Chords for Bee Gees - GOTCHA -candid camera interview

_ That was [F] better.
_ That was [F] better.
_ _ [N] _ _ _ Hang on, we're just coming.
_ _ I'm frightened of you.
Well, you want to sit in the middle?
Well, it _ doesn't really matter where you sit now.
We've got the video evidence.
Yeah, unfortunately.
This was complicated.
Try to fit into your schedule
and find the moment when we could trap you
in a London hotel.
On the 20th floor, this happened.
And let me introduce the gotcha cast here.
We've got a window cleaner who's going to crop up.
A familiar face who's just going to give him a shock.
There's the maid, big Bee Gees fan.
Then there's the hotel PR man
who gets seriously carried away
at the thought of fame.
And then there's Amanda, who is the journalist
doing the interviewing.
She gets all her facts wrong and she has a hot flush
right in the middle of everything.
_ How will they react?
Well, we didn't really know.
I thought I knew you quite well, but I wasn't quite sure
how it would turn out.
_ They are horribly nice. _
_ I'm not going to press, because they will go to one member of a group
and then quote another member of the group
who's having said something negative.
And so they want a reaction.
So what do you think about what so-and-so said about you
in the same group?
Don't you sometimes think, oh, you know,
if only we could advise them and tell them
that we know we've been there.
They have to go through the chance of the other side,
if you know what I mean.
It's _ experience that you have to do.
You can't really tell people.
No, but you can see.
It's like bringing your children up.
You can point out the potholes in life if they want to step in.
There's a man outside this door.
_ It's the manager. _
_ _ _ Are you with Oasis? _
Was it you that put this film on the door?
You've got to keep this in. _
_ _ _ What's going on?
Excuse [G] me, we're actually doing an interview.
[G] Can you get an eye for it? _ _
_ Nobody told me this was being used today.
Oh.
And it's [N] the management.
We're actually filming _ _
_ We're actually filming in here.
Do you think that you could finish off and come back later?
Well, I'm just stuck on the balcony out here, that's all.
Oh, you're stuck?
Yeah.
Can I just come through?
Yeah, go ahead.
I'm sorry _ to interrupt.
_ [Gm]
So anyway, it's on, believe me.
[Db] _ _ _ I'm very sorry, boys.
_ This is the other member of [G] the group.
I'm sorry.
I'm sorry to interrupt.
I don't know what you're doing here. Excuse us. _
_ We apologise.
_ _ Thank you, Amanda.
_ _ _ Can we [Ab] get back to normal now?
[D] That was brilliant.
What's this on the door?
_ _ _ It's absolutely brilliant.
Okay.
_ _ _ Are you alright?
[G] Are you alright to carry on? Oh, yeah.
_ Maybe [C] we wouldn't have seen that.
So they brought out things in the songs in the production.
So that's made us grow too. Yeah.
_ _ _ _ _ _ It's very hot in here.
You're a bit hot.
Yes, I think I might. _ _
_ It's a bit warm.
_ _ You won't be hassled by anything.
Just get a glass of water. _
_ _ _ _ _ _ Yeah, [Db] I'm alright.
Just a glass of water.
_ I'll just have a bit of water.
_ _ _ _ _ _ _ _
I'm going out of bounds, Nadella.
Be careful. _ _ _ _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I'm going to have a drink. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Em] _ _ _
_ [Gm] I feel the lights go out.
I think she probably has a condition.
_ It's not good.
_ _ _ [G] _ _
_ _ _ _ _ _ _
Three hours later.
It's a good hospital.
[D] _ [G] _ It's a good hospital.
[Gb] It's incredible.
[N] We know. _ _
_ Is it going to be one of those days?
I think it's going to be John Major. _ _
Hello.
_ [G] _ _ _ _ _
_ _ _ Sometimes the lights can get a bit hot in here too.
_ You're closer to them than we are.
You can continue smoking if you want.
[Db] No, I don't like smoking.
If you feel better smoking, have one. Sorry?
No, I'm fine. _
Sometimes it just came over a bit hot.
Yeah.
_ [Ab] _
_ I'll light right above you.
_ _ [Abm] I'm alright.
I'm [D] a _ good bit alcoholic.
Yeah, forget the smoking.
You say one you like, you think,
oh no, that's another one.
I heard How Deep Is Your Love the [G] other night in that club.
I have to say that's got to be
one of the best crafted [Gb] songs you've ever heard.
It's [Gm] beautiful.
You can stand aside from yourself [Gb] and listen.
And to love somebody.
Have [G] there been any that have been
big hits that you _
weren't very keen on that you thought,
I don't know. _
_ _ _ _ _ _ _ _
[Gm] _ _ _ [N] _ I'm so right, love.
How are you?
_ _ Come in.
_ I was coming to do the
_ _ _ [G] DJ. _
_ _ How you doing?
Nice to meet you, love.
_ _ I love you too. _ _
Can't get over this.
[D] _ _ _ [Ab] _ _
_ [A] Excuse me, can you
can you please
is there no way of
[F] Mr.
John, no, give me a chance
to talk to you.
_ _ _ _ Nigel, is there any way
of, I'm [A] sorry, _ _
Nigel, can you, is there any way
of just locking the outside door into the suite?
[Abm] I mean, is there a way?
It's absolutely ridiculous.
_ _ [A]
You must be able to lock
that outside door.
And I'll personally guarantee that there will not be any more of this.
I'm sorry, I can't
believe it.
Absolutely ridiculous.
_ _ [G] I'm terribly sorry.
Are you alright?
I mean, I just wish you'd be able to catch that.
You didn't get around this is ridiculous.
Why on earth don't they lock the
_ it's the door, [D] Nigel,
you check that the door is locked.
_ They do that much.
You know, if you say I really
need some quiet time, they usually just say, oh, I'm sorry.
I think restaurants, I think what's uncomfortable
is if someone's watching you eating.
Yes.
I think I always find that.
You've dribbled spaghetti down.
_ _ _ _ _ [G] I've got a question.
Where's your favourite restaurant?
_ It's not a
commercial station, is it?
[Ab] We can't make commercials.
I'm sorry, _ I'm sure you've got
plenty of questions. _ _
_ What with all this thing going on?
Don't worry about it.
I'll stand [Am] outside the door.
_ _ _ _ [A] It's special.
_ _ Do you want to [Am] do that section again?
[G] Sitting on your laurels
and doing all that stuff.
It's just not us.
Can you explain how
you called yourselves the Bee Gees?
_ _ Yes, sure.
A gentleman by the name of Bill Gates
who was a racing driver.
We were actually singing as children.
_ _ _ _ _ [D] _
_ Oh, there's [B] something going on. _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ [B] _ _ _ _ [E] _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ Over the years, you must have
been interviewed by some real dumbos
or did that take the biscuit?
That's definitely the best.
I didn't know what [Eb] was going on.
Halfway through, it sounded like a pretty normal interview.
_ _ It was really _ _
very strange.
We didn't really know what was going on
but you caught us on an exceptional day.
We were all in such a good mood.
[C] _ I think you wanted to get violent, though, didn't you?
Something horrible, something great.
It was just this idea that we'd leave you all alone
and expect you to rubbish everybody. _
They didn't do it.
_ _ You really did strike us on a really nice day.
It's a good job we didn't say anything really dirty.
_ [F] I've got the most bits.
_ [N] Well, I know
recently you got a Lifetime Achievement Award.
Well done for that.
But this eclipses it completely.
You got one of these awards. _ _ _
_ _ _ [B] _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ Excuse me, excuse me, excuse [N] me. _
Well, _ _ _ you're either taking down
all the numbers like you said.
No, I didn't.
_ Hey, hey, lads.
Hey, hey, this must be yours.
Thank you very much.
This must be yours.
Thank you very _ _ _ much.
And that must be yours. _ _