Know.
What?
[Eb] That you want to do?
Yeah, I want to do it, [G] but it doesn't mean that I'll do it good.
I'm going to try.
Well, that's why we need to run it.
[F] I figured out the end of this.
Yeah, [Eb] that's great.
I figured out the end of that.
[F] Right.
So I'm just going to have you guys tell [Ebm] me exactly [Bb] what to do.
This is where we're going to run over [Eb] first today.
And then please take it easy on my [D] voice and sound [Am] check so that way I don't blow it out.
Okay, so I don't [E] have to sing fully out?
No, you don't have to.
We just [Am] have to get the timeline on the end.
Well, I don't go to church on Sunday.
[Em] [A] I don't get on my knees [Dm] to pray.
Don't have to raise the books to the fire.
[Am] I [E] don't know who to say farewell.
[G] [A] I don't know who to say farewell.
So I was [Em] thinking to myself, [Am] hey, you know, it's always a challenge.
[Dm] And so challenge is great.
You just got to see how you're going to handle it and what [Am] makes you uncomfortable.
You [E] got to reach and find something that's [A] comfortable to kind of let that touch down part of it.
[Am] And one [E] of the things that I've found [Am] that I'm using so far is the venues.
[Dm] The different vibe of the venues.
[Bb] And I'm getting off on [Am] that.
And I'm not [E] at all trying to repeat the show that I did [G] the night before.
I'm just trying to trust [Am] that at the end of the day, it's about the music.
[D] That's really what it's about.
And trust that.
[Dm] You see how [Am] that's going to get me excited?
[E] And to try and do my job in that is just to [A] connect with them on a really [Am] honest level.
And [Dm] I'm making it sound very [G] serious, but [D]
[B] it shouldn't be.
[Am] It's just entertainment.
[E]
[A]
[Dm] But
[Am]
[G] to [Dm] me, there is a level of, I just want to tell the [E] truth.
It's like songwriting, but it's performing.
And [G] you're trying to get to that truth.
And I think that's the thing that always scared me about doing the same song in a [Gbm] row.
Is that maybe I'd start locking into [Em] just repeating and feeling kind of phony.
But [Gm] I'm coming to [G] see that it's not that.
It's a whole other way of challenge that's really cool.
In fact, I said to my manager [E] last night, I said,
I'd be willing to do a whole program and do the same song in a row.
[Gm] And the challenge would be having fun with how [Abm] to make it different.
And how to have fun with it.
[G]
[N] It's a whole different trip.
Got a lot of charts here.
We have to add an intro on them, their eyes.
So it's not quite right.
We just have to know what's going on.
Yep.
It's all good.
[C] We don't have to worry about them flying all over the place tonight.
Pretty sad.
[N] Now, are you sure you don't want to move the microphone up the front?
[C] No.
[F] No.
I'll just come out.
I'll come [Gb] out.
Because I have to switch guitars [G] now that we, [A] again.
But I'm going to come.
I'm going to, at the end of, [C] at the end of that soon,
I'm just going to come around, switch guitars, turn around, [A] start.
And I'll [Am] bail on after.
I'll let the first chorus go by and then I'll just come back and join
[C] [Db] [Am] the
[G] It's so amazing.
[Gb] Yeah, it's fun.
I [G] know.
I [A] was saying to him, I was saying, you're going to talk to [Gm] him, right?
He's like, no, [G] I probably won't say anything.
[N] I said, come on, man, they're going to be so pissed at me.
And he said, no.
It's going to be great.
I couldn't believe that when we first did Don't Explain,
[E] and I saw the [Abm] mock-up for the cover of the record,
and [B]
it [Gm] had, it said Beth Hart and Joe.
I couldn't believe that.
I thought no one else would do [Gb] that in a million years.
It made me feel really [Am] excited.
I was like, hey, that's pretty cool.
I'm playing with a doctor.
[C] But I wasn't expecting that at all.
[G]
[A]
Beth and Joe, it's a great, what do you call it?
The marriage is awesome, the two of them together.
Because if people like them separately,
we have fans come [Em] backstage and go, we [Am] love Joe, we love Beth.
But together, it's like a [Eb] whole other breed.
[D] Beautiful.
[G] We're walking to the stage, fellas.
Walking.
[Dm] Yeah, it's going to sound good.
It's going to sound like, you know, and she's wonderful, you know.
And that's [Gb]
really our job at this point,
just [Fm] to kind of just follow her, follow her lead,
and [F] be a great backing band for her.
I always said that my goal in all this
is just to put a world [Bbm]-class band behind, [Fm] in my view,
one of the premier singers [Eb] in any genre [F] out there today.
And arguably probably one of the most [B] undiscovered.
[F] So I, [C]
you know, [G] this is basically all I need [Am] to [F]
[Gm] remain [Dm] as a [G] part [C] of it.
[Dm]
[G]
[F] [G]
[D] One of us [C] has [Bb] to say [B] sorry
[C] [Bb] [F] Or [G]
we will [C] never [Bb] be [B] friends again
[C] [Bb] [F] Let's [G]
[Dm] have a [Cm] drink [Bb] and talk it [C] over
[Bb] [F] [G] I want [C] to keep you [Bb] calm up there
[C] We're [Bb] [F] [G]
here today [C] and [Bb] gone [F] [C] tomorrow
[Bb] [F] [G]
None of us [C] [Bb] knows when [C] life will [Bb] end
[F] [G] [C] [Bb]
[N]
[Cm] [Am]
[Bb] [B] [C] [Fm] [Eb] [C]
[Eb]
Key:  
G
2131
C
3211
Am
2311
Bb
12341111
F
134211111
G
2131
C
3211
Am
2311
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[Gm] _ [G] Yeah, if [D] I _ don't somebody _ wrong, _ [C] Lord, _ let me see.
_ [Bb] _
[G] Yeah, [C] _ [Gm] I'm just a hater. _
_ [F] _ [G] _ _ [C] _ _ [Gm] _ _
I'm [G] _ just a hater.
You know, obviously I'm doing my own original music when I'm [Gm] doing my thing.
And so it's a lot [G] of very, very personal stories. _
_ [Dm] And a lot of being [G] willing to be [C] vulnerable and open up about stuff that might [G] _ _
[A] otherwise, you know, [G] make you go, [C] like, what the hell are you doing?
For some reason, when I'm doing a show, I feel very safe to be very vulnerable and open.
Whereas [Gm] maybe offstage I am that way [Cm] too, but onstage it seems [Gm] like I'm even more so.
So it goes, I think, [G] more on that kind of thing.
And if we get to the last one, we'll get to the last one.
We may not get to the second one.
_ I'll put a [Ab] second one. _
How many [Db] songs are we getting in?
All of them.
[G] _ _
We're doing I Love You [Ab] More Than [N] You Know.
_ What?
_ [Eb] That you want to do?
Yeah, I want to do it, [G] but it doesn't mean that I'll do it good.
I'm going to try.
Well, that's why we need to run it.
[F] I figured out the end of this.
Yeah, [Eb] that's great.
I figured out the end of that.
[F] Right.
So I'm just going to have you guys tell [Ebm] me exactly [Bb] what to do.
This is where we're going to run over [Eb] first today.
And then please take it easy on my [D] voice and sound [Am] check so that way I don't blow it out.
Okay, so I don't [E] have to sing fully out?
No, you don't have to.
We just [Am] have to get the timeline on the end.
_ _ Well, I don't go to church on Sunday.
[Em] _ [A] I don't get on my knees [Dm] to pray.
_ Don't have to raise the books to the fire.
_ [Am] _ I [E] don't know who to say farewell.
_ [G] _ _ [A] I don't know who to say farewell.
So I was [Em] thinking to myself, [Am] hey, you know, it's always a challenge.
[Dm] And so challenge is great.
You just got to see how you're going to handle it and what [Am] makes you uncomfortable.
You [E] got to reach and find something that's [A] comfortable to kind of let that touch down part of it.
[Am] _ And one [E] of the things that I've found [Am] that I'm using so far is the venues. _
[Dm] The different vibe of the venues.
[Bb] And I'm getting off on [Am] that.
_ And I'm not [E] at all trying to repeat the show that I did [G] the night before. _
I'm just trying to trust [Am] that at the end of the day, it's about the music.
[D] That's really what it's about.
And trust that.
[Dm] You see how [Am] that's going to get me excited? _
_ _ [E] _ And to try and do my job in that is just to [A] _ _ connect with them on a really [Am] honest level. _ _
And [Dm] I'm making it sound very [G] serious, but [D] _
[B] it shouldn't be.
[Am] It's just entertainment.
[E] _
_ _ _ [A] _ _ _ _ _
_ [Dm] _ But _ _ _ _
_ _ [Am] _ _ _ _ _ _
[G] _ to [Dm] me, there is a level of, I just want to tell the [E] truth.
_ _ _ It's like songwriting, but it's performing.
And [G] you're trying to get to that truth.
_ _ _ And I think that's the thing that always scared me about doing the same song in a [Gbm] row.
Is that maybe I'd start locking into [Em] just repeating and feeling kind of phony.
But [Gm] I'm coming to [G] see that it's not that.
It's a whole other way of challenge that's really cool.
In fact, I said to my manager [E] last night, I said,
I'd be willing to do a whole program and do the same song in a row.
[Gm] And the challenge would be having fun with how [Abm] to make it different.
And how to have fun with it.
[G] _ _
_ [N] It's a whole different trip. _ _
Got a lot of charts here. _ _ _ _
_ _ _ We have to add an intro on them, their eyes.
So it's not quite right.
We just have to know what's going on. _
_ _ _ _ _ Yep.
It's all good.
[C] We don't have to worry about them flying all over the place tonight.
Pretty sad.
[N] Now, are you sure you don't want to move the microphone up the front?
[C] No.
_ [F] _ No.
I'll just come out.
I'll come [Gb] out.
Because I have to switch guitars [G] now that we, [A] again.
_ _ _ But I'm going to come.
I'm going to, at the end of, [C] _ _ at the end of that soon,
I'm just going to come around, switch guitars, turn around, [A] start. _ _ _ _ _ _
_ _ _ _ _ _ _
And _ I'll [Am] bail on after.
I'll let the first chorus go by and then I'll just come back and join _ _
_ [C] _ _ [Db] [Am] the_
_ [G] It's so amazing.
_ _ [Gb] Yeah, it's fun.
I [G] know.
I [A] was saying to him, I was saying, you're going to talk to [Gm] him, right?
He's like, no, [G] I probably won't say anything.
[N] I said, come on, man, they're going to be so pissed at me.
And he said, no.
It's going to be great.
I _ couldn't believe that when we first did Don't Explain,
[E] and I saw the [Abm] mock-up for the cover of the record,
and [B]
it [Gm] had, it said Beth Hart and Joe.
I couldn't believe that.
I thought no one else would do [Gb] that in a million years.
It made me feel really [Am] excited.
I was like, hey, that's pretty cool.
I'm playing with a doctor.
[C] But I wasn't expecting that at all.
_ _ [G] _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Beth and Joe, it's a great, what do you call it?
_ The marriage is awesome, the two of them together.
Because if people like them separately,
we have fans come [Em] backstage and go, we [Am] love Joe, we love Beth.
But together, it's like a [Eb] whole other breed.
[D] Beautiful. _
_ _ _ [G] _ We're walking to the stage, fellas.
Walking. _ _ _
[Dm] Yeah, it's going to sound good.
It's going to sound like, you know, _ _ and she's wonderful, you know.
And that's [Gb]
really our job at this point,
just [Fm] to kind of just follow her, follow her lead,
and [F] be a great backing band for her.
I always _ said that _ _ _ my goal in all this
is just to put a world [Bbm]-class band behind, [Fm] in my view,
one of the premier singers [Eb] in any genre _ _ [F] out there today.
_ And arguably probably one of the most _ [B] undiscovered.
_ [F] So I, [C] _
you know, [G] this is basically all I need [Am] to [F] _
[Gm] _ remain [Dm] as a [G] part [C] of it.
[Dm] _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ [F] _ [G] _
[D] _ One of us [C] has [Bb] to say [B] sorry
[C] _ _ _ [Bb] [F] Or [G] _
_ we will [C] never [Bb] be [B] friends again
[C] _ _ [Bb] [F] Let's [G] _
_ [Dm] _ have a [Cm] drink [Bb] and talk it _ [C] over
_ _ [Bb] _ [F] [G] I _ _ want [C] to keep you [Bb] calm up there
_ [C] _ We're [Bb] _ [F] _ [G] _
_ here today [C] and [Bb] gone [F] _ [C] tomorrow
_ _ [Bb] _ [F] _ [G] _
_ None of us [C] _ [Bb] knows when [C] life will [Bb] end
[F] _ [G] _ _ _ _ _ [C] _ _ [Bb] _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Cm] _ _ _ _ _ [Am] _ _
[Bb] _ [B] _ [C] _ [Fm] _ [Eb] _ _ [C] _ _
_ _ _ [Eb] _ _ _ _ _

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