Chords for Audra Mae - Smokin' The Boys (Bing Lounge)
Tempo:
81.7 bpm
Chords used:
E
B
C
Em
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
No.
Now I'm all warm and fuzzy.
[E] All right, now we're going to get gritty.
We've got one more song.
I wrote this with Dina Carter.
Y'all know who Dina Carter is?
Yeah.
Strawberry Wine.
She taught me how to produce a record.
She produced this record with me.
She refused to be the only producer because she knew I wanted to learn how to produce.
And it just wasn't going to happen until she came on board.
Everyone was very like, that's cute.
God forbid I know what I want.
But she came on and she had my back, totally had my back.
She's the reason why I got to make this record with my friends.
She's the reason why I got to have my say about it, why it's so full and I'm very proud of it.
And anyway, this song is what made me want her to produce the record.
She came over to write and she saw my old hoopty out front.
I got a 72 Dart.
And she was like, is that your car?
And I said, yeah.
And she was like, I used to have a car kind of like that when I was younger.
My brother gave it to me.
I said, really?
Were you upset when he gave it to you because it was like a hand-me-down?
She was like, yeah, for a minute until I was at the lights and these boys would roll up next to me and rev their engines.
And she'd get so upset about it, competitive, she'd rev it back and she goes, I just would smoke them.
Like every time.
Soon I realized, like, I got quite an engine in this car, this chassis.
So I was like, well, let's write about that.
So this song is called Smoke and the Boys.
[Bm] Thank you so much, Portland.
Uh-huh.
[Em]
[E] [E] [B] [E]
I was born at the [F] end of an old dirt [Em] road.
[E]
Before I could [B] walk, I was ready to roll.
[G] [E]
Sixteen, my [F#] brother threw me the key.
[E] And he said, hey, little sister, [B] better watch your speed.
[C] Now I'm smoking the boys, [D] smoking the [E] boys.
Taking the drag and making some noise.
I'm smoking [Am] the boys, smoking [E] the boys.
Oh, yeah, smoking the boys.
Come on.
[A] [E]
[B] [Em] [E] A straight six shift and my hair bleached white.
Your moon-pumped mom liked me [Em] much.
[E] While she's holding your hand, y'all can eat my dust.
[C] I'm smoking the boys, smoking the [A] boys.
[E] Taking the drag and making some [C] noise.
I'm smoking the boys, [D] smoking the [E] boys.
Oh, yeah, smoking the boys.
Come on.
[G] [E]
Five, get the motor running, baby.
Before, don't let the [A] tranny pop.
Now three, you gotta feel it in [Am] your fingers.
Two, come on, get ready to rock.
Come on in [E] one, and go, go.
[D#] Hands, foot, [E] slow and die.
[A] [E]
Gonna see my tracks on every road in [B] town.
[E]
[B]
[C] And you see what I mean.
I'm smoking the [D] boys, smoking the boys.
[E] Taking the drag and making [C] some noise.
I'm smoking the boys, [D] smoking the [E] boys.
[C] I'm smoking the boys, smoking [E] the boys.
Taking the drag and making some noise.
I'm [Am] smoking the boys.
Oh, yeah, smoking [E] the boys.
[N] Thank you guys very much.
I'm Audra Mae.
Keep it going, everybody.
Keep it going for her.
Audra Mae.
Thank you.
After Doug for tonight, in the Bing Lounge this afternoon.
Now I'm all warm and fuzzy.
[E] All right, now we're going to get gritty.
We've got one more song.
I wrote this with Dina Carter.
Y'all know who Dina Carter is?
Yeah.
Strawberry Wine.
She taught me how to produce a record.
She produced this record with me.
She refused to be the only producer because she knew I wanted to learn how to produce.
And it just wasn't going to happen until she came on board.
Everyone was very like, that's cute.
God forbid I know what I want.
But she came on and she had my back, totally had my back.
She's the reason why I got to make this record with my friends.
She's the reason why I got to have my say about it, why it's so full and I'm very proud of it.
And anyway, this song is what made me want her to produce the record.
She came over to write and she saw my old hoopty out front.
I got a 72 Dart.
And she was like, is that your car?
And I said, yeah.
And she was like, I used to have a car kind of like that when I was younger.
My brother gave it to me.
I said, really?
Were you upset when he gave it to you because it was like a hand-me-down?
She was like, yeah, for a minute until I was at the lights and these boys would roll up next to me and rev their engines.
And she'd get so upset about it, competitive, she'd rev it back and she goes, I just would smoke them.
Like every time.
Soon I realized, like, I got quite an engine in this car, this chassis.
So I was like, well, let's write about that.
So this song is called Smoke and the Boys.
[Bm] Thank you so much, Portland.
Uh-huh.
[Em]
[E] [E] [B] [E]
I was born at the [F] end of an old dirt [Em] road.
[E]
Before I could [B] walk, I was ready to roll.
[G] [E]
Sixteen, my [F#] brother threw me the key.
[E] And he said, hey, little sister, [B] better watch your speed.
[C] Now I'm smoking the boys, [D] smoking the [E] boys.
Taking the drag and making some noise.
I'm smoking [Am] the boys, smoking [E] the boys.
Oh, yeah, smoking the boys.
Come on.
[A] [E]
[B] [Em] [E] A straight six shift and my hair bleached white.
Your moon-pumped mom liked me [Em] much.
[E] While she's holding your hand, y'all can eat my dust.
[C] I'm smoking the boys, smoking the [A] boys.
[E] Taking the drag and making some [C] noise.
I'm smoking the boys, [D] smoking the [E] boys.
Oh, yeah, smoking the boys.
Come on.
[G] [E]
Five, get the motor running, baby.
Before, don't let the [A] tranny pop.
Now three, you gotta feel it in [Am] your fingers.
Two, come on, get ready to rock.
Come on in [E] one, and go, go.
[D#] Hands, foot, [E] slow and die.
[A] [E]
Gonna see my tracks on every road in [B] town.
[E]
[B]
[C] And you see what I mean.
I'm smoking the [D] boys, smoking the boys.
[E] Taking the drag and making [C] some noise.
I'm smoking the boys, [D] smoking the [E] boys.
[C] I'm smoking the boys, smoking [E] the boys.
Taking the drag and making some noise.
I'm [Am] smoking the boys.
Oh, yeah, smoking [E] the boys.
[N] Thank you guys very much.
I'm Audra Mae.
Keep it going, everybody.
Keep it going for her.
Audra Mae.
Thank you.
After Doug for tonight, in the Bing Lounge this afternoon.
Key:
E
B
C
Em
D
E
B
C
_ _ _ _ No. _
Now I'm all warm and fuzzy.
[E] _ All right, now we're going to get gritty.
We've got one more song.
_ I wrote this with Dina Carter.
Y'all know who Dina Carter is?
Yeah.
Strawberry Wine.
_ _ She taught me how to produce a record.
She produced this record with me.
She refused to be the only producer because she knew I wanted to learn how to produce.
And it just wasn't going to happen until she came on board.
Everyone was very like, that's cute. _ _
God forbid I know what I want.
But she came on and she had my back, totally had my back.
She's the reason why I got to make this record with my friends.
She's the reason why I got to have my say about it, why it's so full and I'm very proud of it.
And anyway, this song is what made me want her to produce the record.
She came over to write and she saw my old hoopty out front.
I got a 72 Dart.
And she was like, is that your car?
And I said, yeah.
And she was like, I used to have a car kind of like that when I was younger.
My brother gave it to me.
I said, really?
Were you upset when he gave it to you because it was like a hand-me-down?
She was like, yeah, for a minute until I was at the lights and these boys would roll up next to me and rev their engines.
And she'd get so upset about it, competitive, she'd rev it back and she goes, I just would smoke them.
Like every time.
Soon I realized, like, I got quite an engine in this car, this chassis.
So I was like, well, let's write about that.
So this song is called Smoke and the Boys. _ _ _ _
[Bm] Thank you so much, Portland. _ _ _ _
_ Uh-huh.
_ _ _ [Em] _ _
[E] _ [E] _ _ _ [B] _ _ _ [E]
I was born at the [F] end of an old dirt [Em] road.
_ [E] _
Before I could [B] walk, I was ready to roll.
[G] _ [E] _ _
Sixteen, my [F#] brother threw me the key.
_ [E] _ And he said, hey, little sister, [B] better watch your speed.
[C] Now I'm smoking the boys, [D] smoking the [E] boys.
Taking the drag and making some noise.
I'm smoking [Am] the boys, smoking [E] the boys.
Oh, yeah, smoking the boys.
Come on.
_ _ _ _ [A] _ [E] _ _
[B] _ _ _ _ [Em] _ [E] A straight six shift and my hair bleached white.
Your _ moon-pumped mom liked me [Em] much.
_ [E] While she's holding your hand, y'all can eat my dust.
[C] I'm smoking the boys, smoking the [A] boys.
[E] Taking the drag and making some [C] noise.
I'm smoking the boys, [D] smoking the [E] boys.
Oh, yeah, smoking the boys.
Come on.
_ _ _ [G] _ [E] _ _ _
_ _ _ _ _ _ Five, get the motor running, baby.
Before, don't let the [A] tranny pop.
Now three, you gotta feel it in [Am] your fingers.
Two, come on, get ready to rock.
Come on in [E] one, and go, go.
[D#] _ Hands, foot, [E] slow and die.
[A] _ _ [E]
Gonna see my tracks on every road in [B] town.
_ [E] _ _
_ [B] _ _ _ _ _ _ _
[C] And you see what I mean.
I'm smoking the [D] boys, smoking the boys.
[E] Taking the drag and making [C] some noise.
I'm smoking the boys, [D] smoking the [E] boys. _ _
[C] I'm smoking the boys, smoking [E] the boys.
Taking the drag and making some noise.
I'm [Am] smoking the boys.
_ Oh, yeah, smoking [E] the boys.
[N] Thank you guys very much.
I'm Audra Mae. _ _
_ _ _ Keep it going, everybody.
Keep it going for her.
Audra Mae.
Thank you.
After Doug for tonight, in the Bing Lounge this afternoon. _ _ _ _ _ _ _
Now I'm all warm and fuzzy.
[E] _ All right, now we're going to get gritty.
We've got one more song.
_ I wrote this with Dina Carter.
Y'all know who Dina Carter is?
Yeah.
Strawberry Wine.
_ _ She taught me how to produce a record.
She produced this record with me.
She refused to be the only producer because she knew I wanted to learn how to produce.
And it just wasn't going to happen until she came on board.
Everyone was very like, that's cute. _ _
God forbid I know what I want.
But she came on and she had my back, totally had my back.
She's the reason why I got to make this record with my friends.
She's the reason why I got to have my say about it, why it's so full and I'm very proud of it.
And anyway, this song is what made me want her to produce the record.
She came over to write and she saw my old hoopty out front.
I got a 72 Dart.
And she was like, is that your car?
And I said, yeah.
And she was like, I used to have a car kind of like that when I was younger.
My brother gave it to me.
I said, really?
Were you upset when he gave it to you because it was like a hand-me-down?
She was like, yeah, for a minute until I was at the lights and these boys would roll up next to me and rev their engines.
And she'd get so upset about it, competitive, she'd rev it back and she goes, I just would smoke them.
Like every time.
Soon I realized, like, I got quite an engine in this car, this chassis.
So I was like, well, let's write about that.
So this song is called Smoke and the Boys. _ _ _ _
[Bm] Thank you so much, Portland. _ _ _ _
_ Uh-huh.
_ _ _ [Em] _ _
[E] _ [E] _ _ _ [B] _ _ _ [E]
I was born at the [F] end of an old dirt [Em] road.
_ [E] _
Before I could [B] walk, I was ready to roll.
[G] _ [E] _ _
Sixteen, my [F#] brother threw me the key.
_ [E] _ And he said, hey, little sister, [B] better watch your speed.
[C] Now I'm smoking the boys, [D] smoking the [E] boys.
Taking the drag and making some noise.
I'm smoking [Am] the boys, smoking [E] the boys.
Oh, yeah, smoking the boys.
Come on.
_ _ _ _ [A] _ [E] _ _
[B] _ _ _ _ [Em] _ [E] A straight six shift and my hair bleached white.
Your _ moon-pumped mom liked me [Em] much.
_ [E] While she's holding your hand, y'all can eat my dust.
[C] I'm smoking the boys, smoking the [A] boys.
[E] Taking the drag and making some [C] noise.
I'm smoking the boys, [D] smoking the [E] boys.
Oh, yeah, smoking the boys.
Come on.
_ _ _ [G] _ [E] _ _ _
_ _ _ _ _ _ Five, get the motor running, baby.
Before, don't let the [A] tranny pop.
Now three, you gotta feel it in [Am] your fingers.
Two, come on, get ready to rock.
Come on in [E] one, and go, go.
[D#] _ Hands, foot, [E] slow and die.
[A] _ _ [E]
Gonna see my tracks on every road in [B] town.
_ [E] _ _
_ [B] _ _ _ _ _ _ _
[C] And you see what I mean.
I'm smoking the [D] boys, smoking the boys.
[E] Taking the drag and making [C] some noise.
I'm smoking the boys, [D] smoking the [E] boys. _ _
[C] I'm smoking the boys, smoking [E] the boys.
Taking the drag and making some noise.
I'm [Am] smoking the boys.
_ Oh, yeah, smoking [E] the boys.
[N] Thank you guys very much.
I'm Audra Mae. _ _
_ _ _ Keep it going, everybody.
Keep it going for her.
Audra Mae.
Thank you.
After Doug for tonight, in the Bing Lounge this afternoon. _ _ _ _ _ _ _