Chords for bare: A Pop Opera - Pilgrim's Hands

_ _ _ _ _ _ _ _
_ _ _ [G#] Diane, do I hear a Waltz and not a Charleston?
Why are you kicking?
Rory, I'm moving you where we can't see you.
God gave you two left feet.
No need to hammer the point home to the audience.
And Zach, please [E] don't count out loud.
It's like, white two three, white two [G#] three.
Everybody take five.
[F#] Just a reminder, [B] the pharmacy closes Friday at [G#] noon.
Get your orders in before then.
[C#] What pharmacy?
_ [D#] How's living with Lucas?
[G#] It's fine.
[C#] Peter, we [F#] graduate next Sunday.
[G#] Are you really never going to talk to [C#] me again? _
[D#] _ _ Okay, let's run [B] pilgrim's hands.
Ivy's [C#] not here, Sister Chantel.
[D#m] Again?
[C#] Wonderful.
Who is [B] Juliet's understudy?
I am.
[C#] _
[F#] Alright, Diane.
[D#m] Jason?
_ [B] If I [C#] profane with [D#m] my [C#] unworthiest hand, [B] this [C#] holy shrine, [F#] the gentles' hands,
How [D#m] sin is this, [B] my lips?
[C#] Two blushing [D#m] pilgrims ready [C#] stand to smooth that [B] rough touch with a tender [F#] _ [D#m] kiss.
_ _ _ [C#] Good pilgrim.
_ [D#m] _ _ [C#] Good pilgrim.
[B] Wait, I know what I [C#] swear.
[F#] Good pilgrim.
[D#m] _ [B] Good pilgrim, [C#] you do wrong your hand too much.
Which [B] mannerly [C#] devotion shows in [F#] this?
For [D#m] saints have [B] hands that [C#] pilgrims' hands do [D#m] touch,
And [C#] palm to palm [B] is holy [C#]
palmers' [F#] kiss.
[D#m] _ _ [B] Zach, in [C#] Shakespeare's time, boys played [D#m] all the parts,
so I'll thank you to [C#] keep your ignorance as hidden [B] as possible.
My [C#] suggestion would be to stop breathing.
[F#] Jason?
[D#m] _ [B] Have not [C#] saints' lips [D#m] and holy [C#] palmers' too?
[B] Ay, pilgrim, [C#]
lips [F#] that they must [D#m] use in prayer.
Oh, then, [B] dear saint, [C#] let lips do [D#m] what hands do.
[C#] They pray grant [B] thou.
[C#] Lest, [F#] lest, [D#m] lest faith turn [B] to despair.
[C#] Well done, Peter.
[D#m] Ivy, [C#] nice of you to join us, but we're [B] finished.
Y'all want this [C#] dance to look like bumper cars?
I ain't [F#] co-signing on it.
This [D#m] room will be left open if you [B] decide you want to get together [C#] one more time.
Me?
I'm going to [D#m] do a little Pontius Pilate and wash [C#] my hands of y'all.
[B] Guys, we really need to run this.
[C#] Let's meet here tonight, [F#] 7 o'clock.
[D#m] All of us.
Don't be [B] late.
_ [C#] _
_ [D#m] _ _ [C#] I need to talk [B] to you.
[C#] Do you not get messages?
[F#] Do you not get messages?
[D#m] _ [B] Fine.
What is it?
[C#] Not here.
Come back to my room.
[D#] I can't.
I have to finish [C#] my speech.
_ [B] _ [C#] Look, you're coming to rehearsal, [F#] right?
[D#m] I can't do this scene without [B] you.
It looks [C#] like you can.
[D#m] I'll meet you before [C#] practice.
I'll come by your [B] room.
Fine. _
[F#] I forgot this.
But you remembered all [B] of Juliet's lines.
I helped [A#m] Jason rehearse.
[D#m] I should go.
[A#m] Sit down.
We're going to talk [B] about what's bothering you because this production [F#] has got to be on it.
Sister [B] Chantel don't direct no dinner theater.
[C#] You wouldn't understand.
Peter, honey, I think I've been [B] around enough priests to understand you loud, proud, and clear.
Sit down.
I don't know what God wants from me.
[N] _