Chords for Behind The Music - Tilak Kamod | The Anirudh Varma Collective

[F#] _ _ [G#m] _ [D#m] _ _ _ [B] _ _
[F#] _ _ [G#m] _ _ [A#] _ [G#] _ [B] _ [C#] _
[F#] _ [G#m] _ _ _ [A#m] _ _ [B] _ _
[F#] _ [C#] _ _ [G#m] I have brought [F#] _ _
[B] [F#] in, like I started the [C#] piece with my vocals and then Sabtak's [B] vocals come in.
And as far as the vibe in essence goes, [C#] I think this track is [F#] extremely big.
[G#m] It sounds very big, it sounds [F#] very grand in a [B] manner of saying.
[F#] And I think the vocals are [C#] shaping up to [B] be, to sound extremely nice and I [A#m] quite liked
towards the end, I mean there [G#m] are lots of backing vocalists involved [F#] in this track.
[B]
It has a [C#] touch of folk.
[F#] At the same time, it has maintained the purity.
[D#] It was [F#] a challenge for me to play on this guitar because [Bm] we generally play [A#] on C sharp
or D or [G#m] max on D sharp.
[F#] But when Anirudh sent [C#] me the track, when he sent me the bounce, [F#] I was extremely [B] happy
[D#m] and [A#] looking forward to play.
[G#m] It's so good, [F#] so beautiful, [E]
[D#m] so_
[F#] I don't have words to express how beautiful [C#] he had [F#] compiled the entire track.
_ _ _ _ [B] _ _ [F#] _
[B] _ _ _ _ _ _ [F#] _ _
[B] In this [C#] tune, [B] which was sort of countermelody to [C#] this, to the [F#] main theme, [G#m] so I mean it [F#] was something different.
[B] It was something [F#] not very [A#m] into, I [B] mean not very Indian to us.
A little [A#m] tune that supports [F#] the track.
_ [C#] _ _ _
[A#m] _ [B] _ _ _ _ _ _ _
[C#] [B] I had huge fondness for this raag [F#] and one great [C#] thing I felt about this collective as
well [B] as this track is that the honesty of the raag is not lost.
[F#] We start from the key element [B] of this raag, which is this [F#] notes on the piano that start
the track [C#] and that is where [B] we come in.
And it [F#] again comes back in the [G#m] tranquillity [F#] of the tune.
_ [A#m] I _ [B] _ [F#] _ _
_ _ _ _ [A#m] _ [B] [F#] like how he has [C#] _ really thought [A#m] over [B] the sound.
[F#] [G#m] We need to compliment what the [A#m] vocalist is doing.
So [Bm] my approach [F#] in all the tracks has been to [B] compliment what the vocalist has been singing.
_ [A#] _ _
[G#m] _ _ [F#] _ _ [B] _ _ [C#] _ _
[F#m] _ [B] _ [F#] I really enjoyed [G#m] the [C#] subtleness in [C#m] how [B] the track [F#] was and a big thing is [G#m] the space that
[C#]
I heard and I felt [B] also and I [F#] approached it in a very [B] melodic [A#] groove kind of a manner
when it's [G#m] moving on [B] throughout the track.
_ _ _ [F#] _ _
[A#m] _ _ [B] _ _ _ _ [A#m] We have [D#m] kept one [F#] thing in mind, the [B] things that [A#] are really [G#m] important for [B] the people [F#] who are listening.
[C#] It should [B] sound [C#m] melodic and it should sound [B] groovy [F#] at the same time.
_ _ _ _ [B] _ _
[F#] _ _ _ _ [B] _ _ _ _
[F#] _ _ [B] _ [F#m] They kind of [C#] have their own [F#] parts played.
At the very end after the drum solo and after the star playing its part, they come [C#] together
for the first time.
[F#] The toughest part was [B] when those are at the end of it and sound too busy or [F#] too much.
[B] _ _ [C#] _ _ [D#m] _ _ [F#] _ _
[G#] _ _ [C#] _ _ [B] _ _ [G#m] _ _
[A#m] It's been quite [B] an honor to come and [E] lend my vocals [G#m] for this track specifically because
[A#m] it's always [B] interesting to [C#m] sing in projects that bring in [G#m] different genres together [A#m] that
aim at [D#m] looking at a particular piece of music [E] from a Hindustani classical point of view
[G#m] as well as a western classical point of [A#m] view.
So it's been a really nice experience [F] hanging out [E] whatever little I know of Telak [F#] Kamol
to life and I just really hope [B] that everybody enjoys [F#] this track.
This song is also dedicated [C#] to my paternal grandfather [B]
because [F#] this is one Raag which
was very close to him and [B] in fact we thought it [F#] was a clip of his.
We sing the same Baldish before we start the video. _
_ _ _ _ _ _ _ _