Chords for Belinda Carlisle Mad About You Live At American Bandstand 1985

Nick Kyle.
_ _ _ I [A] _ _
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[D] _ [A] _ [D] _ _ might [A] _ _
_ _ [G] _ _ _ [A] have thought you, you might [D] have thought me, babe.
Couple [A] of fools run wild, [D] like me.
[A] Switching the day into [D] the night time.
Summer [A] between the two, who's [E] destiny?
_ [A] Might [D] have thought you, [A] might have thought you, lost [E] in your eyes,
with [A] little signs.
Might [D] have thought so, [A] might have thought you, you [E] and I.
Something [A] about you, right [D] there at me.
[A] Touches the touch, right on me, like I [D] can't believe.
Twisting [A] the night _ into [D] the day time.
Watching [A] the sky, face the night, while the [E] city sleeps.
[C#m] _ [D] _ _
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_ _ [G] _ _ _ _ [F#m] _ _
[A] _ _ [Bm] _ _ [E] _ _ [F#m] _ _
[A] _ _ [E] _ _ _ _ _ _
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[A] _ _ _ [E] _ _ _ _ _
_ _ _ [C#m] _ [D] _ _ [A] _ _
[E] _ _ [A] _ _ [D] _ _ [A] _ _
[E] _ _ _ _ [D] _ _ [A] _ _
[E] _ _ [A] _ _ [D] _ _ [A] _ _
[E] _ _ [C#m] _ _ [D] _ _ [A] _ _
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[E] _ _ [N] _ _ _ _ _ _
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_ Might have thought you, might have thought you, lost in your eyes,
with little signs.
Might have thought so, might have thought you, you and I.
Something about you, lost in your eyes, with little signs.
Might have thought so, might have thought you, you and I.
Yeah.
You do a lot of writing and stuff?
Well, I try.
Charlotte does a lot of the writing.
I wonder though, when you get a band together and you go audition, you don't audition producers, you talk to producers,
didn't you feel like you'd been there already?
Yeah, but we learned a lot with the Go-Go's and we just use that experience.
What's going to make it different this time?
What will be different?
_ Let's see, well, it's new and exciting this time.
It's like a brand new project.
I read one thing though, you took all of the tracks after they're all done and had them remixed somewhere.
Would you go overseas somewhere?
Uh-huh, we went over to London and had them remixed by William Ribbett.
Why do that?
Sometimes bringing in somebody from the outside, we've been working on the project for eight months,
we felt that maybe it'd be interesting to have someone's objective view on the project and see what they could do with it.
You look great, you sound great, it's nice to see you again, Charlotte.
Not that I'm [E] not pleased to see you guys.
Thank you, gentlemen, ladies.
[B] Follow me, here are the fabulous Thunderbirds.
_ [N] _