Chords for Behemoth's Nergal on Satan + Kentucky Bible Incident

Tempo:
57.8 bpm
Chords used:

Bb

C

F

A

Ebm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Behemoth's Nergal on Satan + Kentucky Bible Incident chords
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[Bb] [N] One of my favorite lines that you say in the book is,
my devil is colorful.
I really like that line.
Like a rainbow, huh?
Yes, exactly.
It's coming out.
Plot twist.
I see you as a fairly colorful guy yourself.
My gay devil.
Yes.
Oh God, the manliest devil.
You know what I mean.
Anyway, does your perception of your view of the devil sort of inspire who you want to be as a person?
It works both ways.
It's a give and take kind of deal with the universe, basically.
Yes, of course.
I'm projecting my life.
I'm projecting my being.
I definitely have images of myself five years down the road.
I see myself in a certain place with certain people around me.
So yes, I do it.
But it's less like, you know, it's no magic here.
It's like a coaching kind of way of thinking.
More like life design kind of thinking that I've been absorbed with lately.
And I love that.
Just projecting your life and just thinking how things can be.
And basically you're in charge.
You choose how you want to run your life.
Not to be dependent on other people.
Just to be dependent on yourself and your way of seeing things.
And just choosing the things that are right to you.
One of the great stories in the book is the famous Devil Wears Prada story.
The Bible on stage.
And I actually got to ask them about this.
This is what they said.
So you can tell me if this is right or wrong.
They said that someone from the crowd threw a Bible up on stage to them.
And then when they were done with their set, they just picked it up like,
Oh, I'm not going to leave this on stage.
These are Christian guys.
And then somebody backstage approached them and said,
Hey, could I grab that from you?
And they were just like, Oh, sure.
Eventually it ended up in your hand.
No, I remember, if I'm correct, because there's a few EVs.
I'm just mixing them up together.
So I don't really know what the order was.
But I believe it was Sounds of the Underground.
It was a really hot day.
And it was just
In Kentucky, I think.
Yeah, exactly.
Chris, were you on the tour?
I bet you remember that day.
The Bible from him.
Oh, you're the tour?
No way!
And Chris was the guy who just came to me and said,
Hey, that band that played before you, Devil Wears Prada,
they just wanted to give you that book.
Really?
Yeah, that's what he said.
I don't know if they did that, but he was probably taking piss out of me just doing that.
So I just grabbed that book and was like, Really?
And I went to my guitarist and said,
Give it to me before we play Christians to the Lions.
Why?
Don't ask.
Just give it to me before that song.
And it kind of infuriated me in a way.
Not that it pissed me off that easily,
but I felt that it's some kind of play.
And obviously I won't be attacking Catholics physically or verbally.
It's stupid, it's childish.
But then this is a stage and I always compare stage to
I mean, if they preach on stage and they use music as their weapon,
which they have a sole right to do that,
I'm like, Hey, if this is a ring, let me do my thing.
And I did my thing.
That's it.
And then it developed into part of the show.
And I regret nothing, obviously,
now considering the fact that I had to fucking battling in the court for six years,
eventually winning the case.
Yes, absolutely.
Freedom of expression.
Yeah, it was all worth it.
And no one likes to have someone else's belief pushed upon.
No matter what.
Of course.
There you have it.
So I imagine being on stage in front of your fans, playing your music.
It's an amazing feeling, a sense of unity, a connection with the world.
Would you say that on stage you feel something a little divine at times?
Yeah, something transcendental, I'd say.
I drift away.
I'm just drifting somewhere.
I'm just
Yeah, it's
Yeah, I mean, things are happening.
Don't ask me.
It's not really the place to define what's happening.
But it's something
It must be hard to articulate.
Yeah, something metaphysical occasionally.
Obviously, I know what I'm doing, I know where I am,
but then I'm like somewhere else.
And there's the synergies, when they clash together,
when they mix with each other.
And I do admit that I feed on people's energy as much as they feed on my energy.
And it's amazing when they can meet and co-exist and come out.
It makes the whole show and the spectacle so overwhelming experience.
I love that.
I love that.
I mean, it's a powerhouse.
[C] [F] [Bb] [A] [C]
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Bb
12341111
C
3211
F
134211111
A
1231
Ebm
13421116
Bb
12341111
C
3211
F
134211111
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[Bb] _ _ _ [N] One of my favorite lines that you say in the book is,
my devil is colorful.
I really like that line.
Like a rainbow, huh?
Yes, exactly.
It's coming out.
Plot twist.
I see you as a fairly colorful guy yourself.
My gay devil.
Yes.
Oh God, the manliest devil.
You know what I mean.
Anyway, does your perception of your view of the devil sort of inspire who you want to be as a person?
It works both ways.
It's a give and take kind of deal with the universe, basically.
Yes, of course.
I'm projecting my life.
I'm projecting my being.
I definitely have images of myself five years down the road.
I see myself in a certain place with certain people around me.
So yes, I do it.
But it's less like, you know, it's no magic here.
It's like a coaching kind of way of thinking.
More like life design kind of thinking that I've been absorbed with lately.
And I love that.
Just projecting your life and just thinking how things can be.
And basically you're in charge.
You choose how you want to run your life.
Not to be dependent on other people.
Just to be dependent on yourself and your way of seeing things.
And just choosing the things that are right to you.
One of the great stories in the book is the famous Devil Wears Prada story.
The Bible on stage.
And I actually got to ask them about this.
This is what they said.
So you can tell me if this is right or wrong.
They said that someone from the crowd threw a Bible up on stage to them.
And then when they were done with their set, they just picked it up like,
Oh, I'm not going to leave this on stage.
These are Christian guys.
And then somebody backstage approached them and said,
Hey, could I grab that from you?
And they were just like, Oh, sure.
Eventually it ended up in your hand.
No, I remember, if I'm correct, because there's a few EVs.
I'm just mixing them up together.
So I don't really know what the order was.
But I believe it was Sounds of the Underground.
It was a really hot day.
And it was just_
In Kentucky, I think.
Yeah, exactly.
Chris, were you on the tour?
I bet you remember that day.
The Bible from him.
Oh, you're the tour?
No way!
And Chris was the guy who just came to me and said,
Hey, that band that played before you, Devil Wears Prada,
they just wanted to give you that book.
Really?
Yeah, that's what he said.
I don't know if they did that, but he was probably taking piss out of me just doing that.
So I just grabbed that book and was like, Really?
And I went to my guitarist and said,
Give it to me before we play Christians to the Lions.
Why?
Don't ask.
Just give it to me before that song.
And it kind of infuriated me in a way.
Not that it pissed me off that easily,
but I felt that it's some kind of play.
And obviously I won't be attacking Catholics physically or verbally.
It's stupid, it's childish.
But then this is a stage and I always compare stage to_
I mean, if they preach on stage and they use music as their weapon,
which they have a sole right to do that,
I'm like, Hey, if this is a ring, let me do my thing.
And I did my thing.
That's it.
And then it developed into part of the show.
And I regret nothing, obviously,
now considering the fact that I had to fucking battling in the court for six years,
eventually winning the case.
Yes, absolutely.
Freedom of expression.
Yeah, it was all worth it.
And no one likes to have someone else's belief pushed upon.
No matter what.
Of course.
There you have it.
So I imagine being on stage in front of your fans, playing your music.
It's an amazing feeling, a sense of unity, a connection with the world.
Would you say that on stage you feel something a little divine at times?
Yeah, something transcendental, I'd say.
I drift away.
I'm just drifting somewhere.
I'm just_
Yeah, it's_
Yeah, I mean, things are happening.
Don't ask me.
It's not really the place to define what's happening.
But it's something_
It must be hard to articulate.
Yeah, something metaphysical occasionally.
Obviously, I know what I'm doing, I know where I am,
but then I'm like somewhere else.
And there's the synergies, when they clash together,
when they mix with each other.
And I do admit that I feed on people's energy as much as they feed on my energy.
And it's amazing when they can meet and co-exist and come out.
It makes the whole show and the spectacle so overwhelming experience.
I love that.
I love that.
I mean, it's a powerhouse.
[C] _ [F] _ [Bb] _ [A] _ _ [C] _

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