Chords for Austin City Limits Interview with Sturgill Simpson
Tempo:
159.05 bpm
Chords used:
E
Eb
F
D
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
Sturgill, how was it for you out there tonight?
Your first time out on the ACL stage?
It went a lot quicker than I anticipated.
It did, it went quick for [Eb] us too.
We kind of looked down and was like, we got 20 minutes left, I couldn't believe it.
Just moving, cooking, it's a good time, it's a good [A] feeling.
What was it about your life [Db] and the way [D] you grew up and where you grew up
that made you want to do [Eb] this for a living?
[Eb] I never [E] anticipated doing it for the rest of my life, honestly, until about five years ago.
I'd always done more as a hobbyist.
I had a lot of [F] friends, gave me grief, especially in my 20s,
[E] about playing out more [Eb] and things like that.
[F]
[Em] I kind of got a big push [G] from my wife about five years [N] ago.
[E] Then we moved to Nashville and everything else just [Eb] sort of one thing [E] at a time.
I feel like I've clawed my way to the beginning.
So was there a turning point though where you [Eb] suddenly started thinking,
wow, maybe I could actually do something with this?
[Ab] It's a night.
[E] Every [Gb] night for the last five or [F] six months, really.
You walk out and [Eb] there's that reminder that this is [D] happening.
[E]
It's good when you can go do anything you love for a living,
but [F] if you're playing [E] music, and then [F] I spent years in [Ab] clubs and bars,
like the thankless [F] side of it, so when you come and play and [E] there's actually people showing up,
they show up, they know all the words, [D] and they're really happy to see you.
[B] You can see that it's making them happy,
it [F] makes it a little easier to be [Eb] away from family for months at [N] a time.
I can't really pinpoint [E] the direct transition,
but I think at some point around our tour last fall,
[F] we saw a huge [E] difference in what was waiting for us when we got [Eb] [E]
home.
That's great.
So you read a lot, don't you?
Oh, I can.
Maybe not so much time anymore.
I have to write a lot right now, so I don't get to read much.
That's been an important part of [E] your life.
[Eb]
So what sorts of things have you read, and how has [Ab] that influenced your [D]
writing?
That's [Db] a loaded question, I know.
[F] I read all kinds of stuff.
Social, political, fun.
[E] I don't know.
[Eb] Metaphysical.
Everything from, yeah, metaphysical, sure.
Carl Sagan, Whitman.
[E]
[Eb]
[E] Mostly just when I pick up a guitar and write a [F] song.
That's [E] just the only thing that comes out, is country.
As [Eb] far as what you write about, that's kind of up to
[E]
[F] Well, you know, to me the album wasn't really all that profound.
I was very surprised at the reaction.
We [F] just wrote a bunch of country songs.
Really, I was just trying to pay tribute in the title.
Sort of Ray Charles, and also just to kind of [Em] say,
you know, we weren't [Eb] taking this very seriously.
Because it has to be fun.
But it's such a serious thing.
But the record's kind of heavy.
I was kind [E] of surprised that all the critics responded the way they did.
But it's a good problem to have, and we're certainly
[Eb] happy to have it.
Well, you say that, but unless this quote is not accurate,
I think you [F] described it as
a social [Eb] consciousness concept album disguised as a country record.
That makes it sound like it.
My wife calls it my last great existentialistic dilemma.
But yeah, I'm ready for the next one.
So what was the process of making this record like?
Very fast.
Very fast.
We came off the road after like a five week [E] tour.
And [F] played a show in Nashville.
It was the last show.
And went into the studio the next day for about four days.
Just didn't really second guess anything.
We couldn't afford to, so there wasn't a lot of [E] indecision.
[B] Speaking of the guys, there's something about this band.
[Eb]
There's a few things about this band.
Yeah, talk about these guys.
I'm just really lucky.
That drives a lot of what's going on on stage.
Absolutely.
I'm just very fortunate.
They're all young, [E] extremely talented guys.
[A] [F]
[E] I don't know, at this point, there's a lot of cohesiveness.
It [F] [E] can go a lot of places.
There's a certain element of danger.
Makes it fun for me every night.
Today [Eb] we were nervous [F] about this.
And tomorrow we've got to go play at Stubbs.
We're nervous about that.
I look at the schedule more than two [E] weeks out,
I start to get anxiety about it.
All these things coming up.
Like, oh my God.
How are you going to go out and face whatever is waiting?
You [N] know.
Well, it's been quite a ride so [G] far.
I think you've got a long ride ahead of [Gb] you.
So you might as well make the most of it and take one day at a time.
Yes, sir.
[E] It's worked so far.
Your first time out on the ACL stage?
It went a lot quicker than I anticipated.
It did, it went quick for [Eb] us too.
We kind of looked down and was like, we got 20 minutes left, I couldn't believe it.
Just moving, cooking, it's a good time, it's a good [A] feeling.
What was it about your life [Db] and the way [D] you grew up and where you grew up
that made you want to do [Eb] this for a living?
[Eb] I never [E] anticipated doing it for the rest of my life, honestly, until about five years ago.
I'd always done more as a hobbyist.
I had a lot of [F] friends, gave me grief, especially in my 20s,
[E] about playing out more [Eb] and things like that.
[F]
[Em] I kind of got a big push [G] from my wife about five years [N] ago.
[E] Then we moved to Nashville and everything else just [Eb] sort of one thing [E] at a time.
I feel like I've clawed my way to the beginning.
So was there a turning point though where you [Eb] suddenly started thinking,
wow, maybe I could actually do something with this?
[Ab] It's a night.
[E] Every [Gb] night for the last five or [F] six months, really.
You walk out and [Eb] there's that reminder that this is [D] happening.
[E]
It's good when you can go do anything you love for a living,
but [F] if you're playing [E] music, and then [F] I spent years in [Ab] clubs and bars,
like the thankless [F] side of it, so when you come and play and [E] there's actually people showing up,
they show up, they know all the words, [D] and they're really happy to see you.
[B] You can see that it's making them happy,
it [F] makes it a little easier to be [Eb] away from family for months at [N] a time.
I can't really pinpoint [E] the direct transition,
but I think at some point around our tour last fall,
[F] we saw a huge [E] difference in what was waiting for us when we got [Eb] [E]
home.
That's great.
So you read a lot, don't you?
Oh, I can.
Maybe not so much time anymore.
I have to write a lot right now, so I don't get to read much.
That's been an important part of [E] your life.
[Eb]
So what sorts of things have you read, and how has [Ab] that influenced your [D]
writing?
That's [Db] a loaded question, I know.
[F] I read all kinds of stuff.
Social, political, fun.
[E] I don't know.
[Eb] Metaphysical.
Everything from, yeah, metaphysical, sure.
Carl Sagan, Whitman.
[E]
[Eb]
[E] Mostly just when I pick up a guitar and write a [F] song.
That's [E] just the only thing that comes out, is country.
As [Eb] far as what you write about, that's kind of up to
[E]
[F] Well, you know, to me the album wasn't really all that profound.
I was very surprised at the reaction.
We [F] just wrote a bunch of country songs.
Really, I was just trying to pay tribute in the title.
Sort of Ray Charles, and also just to kind of [Em] say,
you know, we weren't [Eb] taking this very seriously.
Because it has to be fun.
But it's such a serious thing.
But the record's kind of heavy.
I was kind [E] of surprised that all the critics responded the way they did.
But it's a good problem to have, and we're certainly
[Eb] happy to have it.
Well, you say that, but unless this quote is not accurate,
I think you [F] described it as
a social [Eb] consciousness concept album disguised as a country record.
That makes it sound like it.
My wife calls it my last great existentialistic dilemma.
But yeah, I'm ready for the next one.
So what was the process of making this record like?
Very fast.
Very fast.
We came off the road after like a five week [E] tour.
And [F] played a show in Nashville.
It was the last show.
And went into the studio the next day for about four days.
Just didn't really second guess anything.
We couldn't afford to, so there wasn't a lot of [E] indecision.
[B] Speaking of the guys, there's something about this band.
[Eb]
There's a few things about this band.
Yeah, talk about these guys.
I'm just really lucky.
That drives a lot of what's going on on stage.
Absolutely.
I'm just very fortunate.
They're all young, [E] extremely talented guys.
[A] [F]
[E] I don't know, at this point, there's a lot of cohesiveness.
It [F] [E] can go a lot of places.
There's a certain element of danger.
Makes it fun for me every night.
Today [Eb] we were nervous [F] about this.
And tomorrow we've got to go play at Stubbs.
We're nervous about that.
I look at the schedule more than two [E] weeks out,
I start to get anxiety about it.
All these things coming up.
Like, oh my God.
How are you going to go out and face whatever is waiting?
You [N] know.
Well, it's been quite a ride so [G] far.
I think you've got a long ride ahead of [Gb] you.
So you might as well make the most of it and take one day at a time.
Yes, sir.
[E] It's worked so far.
Key:
E
Eb
F
D
Ab
E
Eb
F
_ _ _ _ _ Sturgill, how was it for you out there tonight?
Your first time out on the ACL stage?
It went a lot quicker than I anticipated.
It did, it went quick for [Eb] us too.
We kind of looked down and was like, we got 20 minutes left, I couldn't believe it.
Just moving, cooking, it's a good time, it's a good [A] feeling.
_ _ _ What was it about your life [Db] and the way [D] you grew up and where you grew up
that made you want to do [Eb] this for a living? _ _ _ _ _
[Eb] _ _ _ _ I never _ [E] anticipated doing it for the rest of my life, honestly, until about five years ago.
_ _ _ I'd always done more as a hobbyist.
I had a lot of [F] friends, gave me grief, especially in my 20s,
[E] about playing out more [Eb] and things like that.
[F] _ _ _
_ [Em] I kind of got a big push [G] from my wife about five years [N] ago.
_ _ [E] Then we moved to Nashville and everything else just [Eb] sort of _ _ _ _ _ _ one thing [E] at a time.
_ I feel like I've clawed my way to the beginning. _ _
_ So was there a turning point though where you [Eb] suddenly started thinking,
_ wow, maybe I could actually do something with this?
_ [Ab] It's a night.
_ _ [E] _ _ _ Every [Gb] night for the last five or [F] six months, really. _
_ You walk out and [Eb] there's that reminder that this is _ [D] _ happening.
[E] _ _ _
_ _ It's good when you can go do anything you love for a living,
but [F] if you're playing [E] music, and then _ [F] I spent years in [Ab] clubs and bars,
like the thankless [F] side of it, so when you come and play and [E] there's actually people showing up,
_ _ they show up, they know all the words, [D] and they're really happy to see you.
_ [B] You can see that it's making them happy,
it [F] makes it a little easier to be [Eb] away from family _ for months at [N] a time. _ _
_ I can't really pinpoint _ [E] the direct transition,
but I think at some point around our tour last fall,
[F] we saw a huge [E] difference in _ what was waiting for us when we got _ [Eb] _ _ _ [E] _
_ home.
_ That's great. _
_ So you read a lot, don't you?
Oh, I can.
_ _ Maybe not so much time anymore.
I have to write a lot right now, so I don't get to read much.
That's been an important part of [E] your life.
[Eb] _ _ _
_ So what sorts of things have you read, and how has [Ab] that influenced your _ _ [D] _ _
writing?
That's [Db] a loaded question, I know. _ _ _
_ [F] _ I read all kinds of stuff. _ _
_ _ _ _ _ Social, political, fun.
_ _ _ _ [E] I don't know.
[Eb] Metaphysical.
Everything from, yeah, _ metaphysical, sure.
Carl Sagan, Whitman.
[E] _ _ _
_ _ _ [Eb] _ _ _ _ _
_ _ _ [E] Mostly just when I pick up a guitar and write a [F] song.
That's [E] just the only thing that comes out, is country.
_ As [Eb] far as what you write about, that's kind of up to_
_ _ [E] _ _
[F] _ Well, you know, to me the album wasn't really all that profound.
I was very surprised at the reaction.
We [F] just wrote a bunch of country songs.
Really, I was just trying to pay tribute in the title.
_ Sort of Ray Charles, and also just to kind of [Em] say,
you know, we weren't [Eb] taking this very _ seriously.
Because it has to be fun.
_ But it's such a serious thing.
But the record's kind of heavy.
I was kind [E] of surprised that all the critics _ responded the way they did.
But it's a good problem to have, and we're certainly _ _
[Eb] happy to have it.
_ _ Well, you say that, but unless this quote is not accurate,
I think you [F] described it as
a social [Eb] consciousness concept album disguised as a country record.
_ That makes it sound like it.
My wife calls it my last great _ existentialistic dilemma. _ _
_ But yeah, I'm ready for the next one.
So what was the process of making this record like?
Very fast.
Very fast.
We came off the road _ after like a five week [E] tour.
And _ _ [F] played _ a show in Nashville.
It was the last show.
And went into the studio the next day for about four days.
_ _ _ Just didn't really second guess anything.
_ We couldn't afford to, so there wasn't a lot of [E] indecision.
_ [B] _ Speaking of the guys, there's something about this band.
[Eb] _ _ _
_ There's a few things about this band.
Yeah, talk about these guys.
I'm just really lucky.
That drives a lot of what's going on on stage.
Absolutely. _ _ _
_ _ _ _ I'm just very fortunate.
They're all young, _ [E] extremely talented guys. _
_ [A] _ _ _ _ [F] _ _
[E] I don't know, at this point, there's a lot of cohesiveness.
It _ [F] _ [E] can go a lot of places. _
There's a certain element of danger.
Makes it fun for me every night. _
_ _ _ Today [Eb] we were nervous [F] about this.
And tomorrow we've got to go play at Stubbs.
We're nervous about that.
I look at the schedule more than two [E] weeks out,
I start to get anxiety about it.
_ All these things coming up.
Like, oh my God.
_ How are you going to go out and face whatever is waiting?
You [N] know. _ _ _ _ _
Well, it's been quite a ride so [G] far.
I think you've got a long ride ahead of [Gb] you.
So you might as well make the most of it and take one day at a time.
Yes, sir.
_ [E] _ _ It's worked so far.
_ _ _ _ _ _ _ _
Your first time out on the ACL stage?
It went a lot quicker than I anticipated.
It did, it went quick for [Eb] us too.
We kind of looked down and was like, we got 20 minutes left, I couldn't believe it.
Just moving, cooking, it's a good time, it's a good [A] feeling.
_ _ _ What was it about your life [Db] and the way [D] you grew up and where you grew up
that made you want to do [Eb] this for a living? _ _ _ _ _
[Eb] _ _ _ _ I never _ [E] anticipated doing it for the rest of my life, honestly, until about five years ago.
_ _ _ I'd always done more as a hobbyist.
I had a lot of [F] friends, gave me grief, especially in my 20s,
[E] about playing out more [Eb] and things like that.
[F] _ _ _
_ [Em] I kind of got a big push [G] from my wife about five years [N] ago.
_ _ [E] Then we moved to Nashville and everything else just [Eb] sort of _ _ _ _ _ _ one thing [E] at a time.
_ I feel like I've clawed my way to the beginning. _ _
_ So was there a turning point though where you [Eb] suddenly started thinking,
_ wow, maybe I could actually do something with this?
_ [Ab] It's a night.
_ _ [E] _ _ _ Every [Gb] night for the last five or [F] six months, really. _
_ You walk out and [Eb] there's that reminder that this is _ [D] _ happening.
[E] _ _ _
_ _ It's good when you can go do anything you love for a living,
but [F] if you're playing [E] music, and then _ [F] I spent years in [Ab] clubs and bars,
like the thankless [F] side of it, so when you come and play and [E] there's actually people showing up,
_ _ they show up, they know all the words, [D] and they're really happy to see you.
_ [B] You can see that it's making them happy,
it [F] makes it a little easier to be [Eb] away from family _ for months at [N] a time. _ _
_ I can't really pinpoint _ [E] the direct transition,
but I think at some point around our tour last fall,
[F] we saw a huge [E] difference in _ what was waiting for us when we got _ [Eb] _ _ _ [E] _
_ home.
_ That's great. _
_ So you read a lot, don't you?
Oh, I can.
_ _ Maybe not so much time anymore.
I have to write a lot right now, so I don't get to read much.
That's been an important part of [E] your life.
[Eb] _ _ _
_ So what sorts of things have you read, and how has [Ab] that influenced your _ _ [D] _ _
writing?
That's [Db] a loaded question, I know. _ _ _
_ [F] _ I read all kinds of stuff. _ _
_ _ _ _ _ Social, political, fun.
_ _ _ _ [E] I don't know.
[Eb] Metaphysical.
Everything from, yeah, _ metaphysical, sure.
Carl Sagan, Whitman.
[E] _ _ _
_ _ _ [Eb] _ _ _ _ _
_ _ _ [E] Mostly just when I pick up a guitar and write a [F] song.
That's [E] just the only thing that comes out, is country.
_ As [Eb] far as what you write about, that's kind of up to_
_ _ [E] _ _
[F] _ Well, you know, to me the album wasn't really all that profound.
I was very surprised at the reaction.
We [F] just wrote a bunch of country songs.
Really, I was just trying to pay tribute in the title.
_ Sort of Ray Charles, and also just to kind of [Em] say,
you know, we weren't [Eb] taking this very _ seriously.
Because it has to be fun.
_ But it's such a serious thing.
But the record's kind of heavy.
I was kind [E] of surprised that all the critics _ responded the way they did.
But it's a good problem to have, and we're certainly _ _
[Eb] happy to have it.
_ _ Well, you say that, but unless this quote is not accurate,
I think you [F] described it as
a social [Eb] consciousness concept album disguised as a country record.
_ That makes it sound like it.
My wife calls it my last great _ existentialistic dilemma. _ _
_ But yeah, I'm ready for the next one.
So what was the process of making this record like?
Very fast.
Very fast.
We came off the road _ after like a five week [E] tour.
And _ _ [F] played _ a show in Nashville.
It was the last show.
And went into the studio the next day for about four days.
_ _ _ Just didn't really second guess anything.
_ We couldn't afford to, so there wasn't a lot of [E] indecision.
_ [B] _ Speaking of the guys, there's something about this band.
[Eb] _ _ _
_ There's a few things about this band.
Yeah, talk about these guys.
I'm just really lucky.
That drives a lot of what's going on on stage.
Absolutely. _ _ _
_ _ _ _ I'm just very fortunate.
They're all young, _ [E] extremely talented guys. _
_ [A] _ _ _ _ [F] _ _
[E] I don't know, at this point, there's a lot of cohesiveness.
It _ [F] _ [E] can go a lot of places. _
There's a certain element of danger.
Makes it fun for me every night. _
_ _ _ Today [Eb] we were nervous [F] about this.
And tomorrow we've got to go play at Stubbs.
We're nervous about that.
I look at the schedule more than two [E] weeks out,
I start to get anxiety about it.
_ All these things coming up.
Like, oh my God.
_ How are you going to go out and face whatever is waiting?
You [N] know. _ _ _ _ _
Well, it's been quite a ride so [G] far.
I think you've got a long ride ahead of [Gb] you.
So you might as well make the most of it and take one day at a time.
Yes, sir.
_ [E] _ _ It's worked so far.
_ _ _ _ _ _ _ _