Chords for Beastie Boys HD : David Letterman - 1992

Tempo:
127.05 bpm
Chords used:

G

E

D

B

Gb

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Beastie Boys HD :  David Letterman - 1992 chords
Start Jamming...
[G]
[A]
[G] [C]
[Em] [E]
[B]
[E]
From New [G] York, where are you from?
[C] It's Late Night with David Letterman.
[G]
[Bb] [D] [Gm] Tonight, Brian
Gumbel, [C] the Beastie Boys, and Atlanta [D] Braves pitcher John Smoltz.
[E] Plus, Paul Shaffer and
the [D] world's most [E] dangerous man.
And now, inspiration [Em] to underachievers [D] everywhere, David [E] Letterman!
[N] Also, also, Beastie Boys.
I don't want no trouble, okay?
The [B] Beastie Boys have never
been on this show before.
Bless the Beastie Boys and the children.
[Gb]
It seems to me I have
a vivid memory of six years [B] ago, the Beastie Boys were here, but they were not on the show.
I remember [N] the day they were in the building.
Yeah, they were in the building, they were
called all alive at five, and I remember some kind of trouble, some kind of a fist fight
from the Beastie Boys and busting up equipment and terrorizing Sue Simmons, the host of Live
at Five.
They treated her badly, they said ugly things to Sue [Gbm] Simmons, and already, the
show's not [B] even ten minutes old, I've had reports that the Beastie Boys have been stealing
my coffee.
I'm just here to tell you one thing.
No trouble, okay?
[Bb]
We don't [B] want no trouble,
okay?
[N] Let me know if the Beastie Boys are causing any trouble out there.
Keep them out
of my dressing room, keep them away from the other guests, because I don't want no trouble.
You understand what I'm saying?
How about you offer some marketing pie to the Beastie
Boys, will you?
As long as they're stealing that candy.
Brian Gumbel will be here, the
Beastie Boys
[G] No trouble.
[B]
Yeah, like I could handle the Beastie Boys.
Hey.
[Gb]
[F] Could
I be a bigger dork?
[B]
[Dm] I'm sorry, we're [N] out of candy.
I think the [Eb] Beastie Boys trick-or-treated
at my house.
And they pulled away.
And they [N] got in their limousine and took off.
Ladies
and gentlemen, Beastie Boys and John Smulfs from the Atlanta Braves will be out a little
bit later.
Coming up in this half hour, ladies and gentlemen, like I need to tell you, it's
the Beastie Boys.
We're going to do a commercial when we come back.
Yes, the Beastie Boys will
be here.
[G] [F]
[Dm] Okay, now.
[N]
We'll just see what happens now.
Now, something for the kids.
Our [Bm] next
guest will be [B] performing a song from their third album.
I have a copy [N] of it right here.
It's entitled, Check Your Head.
Ladies and gentlemen, no trouble, all right?
Hey, no
trouble.
There you go.
[Gbm] Here they are, the Beastie Boys.
[Ab]
[Bb] Right [G] now, it's [Gm] showtime on
[Ab] the big round of [Bb] applause.
I [B] can't reach.
[Bb] [G]
[D] [F]
[E] [G] Look
[D] [A]
[Em] [A]
at the [Gb] size of the back of the beat.
[G] Now, when the [Ab] sound is not complete.
[G] Just
a passion of this one.
[D] No letter can say this [G] one.
You know what I'm talking about.
[D] [E]
[A]
[G]
[Gb] [G] [Gb]
[Gm] [Gb] [E] [B] Now, this goes out to [G] you, and you, and you.
[E]
[G]
[E]
[D]
[E]
[G] None of us is going to be just nice.
[B]
Get real nice, y'all.
[Gb]
[G] [Bb]
[G] [Bbm] [Bb]
[G] [Gb]
[G] What's up, what's [Gb] up, what's up, what's up, what's up, what's up?
[G] I'm trying to get up,
and I can't keep it down.
I'm [D] trying to get up now.
I'm trying to find my way to [Ab] inspire.
Who put me in [G] that diamond mine?
[A] [F]
[G] Oh, yeah.
[D] All right, we let you get on the latest.
[G] The sun clap your [Dm] hands.
[C] [E] [G]
Clap your [A] hands.
[E]
[G] [Dm]
[G] [D]
[G]
[F]
[G] [F] Let the [Dm] show go somewhere.
[F] Jazz, freestyle, yeah.
[Em] Thank you.
Thank you for coming, darling.
[Eb]
[Dm] So sick.
So sick.
[Fm]
[C] So sick.
I'd like to [B] say,
Dando [Gb] mi amor, [C] levando mi amor.
[D]
[Gb]
Madame Aria, [N] nice to see you.
Thank you very much, nice to have you here.
Don't hurt me.
We'll be right back.
[F]
Key:  
G
2131
E
2311
D
1321
B
12341112
Gb
134211112
G
2131
E
2311
D
1321
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_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ [G] _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ [E] _ _
_ _ _ _ [B] _ _ _ _
_ _ _ _ [E] _ _ _ _
From New [G] York, where are you from?
[C] It's Late Night with David Letterman.
_ _ [G] _ _
[Bb] _ _ [D] _ _ [Gm] Tonight, Brian
Gumbel, [C] the Beastie Boys, and Atlanta [D] Braves pitcher John Smoltz.
[E] Plus, Paul Shaffer and
the [D] world's most [E] dangerous man.
And now, inspiration [Em] to _ underachievers [D] everywhere, _ _ David [E] _ Letterman! _ _
_ [N] Also, also, Beastie Boys. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
I don't want no trouble, okay? _ _ _ _
_ _ _ _ The [B] Beastie Boys have never
been on this show before.
Bless the Beastie Boys and the children.
[Gb] _ _
_ _ It seems to me I have
a vivid memory of six years [B] ago, the Beastie Boys were here, but they were not on the show.
I remember [N] the day they were in the building.
Yeah, they were in the building, they were
called all alive at five, and I remember some kind of trouble, some kind of a fist fight
from the Beastie Boys and busting up equipment and _ terrorizing Sue Simmons, the host of Live
at Five. _
_ They treated her badly, they said ugly things to Sue [Gbm] Simmons, and already, the
show's not [B] even ten minutes old, I've had reports that the Beastie Boys have been stealing
my coffee. _ _ _
I'm just here to tell you one thing.
_ No trouble, okay?
_ _ _ _ [Bb] _ _ _ _
_ _ _ We don't [B] want no trouble,
okay?
_ _ [N] Let me know if the Beastie Boys are causing any trouble out there.
Keep them out
of my dressing room, keep them away from the other guests, because _ I don't want no trouble. _
You understand what I'm saying? _ _ _ _ _
How about you offer some marketing pie to the Beastie
Boys, will you?
As long as they're stealing that candy.
Brian Gumbel will be here, the
Beastie _ Boys_ _ _
[G] No trouble.
_ _ _ _ _ [B] _
_ Yeah, like I could handle the Beastie Boys.
Hey.
_ _ _ [Gb] _ _ _
[F] _ Could
I be a bigger dork?
[B] _ _
_ _ [Dm] _ I'm sorry, we're [N] out of candy.
_ _ _ _ _ _ _
I think the [Eb] Beastie Boys trick-or-treated
at my house. _
And they pulled away.
And they [N] got in their limousine and took off.
Ladies
and gentlemen, Beastie Boys and John Smulfs from the Atlanta Braves will be out a little
bit later.
_ Coming up in this half hour, ladies and gentlemen, like I need to tell you, it's
the Beastie Boys. _ _ _
_ _ _ _ We're going to do a commercial when we come back.
Yes, the Beastie Boys will
be here. _
_ _ [G] _ _ _ [F] _ _ _
_ _ [Dm] _ _ Okay, now.
[N] _
_ We'll just see what happens now. _ _
Now, something for the kids.
Our [Bm] next
guest will be [B] performing a song from their third album.
I have a copy [N] of it right here.
It's entitled, Check Your Head.
Ladies and gentlemen, no trouble, all right?
Hey, no
trouble.
_ There you go.
[Gbm] Here they are, the Beastie Boys.
_ _ _ [Ab] _
_ _ _ _ _ _ _
[Bb] Right [G] now, it's [Gm] showtime on
[Ab] the big round of [Bb] applause.
I _ [B] can't reach. _
[Bb] _ _ [G] _ _ _ _ _ _
_ _ [D] _ _ _ _ [F] _ _
[E] _ [G] _ _ Look _ _ _
[D] _ _ _ _ [A] _ _ _ _
_ _ [Em] _ _ _ [A] _ _ _
_ _ _ at the [Gb] size of the back of the beat.
[G] Now, when the [Ab] sound is not complete.
[G] Just
a passion of this one.
[D] No letter can say this [G] one.
You know what I'm talking about.
[D] _ _ [E] _ _ _ _
_ _ _ _ _ _ [A] _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Gb] _ _ [G] _ _ _ _ [Gb] _ _
[Gm] _ _ [Gb] _ _ [E] _ _ [B] Now, this goes out to [G] you, and you, and you.
[E] _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ _ _
_ [G] None of us is going to be just nice.
_ [B] _
_ _ _ _ Get real nice, y'all.
[Gb] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [G] _ _ [Bb] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ [Bbm] _ [Bb] _
_ _ _ [G] _ _ _ _ [Gb] _
_ _ [G] What's up, what's [Gb] up, what's up, what's up, what's up, what's up?
[G] I'm trying to get up,
and I can't keep it down.
I'm [D] trying to get up now.
I'm trying to find my way to [Ab] inspire.
Who put me in [G] that diamond mine? _ _ _
_ _ _ [A] _ _ _ [F] _ _
_ [G] Oh, yeah.
_ [D] All right, we let you get on the latest.
[G] The sun _ clap your [Dm] hands.
_ [C] _ [E] _ _ _ [G] _
Clap your [A] hands.
_ _ _ [E] _ _
[G] _ _ _ _ _ _ [Dm] _ _
_ _ _ [G] _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ [F] _ _ _ _ _ _
[G] _ _ _ _ [F] _ _ Let the [Dm] show go somewhere.
_ _ [F] Jazz, freestyle, yeah.
_ _ [Em] Thank you.
Thank you for coming, darling.
[Eb] _ _
[Dm] So sick.
So sick.
_ [Fm] _
[C] So sick.
_ I'd like to [B] say, _
Dando [Gb] mi amor, [C] levando mi amor. _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ [Gb] _ _ _
_ _ _ _ _ Madame Aria, [N] nice to see you.
_ Thank you very much, nice to have you here.
Don't hurt me.
_ We'll be right back.
[F] _ _

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