Chords for BEC-1805 Another Bridge To Burn, Dickey Overbey

Hi [F] everyone, my name is Mickey Adams and [D#] I'd like to welcome you to my YouTube [N] channel.
In this video we're going to learn another bridge to burn.
This is an intro from Dickie Overby's CD, Honky Tonk Memories. _
_ _ _ [E] _ _ [A] _ _ _
[Em] _ _ _ [B] _ _ _ [D] _ _
_ _ _ _ [E] Okay here's the positions we're going to play into.
_ _ [G#] _ [A] _ _ [Em] _ [A] _
_ [B] _ _ [D] _ _ _ _ _
_ _ _ [E] _ That's [G] what it's going to look like.
Are you ready?
We're in the key of A, position number 12.
Here's the first phrase.
[A] _
_ [Am] _ _ [B] _ _ [E] Eight.
Strike [F#] six, stab the B pedal.
[F#m] _ _ Strike five and then slide [G#m] back to 11.
Strike four and five and slide up twice.
[C#] _ _
[F] _ [F#] This point we're going to dampen.
We're going to move to position number 10.
Lower string two a whole step.
[D#] Raise string five [B] a whole step. _
_ [E] Strike two, [Bm] four, and five.
[F#m] Release the levers and lower the E.
_ [Bm] _ _ [A] _ _
_ _ [E] _ _ [A] _ _ [B] _ _
_ [Bm] _ _ [A] _ _ _ From here we're set up to [F] strike [D#] strings three and five.
[G] _ Then strike string eight, three and five again.
[D] _ _ _ _
Release A and B.
Dampen.
[C] Move down two frets and lower the Es.
[B] Strike three, five, and eight at position [Em] eight. _
[A] _ Slide to five.
Have the B pedal [D] already engaged and blend in the A pedal.
_ [Em] This phrase [B] _ _ [G] is [D] _ _ not uncommon.
It's a four, three, two, one move.
It's a wide interval [Em] that gives it its [G] personality.
_ Three, five, and eight.
[D] _ Now how you phrase this part of it is unique as your personality.
[B] Everybody's going to phrase it just a little bit different.
Copying it exactly like Vicki is still very difficult.
This is mathematically what he's playing.
[A] _
_ _ [B] _ _ _ _ [G] _ _
_ [F#m] _ [Em] _ Here actually I've left _ string six ringing [D] and only [C] strike now three and [D] eight.
_ _ [Em] _ Move them down two [B] frets here with the E lowered.
_ _ [D] _ Then the three, five, and eight with the A pedal or the B pedal.
_ [E] _ Let's see if I'm drifting a little bit up again.
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ _ [E] Now for this move, this is what I would suggest.
_ [A] _ Right here, lower string two now.
_ Now when you get [Bm] here, you can just back up, strike two, four, and [E] five.
Neutralize everything in the E's.
[G#] _ _
[Bm] _ _ _ [A] _ _ [G#] _ _ [A] _
_ _ _ [G] _ [A] _ _ [G] _ _
_ [D] _ [Em] _ _ [D] _ _ _ _
_ Now that we're in the D chord, we're going to look at four different D major formations
where we're going to have pivots.
The first is with three, four, and five at position number five.
You can either pivot the A pedal or the B pedal.
[G] Dickie's going to pivot the B pedal [D] here.
_ [B] Then here at [Bm] position number three with strings three, four, and five with the E's lowered.
So it would be D6.
He's going to toggle this [D] E.
_ [G] _ [Bm] That's from a lowered E [G] and a released E.
So I've got [E] basically the backwards bend on D.
[D] _ _
I'm going to lower [Bm] the E's, strike three, four, and five at three.
[G] _
Release the E, lower.
[Em] Then up to the D position at five and have two [A] pivots here.
I can have the A pedal already engaged [D] and then bring in the B pedal,
or I can have the B pedal already engaged and bring in the A pedal.
_ _ So he plays_
_ _ _ [Bm] _ _ And then the fiddle comes in with its [B] part.
[E] Together.
[A] _ _ [B] _
Go ahead and lower two here.
_ [G] _ _ _ _
_ _ _ [E] _ [D] _ _ _ _
_ [F#m] _ [D] _ _ _ _ _
This is the A and F lever at position number one.
Four and five. _
_ _ This is just a long way to do this. _ _
_ _ _ [E] _ [A] _ _ [B] _ _
_ [A] _ _ [G] _ _ _ _ [D] _
_ _ _ _ _ _ _
There you go, guys.
[G] Hope you have fun with that.
[E] That's a beautiful intro.
You're doing the seat time.
Good