Chords for BEE GEES - Still Waters Run Deep - LIVE - UK TV performance 1997 + interviews
Tempo:
100.55 bpm
Chords used:
A
Bm
G
C#m
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I
[A] admit I've been a fool sometimes.
[A] I believe I'm even losing you.
No one ever [F#m] believed me.
Tell you I'm [C#m] ashamed.
[F#m] You didn't stand a chance.
You know the [Bm] night took me [C#m] in your arms.
And you told me [D] we don't do what the real do.
You never stood a [A] chance.
You [F] said I'm wrong.
[G]
Don't [A] need it.
[F] I'm in pain.
[G]
I'm watching you as you move on.
I'm in pain.
Just remember, we [Bm] lied to each other.
No one will ever preserve [A] me.
We became a real show.
Seemed [Bm] uniquely like a joke.
This is all we need to [A] know.
[F]
[G] [A] You're sleeping in your room.
I can't believe you're gone.
[G] I confess, no one is my addiction.
[A] Will you leave [F#m] me?
I don't want to let you [C#m] go.
[F#m] Out of the darkness.
I'm in
[Bm] [C#m] your arms.
I can't take [D] it.
Please don't leave me, ship.
I'm not too scared to be [A] delivered.
The [F] goddess sight.
[G] Reminds.
The [A] sweetest prayer.
Who can [F] just stand by.
[G] Let you.
God, [A] I love you, stairs.
I'm in pain.
I'm in pain.
Just remember, [Bm] we lied to each other.
No one will ever preserve me.
[A] We became a real show.
Seemed uniquely [Bm] like a joke.
This is all we need to [C#m] know.
Don't let it get too close to [Bm] you.
We're not a stranger.
The dream is [C#m] free.
I know I'm all of you.
Maybe if I [Bm] cry.
Maybe we should kiss and say [A] goodbye.
[F] I'm [G] in [A] pain.
I'm in pain.
Just remember, we [Bm] lied to each other.
No one will ever preserve me.
[A] We became a real show.
There's a struggle when you [Bm] start for affection.
This is all we need to [G] know.
[A#] [Fm]
[A#] [N] What?
Not many groups.
Not many groups survive 30 years in the fickle world of pop.
This next group have done just that.
And they seem to get bigger and better and better.
Will you welcome the BG?
[A#m] [D#]
[D] [C#] [Fm] [A#]
[C#] [F#] [Fm] [D]
[G#m] What are you [N] saying?
I don't understand.
What happened to you?
I don't know.
I thought you were going to go off again.
That says it all.
Wembley concerts, new CDs, Saturday Night Fever at the Palladium.
The BG's are very much back in fashion.
That's very nice of you to say.
Not that you ever went to one.
I saw an interview quite recently.
It's water.
I saw an interview quite recently in Australia.
You compared yourselves to
Three Stooges?
Not the Three Stooges.
I like that.
You said at one time, like Oasis and the Gallagher brothers.
Weren't some things I'm reading in the press that he's supposed to have said?
We went through that as well.
We were actually doing things in a similar way.
We'd be doing tours in America.
One of us would suddenly get on a plane and go back to England.
That's what we would do.
We'd do the same thing.
We would fight through the papers.
Instead of fighting with each other, we would say things to reporters about each other.
So they'd read it in the papers.
This is what we call first fame.
When you go through fame for the first time, you do go crazy.
Your ego goes out of control.
You believe what you read about yourself.
You think it's going to last forever.
Before all these phenomenal hits, you were writing songs.
I was told you were writing love songs.
What the heck do you know about love?
Have you met our sister?
No.
I was always in love when I was a kid.
My first song, my first idea
He was always on his own.
LAUGHTER
[E] What did you guys [G] think?
You went to see Saturday Night Fever at the Playdium, right?
Did the memories come flooding back [N] to the time when you wrote those songs years ago?
Flooding!
Then you were thinking about the money.
Flooding!
What I was actually thinking about was
It's the first time I've seen that format of our songs being presented in that way.
Fever was never a musical.
Now it was a play with music, like Sunset Boulevard,
which is an old movie made into a musical.
In the film, nobody actually sings the song.
You've written for other stars, Bob Streisand, Woman in Love,
Dionne Warwick, Heartbreaker, and Celine Dion, Immortality.
What's the story about that?
Was that written?
That was written for the musical, Saturday Night Fever.
This new version?
Yes, they wanted
Robert Stigwood called us up and asked for one more song.
A big ballad, if possible, and that's what we came up with.
But really, Immortality's about us, it's about anyone's dream.
Why are you laughing at?
What?
What?
I don't find that funny, do you?
Careful, lads, I want you to stay for the whole interview.
LAUGHTER
LAUGHTER
You can do anything you want, you can say anything you want.
This is your gig.
Do you mind, can we have a little jam session?
Just bits and pieces.
This is lovely, guys.
This is the [G#m] one that Pras-Michael did recently, Ghetto Superstar.
Yeah, it's been [A] on the charts.
That's right.
It's a big record.
OK.
[A] admit I've been a fool sometimes.
[A] I believe I'm even losing you.
No one ever [F#m] believed me.
Tell you I'm [C#m] ashamed.
[F#m] You didn't stand a chance.
You know the [Bm] night took me [C#m] in your arms.
And you told me [D] we don't do what the real do.
You never stood a [A] chance.
You [F] said I'm wrong.
[G]
Don't [A] need it.
[F] I'm in pain.
[G]
I'm watching you as you move on.
I'm in pain.
Just remember, we [Bm] lied to each other.
No one will ever preserve [A] me.
We became a real show.
Seemed [Bm] uniquely like a joke.
This is all we need to [A] know.
[F]
[G] [A] You're sleeping in your room.
I can't believe you're gone.
[G] I confess, no one is my addiction.
[A] Will you leave [F#m] me?
I don't want to let you [C#m] go.
[F#m] Out of the darkness.
I'm in
[Bm] [C#m] your arms.
I can't take [D] it.
Please don't leave me, ship.
I'm not too scared to be [A] delivered.
The [F] goddess sight.
[G] Reminds.
The [A] sweetest prayer.
Who can [F] just stand by.
[G] Let you.
God, [A] I love you, stairs.
I'm in pain.
I'm in pain.
Just remember, [Bm] we lied to each other.
No one will ever preserve me.
[A] We became a real show.
Seemed uniquely [Bm] like a joke.
This is all we need to [C#m] know.
Don't let it get too close to [Bm] you.
We're not a stranger.
The dream is [C#m] free.
I know I'm all of you.
Maybe if I [Bm] cry.
Maybe we should kiss and say [A] goodbye.
[F] I'm [G] in [A] pain.
I'm in pain.
Just remember, we [Bm] lied to each other.
No one will ever preserve me.
[A] We became a real show.
There's a struggle when you [Bm] start for affection.
This is all we need to [G] know.
[A#] [Fm]
[A#] [N] What?
Not many groups.
Not many groups survive 30 years in the fickle world of pop.
This next group have done just that.
And they seem to get bigger and better and better.
Will you welcome the BG?
[A#m] [D#]
[D] [C#] [Fm] [A#]
[C#] [F#] [Fm] [D]
[G#m] What are you [N] saying?
I don't understand.
What happened to you?
I don't know.
I thought you were going to go off again.
That says it all.
Wembley concerts, new CDs, Saturday Night Fever at the Palladium.
The BG's are very much back in fashion.
That's very nice of you to say.
Not that you ever went to one.
I saw an interview quite recently.
It's water.
I saw an interview quite recently in Australia.
You compared yourselves to
Three Stooges?
Not the Three Stooges.
I like that.
You said at one time, like Oasis and the Gallagher brothers.
Weren't some things I'm reading in the press that he's supposed to have said?
We went through that as well.
We were actually doing things in a similar way.
We'd be doing tours in America.
One of us would suddenly get on a plane and go back to England.
That's what we would do.
We'd do the same thing.
We would fight through the papers.
Instead of fighting with each other, we would say things to reporters about each other.
So they'd read it in the papers.
This is what we call first fame.
When you go through fame for the first time, you do go crazy.
Your ego goes out of control.
You believe what you read about yourself.
You think it's going to last forever.
Before all these phenomenal hits, you were writing songs.
I was told you were writing love songs.
What the heck do you know about love?
Have you met our sister?
No.
I was always in love when I was a kid.
My first song, my first idea
He was always on his own.
LAUGHTER
[E] What did you guys [G] think?
You went to see Saturday Night Fever at the Playdium, right?
Did the memories come flooding back [N] to the time when you wrote those songs years ago?
Flooding!
Then you were thinking about the money.
Flooding!
What I was actually thinking about was
It's the first time I've seen that format of our songs being presented in that way.
Fever was never a musical.
Now it was a play with music, like Sunset Boulevard,
which is an old movie made into a musical.
In the film, nobody actually sings the song.
You've written for other stars, Bob Streisand, Woman in Love,
Dionne Warwick, Heartbreaker, and Celine Dion, Immortality.
What's the story about that?
Was that written?
That was written for the musical, Saturday Night Fever.
This new version?
Yes, they wanted
Robert Stigwood called us up and asked for one more song.
A big ballad, if possible, and that's what we came up with.
But really, Immortality's about us, it's about anyone's dream.
Why are you laughing at?
What?
What?
I don't find that funny, do you?
Careful, lads, I want you to stay for the whole interview.
LAUGHTER
LAUGHTER
You can do anything you want, you can say anything you want.
This is your gig.
Do you mind, can we have a little jam session?
Just bits and pieces.
This is lovely, guys.
This is the [G#m] one that Pras-Michael did recently, Ghetto Superstar.
Yeah, it's been [A] on the charts.
That's right.
It's a big record.
OK.
Key:
A
Bm
G
C#m
F
A
Bm
G
_ _ I _ _ _ _
[A] _ admit I've been a fool sometimes. _
[A] _ I believe I'm even losing you.
No one ever [F#m] believed me.
Tell you I'm [C#m] ashamed.
_ _ [F#m] You didn't stand a chance.
_ You know the [Bm] night took me [C#m] in your arms.
And you told me [D] we don't do what the real do.
You never stood a [A] chance.
You [F] said I'm wrong.
[G] _ _ _
Don't [A] need it. _ _ _ _
[F] _ I'm in pain.
[G] _ _ _
I'm watching you as you move on.
I'm in pain.
Just remember, we [Bm] lied to each other.
No one will ever preserve [A] me.
We became a real show.
Seemed [Bm] uniquely like a joke.
This is all we need to [A] know.
_ _ [F] _ _ _ _
[G] _ _ _ [A] You're sleeping in your room.
I can't believe you're gone.
_ [G] _ I confess, no one is my addiction.
[A] Will you leave [F#m] me?
I don't want to let you [C#m] go. _ _
[F#m] Out of the darkness.
_ _ I'm in _
[Bm] _ _ _ [C#m] your arms.
I can't take [D] it.
Please don't leave me, ship.
I'm not too scared to be [A] delivered.
_ The [F] goddess sight. _ _
[G] _ Reminds.
The [A] sweetest prayer. _ _
_ _ Who can [F] just stand by.
[G] Let you.
God, [A] I love you, stairs.
I'm _ in pain.
I'm in pain.
Just remember, [Bm] we lied to each other.
No one will ever preserve me.
[A] We _ became a real show.
Seemed uniquely [Bm] like a joke.
This is all we need to [C#m] know. _ _
_ Don't let it get too close to [Bm] you.
We're not a stranger.
The dream is [C#m] free.
I know I'm all of you.
Maybe if I [Bm] cry.
_ Maybe we should kiss and say [A] goodbye.
_ _ [F] I'm [G] in _ _ [A] pain.
I'm in pain.
Just remember, we [Bm] lied to each other.
No one will ever preserve me.
[A] We _ became a real show.
There's a struggle when you [Bm] start for affection.
This is all we need to [G] know. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [A#] _ _ _ [Fm] _ _ _ _
[A#] _ [N] _ What?
_ Not many groups.
Not many groups survive 30 years in the fickle world of pop.
This next group have done just that.
And they seem to get bigger and better and better.
Will you welcome the BG?
_ _ _ [A#m] _ _ _ [D#] _ _
[D] _ [C#] _ _ _ [Fm] _ _ [A#] _ _
[C#] _ _ [F#] _ _ [Fm] _ _ _ [D] _
[G#m] _ _ What are you [N] saying?
I don't understand.
_ _ _ What happened to you?
I don't know.
I thought _ you were going to go off again. _ _ _
_ That says it all.
Wembley concerts, new CDs, _ Saturday Night Fever at the Palladium.
The BG's are very much back in fashion.
That's very nice of you to say.
Not that you ever went to one.
_ I saw an interview quite recently.
It's water.
I saw an interview _ quite recently in Australia.
You compared yourselves to_
Three Stooges?
Not the Three Stooges. _
_ I like that.
You said at one time, like Oasis and the Gallagher brothers.
Weren't some things I'm reading in the press that he's supposed to have said?
We went through that as well.
We were actually doing things in a similar way.
We'd be doing tours in America.
One of us would suddenly get on a plane and go back to England.
_ _ That's what we would do.
We'd do the same thing.
We would fight through the papers.
Instead of fighting with each other, we would say things to reporters about each other.
So they'd read it in the papers.
This is what we call first fame.
When you go through fame for the first time, you do go crazy.
Your ego goes out of control.
You believe what you read about yourself.
You think it's going to last forever.
Before all these phenomenal hits, you were writing songs.
I was told you were writing love songs.
What the heck do you know about love?
_ Have you met our sister?
No.
I was always in love when I was a kid. _
My first song, my first idea_
He was always on his own. _
LAUGHTER
_ [E] _ _ What did you guys [G] think?
_ You went to see Saturday Night Fever at the Playdium, right?
Did the memories come flooding back [N] to the time when you wrote those songs years ago?
Flooding!
_ Then you were thinking about the money.
Flooding!
_ What I was actually thinking about was_
It's the first time I've seen that format of our songs being presented in that way.
Fever was never a musical.
Now it was a play with music, like Sunset Boulevard,
which is an old movie made into a musical.
In the film, nobody actually sings the song.
You've written for other stars, Bob Streisand, Woman in Love,
Dionne Warwick, Heartbreaker, and Celine Dion, Immortality.
What's the story about that?
Was that written_?
That was written for the musical, Saturday Night Fever.
This new version?
Yes, they wanted_
Robert Stigwood called us up and asked for one more song. _
_ A big ballad, if possible, and that's what we came up with.
But really, Immortality's about us, it's about anyone's dream.
Why are you laughing at?
What?
What?
I don't find that funny, do you?
Careful, lads, I want you to stay for the whole interview. _
LAUGHTER _ _ _ _ _ _ _
LAUGHTER
_ _ _ You can do anything you want, you can say anything you want.
This is your gig.
Do you mind, can we have a little jam session?
Just bits and pieces. _ _ _ _ _ _
This is lovely, guys.
This is the [G#m] one that Pras-Michael did recently, Ghetto Superstar.
Yeah, it's been [A] on the charts.
That's right.
It's a big record.
OK.
[A] _ admit I've been a fool sometimes. _
[A] _ I believe I'm even losing you.
No one ever [F#m] believed me.
Tell you I'm [C#m] ashamed.
_ _ [F#m] You didn't stand a chance.
_ You know the [Bm] night took me [C#m] in your arms.
And you told me [D] we don't do what the real do.
You never stood a [A] chance.
You [F] said I'm wrong.
[G] _ _ _
Don't [A] need it. _ _ _ _
[F] _ I'm in pain.
[G] _ _ _
I'm watching you as you move on.
I'm in pain.
Just remember, we [Bm] lied to each other.
No one will ever preserve [A] me.
We became a real show.
Seemed [Bm] uniquely like a joke.
This is all we need to [A] know.
_ _ [F] _ _ _ _
[G] _ _ _ [A] You're sleeping in your room.
I can't believe you're gone.
_ [G] _ I confess, no one is my addiction.
[A] Will you leave [F#m] me?
I don't want to let you [C#m] go. _ _
[F#m] Out of the darkness.
_ _ I'm in _
[Bm] _ _ _ [C#m] your arms.
I can't take [D] it.
Please don't leave me, ship.
I'm not too scared to be [A] delivered.
_ The [F] goddess sight. _ _
[G] _ Reminds.
The [A] sweetest prayer. _ _
_ _ Who can [F] just stand by.
[G] Let you.
God, [A] I love you, stairs.
I'm _ in pain.
I'm in pain.
Just remember, [Bm] we lied to each other.
No one will ever preserve me.
[A] We _ became a real show.
Seemed uniquely [Bm] like a joke.
This is all we need to [C#m] know. _ _
_ Don't let it get too close to [Bm] you.
We're not a stranger.
The dream is [C#m] free.
I know I'm all of you.
Maybe if I [Bm] cry.
_ Maybe we should kiss and say [A] goodbye.
_ _ [F] I'm [G] in _ _ [A] pain.
I'm in pain.
Just remember, we [Bm] lied to each other.
No one will ever preserve me.
[A] We _ became a real show.
There's a struggle when you [Bm] start for affection.
This is all we need to [G] know. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [A#] _ _ _ [Fm] _ _ _ _
[A#] _ [N] _ What?
_ Not many groups.
Not many groups survive 30 years in the fickle world of pop.
This next group have done just that.
And they seem to get bigger and better and better.
Will you welcome the BG?
_ _ _ [A#m] _ _ _ [D#] _ _
[D] _ [C#] _ _ _ [Fm] _ _ [A#] _ _
[C#] _ _ [F#] _ _ [Fm] _ _ _ [D] _
[G#m] _ _ What are you [N] saying?
I don't understand.
_ _ _ What happened to you?
I don't know.
I thought _ you were going to go off again. _ _ _
_ That says it all.
Wembley concerts, new CDs, _ Saturday Night Fever at the Palladium.
The BG's are very much back in fashion.
That's very nice of you to say.
Not that you ever went to one.
_ I saw an interview quite recently.
It's water.
I saw an interview _ quite recently in Australia.
You compared yourselves to_
Three Stooges?
Not the Three Stooges. _
_ I like that.
You said at one time, like Oasis and the Gallagher brothers.
Weren't some things I'm reading in the press that he's supposed to have said?
We went through that as well.
We were actually doing things in a similar way.
We'd be doing tours in America.
One of us would suddenly get on a plane and go back to England.
_ _ That's what we would do.
We'd do the same thing.
We would fight through the papers.
Instead of fighting with each other, we would say things to reporters about each other.
So they'd read it in the papers.
This is what we call first fame.
When you go through fame for the first time, you do go crazy.
Your ego goes out of control.
You believe what you read about yourself.
You think it's going to last forever.
Before all these phenomenal hits, you were writing songs.
I was told you were writing love songs.
What the heck do you know about love?
_ Have you met our sister?
No.
I was always in love when I was a kid. _
My first song, my first idea_
He was always on his own. _
LAUGHTER
_ [E] _ _ What did you guys [G] think?
_ You went to see Saturday Night Fever at the Playdium, right?
Did the memories come flooding back [N] to the time when you wrote those songs years ago?
Flooding!
_ Then you were thinking about the money.
Flooding!
_ What I was actually thinking about was_
It's the first time I've seen that format of our songs being presented in that way.
Fever was never a musical.
Now it was a play with music, like Sunset Boulevard,
which is an old movie made into a musical.
In the film, nobody actually sings the song.
You've written for other stars, Bob Streisand, Woman in Love,
Dionne Warwick, Heartbreaker, and Celine Dion, Immortality.
What's the story about that?
Was that written_?
That was written for the musical, Saturday Night Fever.
This new version?
Yes, they wanted_
Robert Stigwood called us up and asked for one more song. _
_ A big ballad, if possible, and that's what we came up with.
But really, Immortality's about us, it's about anyone's dream.
Why are you laughing at?
What?
What?
I don't find that funny, do you?
Careful, lads, I want you to stay for the whole interview. _
LAUGHTER _ _ _ _ _ _ _
LAUGHTER
_ _ _ You can do anything you want, you can say anything you want.
This is your gig.
Do you mind, can we have a little jam session?
Just bits and pieces. _ _ _ _ _ _
This is lovely, guys.
This is the [G#m] one that Pras-Michael did recently, Ghetto Superstar.
Yeah, it's been [A] on the charts.
That's right.
It's a big record.
OK.