Chords for Behind The Vinyl - "Moonlight Desires" with Lawrence Gowan

Tempo:
59.4 bpm
Chords used:

Cm

Fm

Ab

Eb

Bb

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Behind The Vinyl - "Moonlight Desires" with Lawrence Gowan chords
Start Jamming...
Are you ready?
All right here it comes
[Ab]
[F] Yeah
Impossible for me to hear the opening of this song
[Cm]
Yeah, [Eb] impossible not not to picture me [Ab] stand myself on top [Fm] of a Mayan pyramid
You know [Cm] in Tio Tio can Mexico [Eb] the Sun coming up [Ab] and a helicopter
[Fm] suddenly
Emerging and coming up over the horizon as I stood on the pyramid of the moon moonlight desires and
John Anderson was standing on the pyramid of the Sun and he was dressed as a Mayan [Bb] God and
[Fm] Just the transition from night into day
Although the song is actually more to do with the [Bb] transition from day into night.
It [F] was I
[Cm] Have to say it was a little bit like walking into [Ab] Ringo's house to make strange animal a beetle home
to be on top of a [Cm] pyramid at that time of day after [Bb] having paid off the
the [Cm] guards
At the at [Eb] the site to allow us to do [Ab] this or to let to look the other way for a few [Fm] hours
[Cm] Pretty astounding and then I
[Eb] [Ab]
Have to say John Anderson [Fm] though the beauty of him in the studio
singing this harmony part is
[Bb] again
One of those
ridiculously fortunate [Cm] things that occurrences in my life [Fm] because he I was such a
Gigantic yes fan
I used to sing along with close to the edge and
Teals from [Cm] topographic oceans just in my room like trying to harmonize with him and then [Bb] to hear it to see him in the studio
[F] Completely different experience this time.
It was in Los [Cm] Angeles
Pretty legendary studio there and and to see him come up with that harmony and
[Ab] Come up with it with the whole approach to the [Dm] song
it [Cm] really it really just
[Eb] it just opened the song up [Ab] to said to brought it to a completely other level and
[Cm]
[Eb] Yeah, it's it's a it's great when you [Ab] actually meet one of your idols and [Fm] it goes spectacularly well
[F] I think we've all had the experience where it can go the other way
Coming up with [Fm] that and adding that to the song just great again same producer David tickle
Worked on [Cm] this record and did a beautiful job and
He [Ab] had been working with John Anderson on the on the legend
Soundtrack and had played him strange animal and then when he heard the bed [Gm] track that we had done for this song
he really [Cm] liked it and
[Eb] [Bb] You know that's [Fm] there's all the angels [Cm] singing right there
[Eb] That's what happens right that's fine
[Ab] [Fm] Oh, yeah
[Cm]
[Eb] Dancing around on top of top of pyramid a deep
[Fm] the director Rob Quartley [Cm] who made so many great videos in the
[Eb] In the 1980s and was was kind [Ab] of the central video [Fm] master in Canada that time
[Cm] and just also I love the [Eb] extravagance of making this video, [Ab] you know to use the Mayan pyramids [Fm] and
[Cm] And although we were actually threatened by [Eb] the Mexican authorities that if we [Ab] filmed in the Mayan pyramids any further
We were [Fm] going to be we were going to find out what Mexican [Cm] jail was all about
It's funny.
It's funny because it played there with sticks [Ab] just a few years back and I told that story [Fm] to a bunch of various
[Cm] Security people that were around us and they [Eb] laughed and said no you were allowed [Ab] to do that
You know, everyone's out there with it [Fm] with a an iPhone camera now
[Cm] videoing them
[Eb] [Ab] [Fm] I love the fact that
[Cm] so many people, you know [Eb] still not just relate to this song, but have discovered it in in years [Fm] since and
[Cm]
And it's become you know an important [Ab] song or a pivotal song in their lives and [Fm] that's the the longevity of it is [Cm] is really
[Bb] It's really an astounding thing.
And again, it's it's it's a piece of my life that that
It's like the blood in my veins
[Db] Did everything work out the I'm not gonna do a Ringo [Abm] impression because I've done too many bad ones
But he said did everything work out [Dbm] from the other day?
I heard you having a big disagreement in here
And I thought it was sounding great.
I said, what was that about?
He said you kept going on about the bloody [Gbm] cowbells before the album cover photo session
But we needed to have a fifth member in the band
[B] Now we'd always been a two guitar bass and drums band
But the record company said no you have to have a keyboard player.
So just for laughs we got Matthew's brother
Paul Greenberg to appear and he appears on the album cover doesn't play a note of music
Key:  
Cm
13421113
Fm
123111111
Ab
134211114
Eb
12341116
Bb
12341111
Cm
13421113
Fm
123111111
Ab
134211114
Show All Diagrams
Chords
NotesBeta

To learn Gowan - Moonlight Desires chords, your practice should emphasize these chord progressions: Ab, Fm, Cm, Eb, Ab, Cm, Ab and Cm. Set your pace at 29 BPM initially and then sync up with the song's BPM of 59. With an eye on the song's key Eb Major, set the capo that best suits your vocal range.

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Are you ready?
All right here it comes _ _ _ _ _
_ _ _ _ _ _ _ [Ab] _
_ [F] Yeah
Impossible for me to hear the opening of this song
[Cm]
Yeah, [Eb] impossible not not to picture me [Ab] stand myself on top [Fm] of a Mayan pyramid
You know [Cm] in Tio Tio can Mexico [Eb] the Sun coming up [Ab] and a helicopter
[Fm] suddenly
Emerging and coming up over the horizon as I stood on the pyramid of the moon moonlight desires and
John Anderson was standing on the pyramid of the Sun and he was dressed as a Mayan [Bb] God and
_ [Fm] Just the transition from night into day
Although the song is actually more to do with the [Bb] transition from day into night.
It [F] was I
[Cm] Have to say it was a little bit like walking into [Ab] Ringo's house to make strange animal a beetle home
to be on top of a [Cm] pyramid at that time of day after [Bb] having paid off the
the [Cm] guards
At the at [Eb] the site to allow us to do [Ab] this or to let to look the other way for a few [Fm] hours
[Cm] Pretty astounding and then I
[Eb] _ _ [Ab]
Have to say John Anderson [Fm] though the beauty of him in the studio
singing this harmony part is
[Bb] again
One of those
ridiculously fortunate [Cm] things that occurrences in my life [Fm] because he I was such a
Gigantic yes fan
I used to sing along with close to the edge and
Teals from [Cm] topographic oceans just in my room like trying to harmonize with him and then [Bb] to hear it to see him in the studio
[F] Completely different experience this time.
It was in Los [Cm] Angeles
_ Pretty legendary studio there and and to see him come up with that harmony and
[Ab] Come up with it with the whole approach to the [Dm] song
it [Cm] really it really just
[Eb] it just opened the song up [Ab] to said to brought it to a completely other level and
_ [Cm] _
[Eb] Yeah, it's it's a it's great when you [Ab] actually meet one of your idols and [Fm] it goes spectacularly well
[F] I think we've all had the experience where it can go the other way
_ Coming up with [Fm] that and adding that to the song just great again same producer David tickle
Worked on [Cm] this record and did a beautiful job and
He [Ab] had been working with John Anderson on the on the legend
Soundtrack and had played him strange animal and then when he heard the bed [Gm] track that we had done for this song
he really [Cm] liked it and
_ [Eb] _ [Bb] You know that's [Fm] there's all the angels [Cm] singing right there
[Eb] That's what happens right that's fine
[Ab] _ [Fm] Oh, yeah
[Cm] _
[Eb] Dancing around on top of top of pyramid a deep
[Fm] the director Rob Quartley [Cm] who made so many great videos in the
[Eb] In the 1980s and was was kind [Ab] of the central video [Fm] master in Canada that time
[Cm] and just also I love the [Eb] extravagance of making this video, [Ab] you know to use the Mayan pyramids [Fm] and
[Cm] And although we were actually threatened by [Eb] the Mexican authorities that if we [Ab] filmed in the Mayan pyramids any further
We were [Fm] going to be we were going to find out what Mexican [Cm] jail was all about
It's funny.
It's funny because it played there with sticks [Ab] just a few years back and I told that story [Fm] to a bunch of various
[Cm] Security people that were around us and they [Eb] laughed and said no you were allowed [Ab] to do that
You know, everyone's out there with it [Fm] with a an iPhone camera now
[Cm] videoing them
[Eb] _ _ [Ab] _ [Fm] I love the fact that
[Cm] so many people, you know [Eb] still not just relate to this song, but have discovered it in in years [Fm] since and
_ [Cm]
And it's become you know an important [Ab] song or a pivotal song in their lives and [Fm] that's the the longevity of it is [Cm] is really
[Bb] It's really an astounding thing.
And again, it's it's it's a piece of my life that that
It's like the blood in my veins
[Db] Did everything work out the I'm not gonna do a Ringo [Abm] impression because I've done too many bad ones
But he said did everything work out [Dbm] from the other day?
I heard you having a big disagreement in here
And I thought it was sounding great.
I said, what was that about?
He said you kept going on about the bloody [Gbm] cowbells before the album cover photo session
But we needed to have a fifth member in the band
[B] Now we'd always been a two guitar bass and drums band
But the record company said no you have to have a keyboard player.
So just for laughs we got Matthew's brother
Paul Greenberg to appear and he appears on the album cover doesn't play a note of music _ _ _ _ _ _ _

Facts about this song

This song finds its place within the Best Of... album.

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