Chords for Ask Zac Reggie Young, & The '59 Fender Harvard

Tempo:
98.85 bpm
Chords used:

F#

C

B

G

Bm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Ask Zac Reggie Young, & The '59 Fender Harvard chords
Start Jamming...
Okay, here's some Reggie Young licks.
This is number one.
This is Memphis Soul Stew by King Curtis.
Everybody thinks it's Cornell Dupree, but Reggie Young played on the original and Cornell played on the live [Bm] from the Fillmore East.
[F#]
That's number one.
Number two would be Son of a Preacher Man by Dusty Springfield.
Again, Reggie Young on guitar.
[Em]
[F#] [G]
[Em] [D] [B]
Number three is my favorite.
[F#m] And this is
Drift Away by Dobie Gray.
And this is like a textbook.
So we're gonna do, so we're gonna have a separate one for the opening lick and then some of the other licks.
So you have [F#] [B] all
[E] [B] [Bm]
[A#m]
[D#m] [F#] that [C] gorgeous stuff that he plays on the verses and then he gets a whole other hot lick for the
chorus lick on it now.
[B]
[F#] [E]
[B] [F#]
Reggie Young.
Here's another one from the 80s.
George Strait.
[F#m]
[G] Intro to The Chair.
Elvis.
[D]
[A#m] We're Caught in a Trap.
I Can't Walk Out.
Because I Love You Too Much Baby.
Another Elvis.
Number four.
[G]
[D#] Mama [N] Cried.
Because if there's one thing that mama don't need is another little hunger.
Off to feed in the ghetto.
Your vocals are inspiring, but guitar is so good too.
Did Reggie sing those parts?
Clearly.
We're just doing Reggie.
[G] I thought we were just doing Reggie.
What's another one?
Oh, this [C] one.
[F#] I'm gonna try to play it.
[C#]
[F] [F#]
[B] [C] That's the intro to Billy Swan's I Can Help.
[A] So I think he originally played that as two different parts that he overdubbed.
[Em] [A] [B]
[E] [D#]
Anyway, that's enough Reggie for now.
[C]
[Fm]
[C] You really need a pencil to do it, but he played it with a pencil.
He tuned down to C.
This was on a Bill Black Smokey Part II.
But anyway, he tuned down the whole guitar two whole steps.
So I just tuned down part of it to C.
So I just tuned down part of it to C.
[G] That kind of vibe.
That's awesome.
Cool thing.
Or five more.
This is one more thing I learned from Reggie.
A lot of guys would play this like this.
[E] [G] But he [A] would do it with a pinky on your finger.
[F#] [N] That pull off really takes it to another level.
So one of my favorite parts of the song is the bridge.
I think I'll just stay here and watch him take five guitar solos on it.
But anyway, he plays that lick.
[Bm] One [A#] more [A] Reggie thing.
He [D] will play this lick a fair amount.
He'll play the minor third.
[C] [F#m] [F#] [C]
[F#] It could be [F] quicker.
[C] [F#] [C]
[F#m] [B]
That's all Reggie.
[D] [A]
[Bm] Here's another one.
[E]
[Bm]
[D#] Every Bachelorette just [N] bop bop with you right there.
Every Bachelorette just bop bop with you right there.
Sorry for the clam on there.
But that's Reggie Young.
Sweet Caroline.
The original version.
Reggie Young.
Thanks Reggie.
Key:  
F#
134211112
C
3211
B
12341112
G
2131
Bm
13421112
F#
134211112
C
3211
B
12341112
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Okay, here's some Reggie Young licks.
This is number one.
This is Memphis Soul Stew by King Curtis.
Everybody thinks it's Cornell Dupree, but Reggie Young played on the original and Cornell played on the live [Bm] from the Fillmore East.
[F#] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
That's number one.
Number two would be Son of a Preacher Man by Dusty Springfield.
Again, Reggie Young on guitar.
[Em] _ _ _ _
_ _ _ [F#] _ _ [G] _ _ _
[Em] _ _ _ [D] _ _ [B] _ _ _
Number three is my favorite.
[F#m] And this is
_ Drift Away by Dobie Gray.
And this is like a textbook.
So we're gonna do, so we're gonna have a separate one for the opening lick and then some of the other licks.
So you have [F#] _ _ [B] all
_ _ _ _ _ _ _ _
[E] _ _ [B] _ _ _ [Bm] _ _ _
_ _ _ _ _ _ [A#m] _ _
[D#m] _ [F#] _ _ _ _ that [C] gorgeous stuff that he plays on the verses and then he gets a whole other hot lick for the
chorus lick on it now.
_ _ _ _ [B] _
_ _ [F#] _ _ _ _ [E] _ _
_ _ _ _ _ [B] _ _ [F#] _
_ _ _ _ _ _ _ _
Reggie Young.
Here's another one from the 80s.
George Strait.
_ _ [F#m] _ _ _
[G] Intro to The Chair.
_ _ _ Elvis. _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ [A#m] We're Caught in a Trap.
I Can't Walk Out.
Because I Love You Too Much Baby.
Another Elvis.
Number four.
[G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D#] _ Mama [N] Cried.
Because if there's one thing that mama don't need is another little hunger.
Off to feed in the ghetto. _ _ _ _ _
_ _ _ _ _ Your vocals are inspiring, but guitar is so good too. _ _ _ _
_ Did Reggie sing those parts?
_ Clearly.
_ We're just doing Reggie.
[G] I thought we were just doing Reggie.
_ What's another one?
_ Oh, this [C] one.
[F#] I'm gonna try to play it.
_ _ [C#] _ _ _
[F] _ _ _ _ [F#] _ _ _ _
[B] _ _ _ [C] That's the intro to Billy Swan's I Can Help.
[A] So I think he originally played that as two different parts that he overdubbed. _ _
[Em] _ _ _ _ _ [A] _ _ [B] _
_ _ _ [E] _ _ _ [D#] _ _
_ Anyway, that's enough Reggie for now. _ _ _
[C] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Fm] _ _ _ _ _
_ _ _ [C] You really need a pencil to do it, but he played it with a pencil.
He tuned down to C.
This was on a Bill Black Smokey Part II.
_ _ But anyway, he tuned down the whole guitar two whole steps.
So I just tuned down part of it to C.
So I just tuned down part of it to C. _ _ _ _
_ _ _ _ _ [G] _ That kind of vibe.
That's awesome.
Cool thing. _ _
_ _ _ Or five more.
This is one more thing I learned from Reggie.
_ _ A lot of guys would play this like this.
[E] _ _ _ _ [G] _ _ But he [A] would do it with a _ pinky on your finger. _
[F#] _ _ _ _ [N] _ That pull off really takes it to another level.
So one of my favorite parts of the song is the bridge.
I think I'll just stay here and watch him take five guitar solos on it.
But anyway, he plays that lick.
_ [Bm] _ _ _ _ _ One [A#] more [A] Reggie thing.
He _ _ [D] will play this lick a fair amount.
He'll play the minor third. _
[C] _ [F#m] _ _ _ _ [F#] _ _ [C] _
_ [F#] _ _ _ _ _ It could be [F] quicker.
[C] _ _ _ [F#] _ _ _ [C] _
_ _ [F#m] _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
That's all Reggie.
[D] _ _ [A] _ _
[Bm] Here's another one. _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ [Bm] _ _ _
[D#] Every Bachelorette just [N] bop bop with you right there.
Every Bachelorette just bop bop with you right there.
Sorry for the clam on there.
But that's Reggie Young.
Sweet Caroline.
The original version.
Reggie Young.
_ _ Thanks Reggie.