Chords for Behind the scenes at Abbey Road with David Brent/Ricky Gervais
Tempo:
139.2 bpm
Chords used:
D
C
G
Em
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E] [D] [Em] [D]
[E] [D] [C] [G]
[E] [Em] [D]
[G]
[Em] [Dm] Here we are, [Em] the last minute [D] suite, [C] room 6, come with me.
[D] So, [Em] we're here [D] today at the world famous [C] Abbey Road
[D] Studios, home of the Beatles, amongst
others, [Am] and we're [C] mastering the David Brent [G] album, Life on the Road.
[D] Mastering, you say
you've recorded [A] it, you've mixed it, [C] then the mastering is getting all the EQ, [A] all [D] just
[Em] lovely and right, the [D] album.
That's as much as I know, [C]
[G] don't ask me a question about it.
No, slow, is it?
Right, is that it?
[E] One [D] take wonder.
[Gm] They're not very good, but I did them
in one [G] take.
So, I've just tried [D] to [G] briefly explain what [C] mastering [G] means.
So, what is
it?
It's just making [D] it sound [G] lovely, yeah?
[A] Yeah, [C] tiny little bit of polish on the end
of it, just to [G] try and get as much as [D] you can out of it.
So, I saw, right?
Yeah.
[Am] And
then they take the [C] magic and [Em] put it onto this, which [D] then [G] goes to the shops, and then you
buy that and you put [D] it on your
[A] ferny thing and it comes [C] out of the loudspeaker and you
love it.
[G] And that's how [D] the Beatles were born.
[A] [C] I do a guide vocal and they go, you
do the [G] real one, I go, that's enough.
You don't want to kill [Dm] yourself, do you?
It's
only rock and roll, but I like it.
[C] We go [G] through a musical journey from this [F] sort of Americana
[G] country rock, [C]
alt, through [G] to modern [F] rap.
Right, [C] modern to him.
It's a fine [G] line [F] between
irony and me just being a [Cm] pillock for [G] fun.
[D] [Am]
[Bm] [C] We're going to make a record [Em] today.
[D] So, is
that [Em] cutting, [D] that's cutting the groove?
[Am] So, the stylus picks [Bm] up [C] the tiniest little [Em] vibrato.
[D] I know I sound like an [Em] idiot, but I am in awe.
I can [D] see how they [Em] invented the fork.
[A] Do [Em] you know what I mean?
I can go, [D] well, it needs [C] to be the fork, but [E] not, how can we,
how can you put sound onto a record to hear it back the way, [Eb] what?
You have a cup and
a pin, you put that in the groove.
You can [Ab] oscillate and make the bottom [Bb] of the cup.
Well, that's how the Flintstones [Eb] made records.
[Cm] They got a [Ab] stork who stood there [Eb] and he put
his beak on the record and the sound would [Ab] come out of his arse and that is how cavemen
[Bb] [Eb] made records.
So, if that's the one show, there's a complete history of recording.
Tell
them they don't need [Bb] Giles Brandreth anymore.
[Eb] [Cm]
[Eb]
[E] [D] [C] [G]
[E] [Em] [D]
[G]
[Em] [Dm] Here we are, [Em] the last minute [D] suite, [C] room 6, come with me.
[D] So, [Em] we're here [D] today at the world famous [C] Abbey Road
[D] Studios, home of the Beatles, amongst
others, [Am] and we're [C] mastering the David Brent [G] album, Life on the Road.
[D] Mastering, you say
you've recorded [A] it, you've mixed it, [C] then the mastering is getting all the EQ, [A] all [D] just
[Em] lovely and right, the [D] album.
That's as much as I know, [C]
[G] don't ask me a question about it.
No, slow, is it?
Right, is that it?
[E] One [D] take wonder.
[Gm] They're not very good, but I did them
in one [G] take.
So, I've just tried [D] to [G] briefly explain what [C] mastering [G] means.
So, what is
it?
It's just making [D] it sound [G] lovely, yeah?
[A] Yeah, [C] tiny little bit of polish on the end
of it, just to [G] try and get as much as [D] you can out of it.
So, I saw, right?
Yeah.
[Am] And
then they take the [C] magic and [Em] put it onto this, which [D] then [G] goes to the shops, and then you
buy that and you put [D] it on your
[A] ferny thing and it comes [C] out of the loudspeaker and you
love it.
[G] And that's how [D] the Beatles were born.
[A] [C] I do a guide vocal and they go, you
do the [G] real one, I go, that's enough.
You don't want to kill [Dm] yourself, do you?
It's
only rock and roll, but I like it.
[C] We go [G] through a musical journey from this [F] sort of Americana
[G] country rock, [C]
alt, through [G] to modern [F] rap.
Right, [C] modern to him.
It's a fine [G] line [F] between
irony and me just being a [Cm] pillock for [G] fun.
[D] [Am]
[Bm] [C] We're going to make a record [Em] today.
[D] So, is
that [Em] cutting, [D] that's cutting the groove?
[Am] So, the stylus picks [Bm] up [C] the tiniest little [Em] vibrato.
[D] I know I sound like an [Em] idiot, but I am in awe.
I can [D] see how they [Em] invented the fork.
[A] Do [Em] you know what I mean?
I can go, [D] well, it needs [C] to be the fork, but [E] not, how can we,
how can you put sound onto a record to hear it back the way, [Eb] what?
You have a cup and
a pin, you put that in the groove.
You can [Ab] oscillate and make the bottom [Bb] of the cup.
Well, that's how the Flintstones [Eb] made records.
[Cm] They got a [Ab] stork who stood there [Eb] and he put
his beak on the record and the sound would [Ab] come out of his arse and that is how cavemen
[Bb] [Eb] made records.
So, if that's the one show, there's a complete history of recording.
Tell
them they don't need [Bb] Giles Brandreth anymore.
[Eb] [Cm]
[Eb]
Key:
D
C
G
Em
A
D
C
G
[E] _ _ [D] _ [Em] _ _ _ [D] _ _
[E] _ _ [D] _ _ [C] _ _ _ [G] _
[E] _ _ [Em] _ _ _ _ [D] _ _
_ _ _ _ [G] _ _ _ _
[Em] _ _ _ _ _ _ [Dm] Here we are, [Em] the last minute [D] suite, [C] room 6, come with me.
_ [D] So, _ [Em] _ we're here [D] today at the world famous [C] Abbey Road _
[D] Studios, home of the Beatles, _ amongst
others, [Am] _ and we're [C] mastering the David Brent [G] album, Life on the Road.
_ [D] Mastering, you say
you've recorded [A] it, you've mixed it, [C] then the mastering is getting all the EQ, [A] all [D] just
[Em] lovely and right, the [D] album.
That's as much as I know, _ [C] _
[G] don't ask me a question about it.
No, slow, is it?
Right, is that it?
[E] One [D] take wonder.
[Gm] They're not very good, but I did them
in one [G] take.
So, I've just tried [D] to [G] briefly explain what [C] mastering [G] means.
So, what is
it?
It's just making [D] it sound [G] lovely, yeah?
[A] Yeah, [C] tiny little bit of polish on the end
of it, just to [G] try and get as much as [D] you can out of it.
So, I saw, right?
Yeah.
[Am] And
then they take the [C] magic and [Em] put it onto this, which [D] then [G] goes to the shops, and then you
buy that and you put [D] it on your _ _
[A] _ ferny thing and it comes [C] out of the loudspeaker and you
love it.
[G] And that's how [D] the Beatles were born.
_ [A] _ _ [C] I _ _ do a guide vocal and they go, you
do the [G] real one, I go, that's enough.
You don't want to kill [Dm] yourself, do you?
It's
only rock and roll, _ but I like it.
[C] We go [G] through a musical journey from this [F] sort of _ Americana
[G] country rock, [C]
alt, through [G] to _ modern [F] rap. _
_ _ Right, [C] modern to him.
_ It's a fine [G] line _ _ [F] between
_ irony and me just being a [Cm] pillock for [G] fun. _
_ [D] _ _ _ _ _ [Am] _ _
_ [Bm] _ [C] _ _ We're going to make a record [Em] today.
[D] So, is
that [Em] cutting, [D] that's cutting the groove? _
[Am] So, the stylus picks [Bm] up [C] _ the tiniest little [Em] vibrato.
[D] I know I sound like an [Em] idiot, but I am in awe.
I can [D] see how they [Em] invented the fork.
_ [A] Do [Em] you know what I mean?
I can go, [D] well, it needs [C] to be the fork, but [E] not, how can we,
how can you put sound onto a record to hear it back the way, [Eb] what?
You have a cup and
a pin, you put that in the groove.
You can [Ab] oscillate and make the bottom [Bb] of the cup.
Well, that's how the Flintstones [Eb] made _ _ records.
[Cm] They got a [Ab] stork who stood there [Eb] and he put
his beak on the record _ and the sound would [Ab] come out of his arse and that is how cavemen
_ _ [Bb] _ _ _ [Eb] made records. _
_ So, if that's the one show, there's a complete history of recording.
Tell
them they don't need [Bb] Giles Brandreth anymore.
[Eb] _ _ _ _ _ _ [Cm] _ _ _ _
[Eb] _ _ _ _ _ _ _ _
[E] _ _ [D] _ _ [C] _ _ _ [G] _
[E] _ _ [Em] _ _ _ _ [D] _ _
_ _ _ _ [G] _ _ _ _
[Em] _ _ _ _ _ _ [Dm] Here we are, [Em] the last minute [D] suite, [C] room 6, come with me.
_ [D] So, _ [Em] _ we're here [D] today at the world famous [C] Abbey Road _
[D] Studios, home of the Beatles, _ amongst
others, [Am] _ and we're [C] mastering the David Brent [G] album, Life on the Road.
_ [D] Mastering, you say
you've recorded [A] it, you've mixed it, [C] then the mastering is getting all the EQ, [A] all [D] just
[Em] lovely and right, the [D] album.
That's as much as I know, _ [C] _
[G] don't ask me a question about it.
No, slow, is it?
Right, is that it?
[E] One [D] take wonder.
[Gm] They're not very good, but I did them
in one [G] take.
So, I've just tried [D] to [G] briefly explain what [C] mastering [G] means.
So, what is
it?
It's just making [D] it sound [G] lovely, yeah?
[A] Yeah, [C] tiny little bit of polish on the end
of it, just to [G] try and get as much as [D] you can out of it.
So, I saw, right?
Yeah.
[Am] And
then they take the [C] magic and [Em] put it onto this, which [D] then [G] goes to the shops, and then you
buy that and you put [D] it on your _ _
[A] _ ferny thing and it comes [C] out of the loudspeaker and you
love it.
[G] And that's how [D] the Beatles were born.
_ [A] _ _ [C] I _ _ do a guide vocal and they go, you
do the [G] real one, I go, that's enough.
You don't want to kill [Dm] yourself, do you?
It's
only rock and roll, _ but I like it.
[C] We go [G] through a musical journey from this [F] sort of _ Americana
[G] country rock, [C]
alt, through [G] to _ modern [F] rap. _
_ _ Right, [C] modern to him.
_ It's a fine [G] line _ _ [F] between
_ irony and me just being a [Cm] pillock for [G] fun. _
_ [D] _ _ _ _ _ [Am] _ _
_ [Bm] _ [C] _ _ We're going to make a record [Em] today.
[D] So, is
that [Em] cutting, [D] that's cutting the groove? _
[Am] So, the stylus picks [Bm] up [C] _ the tiniest little [Em] vibrato.
[D] I know I sound like an [Em] idiot, but I am in awe.
I can [D] see how they [Em] invented the fork.
_ [A] Do [Em] you know what I mean?
I can go, [D] well, it needs [C] to be the fork, but [E] not, how can we,
how can you put sound onto a record to hear it back the way, [Eb] what?
You have a cup and
a pin, you put that in the groove.
You can [Ab] oscillate and make the bottom [Bb] of the cup.
Well, that's how the Flintstones [Eb] made _ _ records.
[Cm] They got a [Ab] stork who stood there [Eb] and he put
his beak on the record _ and the sound would [Ab] come out of his arse and that is how cavemen
_ _ [Bb] _ _ _ [Eb] made records. _
_ So, if that's the one show, there's a complete history of recording.
Tell
them they don't need [Bb] Giles Brandreth anymore.
[Eb] _ _ _ _ _ _ [Cm] _ _ _ _
[Eb] _ _ _ _ _ _ _ _