Chords for An Interview with Roger Fisher of Heart - Crazy On You
Tempo:
133.7 bpm
Chords used:
F
C
Cm
Am
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C]
[F]
[C] [Cm]
[F]
You used this for the Rock and Roll Hall of Fame induction.
Right.
I just had a white custom strat body on it at that time.
At that time?
Oh, okay.
That's why I didn't [N] recognize it from that.
But, you know, the song you played, Crazy on You, right?
Take me back in time with that.
Now, I don't know the details behind how the song was completely written, but you co-wrote it, right?
The guitar lick that comes in, who invented that?
This was a real great time of heart.
I had gotten together with Nancy when I was living with Ed Myrenick, learning how to build guitars.
And she finally broke down and decided she's going to get together with Raj.
So we got together, and it was just so magical, so wonderful.
It was a time of real self-introspection for me, because I'm now with this girl who is unlike any girl I've ever been with before.
And she was beautiful, real intelligent, spiritual, [F]
and challenging.
Ann was with Mike, and I was with Nance, and we were all living in this A-frame cabin on Point Roberts,
which is a little tip of land that extends south of the 49th parallel into the United States territory.
So it's actually in the United States, but it's separated by land.
You have to go through Canada to get there.
There's the four of us living in our A-frame little heaven there.
One day, the girls [Am] were horsing around with this guitar idea that was fashioned after a Moody Blues song.
It went like that.
Working [G]
the
[F] They're doing all this [Am] stuff.
[D] She's doing this galloping thing [Eb] like that.
So then they had their song idea, and they're working on it, and the words are coming.
I happened to walk into the room, and Ann said,
Hey, Raj, what [Cm]
guitar part would you put on this?
And so I listened to it, and I [B] heard, [A] [D] [F]
[G] yeah.
[N]
So I played that for them, and they said, yeah, that sounds good.
So that's how my inclusion of the songwriting was made to that song.
The definition of a songwriter's royalty is one who comes up with the melody and or lyrics.
Of course you can't copyright chord progressions.
Otherwise, after a while, there wouldn't be anything you could play.
But an important key element of a song that is signature,
that when you hear that, you know that that's that song.
That's copyrightable, because it's a melody that has the strength to be a key element.
Howard said, you know, Raj should get royalties for that
And if he hadn't said that, I probably wouldn't ever have gotten co -writer's status with that song.
So thank you, Howard.
That's how that song was born.
Nice, nice.
Yeah, and it's
Oh, those lyrics!
I was a willow last night in my dream.
I bent down over a clear running stream.
I sang you this song that I heard up above, and you kept me alive with your sweet flow and love.
God!
That's some of the best lyrics in rock and roll, for sure.
[C] [F] [C]
[Cm]
[F]
[C] [Cm]
[F]
You used this for the Rock and Roll Hall of Fame induction.
Right.
I just had a white custom strat body on it at that time.
At that time?
Oh, okay.
That's why I didn't [N] recognize it from that.
But, you know, the song you played, Crazy on You, right?
Take me back in time with that.
Now, I don't know the details behind how the song was completely written, but you co-wrote it, right?
The guitar lick that comes in, who invented that?
This was a real great time of heart.
I had gotten together with Nancy when I was living with Ed Myrenick, learning how to build guitars.
And she finally broke down and decided she's going to get together with Raj.
So we got together, and it was just so magical, so wonderful.
It was a time of real self-introspection for me, because I'm now with this girl who is unlike any girl I've ever been with before.
And she was beautiful, real intelligent, spiritual, [F]
and challenging.
Ann was with Mike, and I was with Nance, and we were all living in this A-frame cabin on Point Roberts,
which is a little tip of land that extends south of the 49th parallel into the United States territory.
So it's actually in the United States, but it's separated by land.
You have to go through Canada to get there.
There's the four of us living in our A-frame little heaven there.
One day, the girls [Am] were horsing around with this guitar idea that was fashioned after a Moody Blues song.
It went like that.
Working [G]
the
[F] They're doing all this [Am] stuff.
[D] She's doing this galloping thing [Eb] like that.
So then they had their song idea, and they're working on it, and the words are coming.
I happened to walk into the room, and Ann said,
Hey, Raj, what [Cm]
guitar part would you put on this?
And so I listened to it, and I [B] heard, [A] [D] [F]
[G] yeah.
[N]
So I played that for them, and they said, yeah, that sounds good.
So that's how my inclusion of the songwriting was made to that song.
The definition of a songwriter's royalty is one who comes up with the melody and or lyrics.
Of course you can't copyright chord progressions.
Otherwise, after a while, there wouldn't be anything you could play.
But an important key element of a song that is signature,
that when you hear that, you know that that's that song.
That's copyrightable, because it's a melody that has the strength to be a key element.
Howard said, you know, Raj should get royalties for that
And if he hadn't said that, I probably wouldn't ever have gotten co -writer's status with that song.
So thank you, Howard.
That's how that song was born.
Nice, nice.
Yeah, and it's
Oh, those lyrics!
I was a willow last night in my dream.
I bent down over a clear running stream.
I sang you this song that I heard up above, and you kept me alive with your sweet flow and love.
God!
That's some of the best lyrics in rock and roll, for sure.
[C] [F] [C]
[Cm]
Key:
F
C
Cm
Am
G
F
C
Cm
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ [F] _
_ _ _ _ [C] _ _ _ [Cm] _
_ _ _ _ _ _ _ [F] _
You used this for the Rock and Roll Hall of Fame induction.
Right.
I just had a white _ custom strat body on it at that time.
At that time?
Oh, okay.
That's why I didn't [N] recognize it from that.
But, you know, the song you played, Crazy on You, right?
Take me back in time with that.
Now, I don't know the details behind how the song was completely written, but you co-wrote it, right?
The guitar lick that comes in, who invented that?
This was a real _ great time of heart.
I had gotten together with Nancy when I was living with Ed Myrenick, learning how to build guitars.
_ And she finally broke down and decided she's going to get together with Raj.
So we got together, and it was just so magical, so wonderful.
It was _ _ a time of _ real self-introspection for me, because I'm now with this girl who is unlike any girl I've ever been with before.
And she was beautiful, real intelligent, _ _ spiritual, [F] _
and _ challenging.
Ann was with Mike, and I was with Nance, and we were all living in this A-frame cabin _ on Point Roberts,
which is a little tip of land that extends south of the 49th parallel _ _ into the United States territory.
So it's actually in the United States, but it's separated by land.
_ You have to go through Canada to get there. _
There's the four of us living in our A-frame little _ _ heaven there.
_ One day, the girls [Am] were horsing around with this guitar idea that was fashioned after a Moody Blues song.
It went _ _ _ like that.
Working [G]
the_
[F] _ _ _ They're doing all this [Am] stuff.
_ _ _ _ _ _ [D] She's doing this galloping thing [Eb] like that.
So then they had their song idea, and they're working on it, and the words are coming.
_ I happened to walk into the room, and Ann said,
Hey, Raj, _ what _ _ _ [Cm] _
guitar part would you put on this?
And so I listened to it, and I [B] heard, _ [A] _ [D] _ [F] _
_ _ _ _ [G] yeah.
_ [N]
So I played that for them, and they said, yeah, that sounds good. _
So that's how my inclusion of the songwriting was made to that song.
_ The definition of a songwriter's royalty is _ one who _ comes up with the melody _ _ and or lyrics. _ _ _
Of course you _ can't copyright chord progressions.
Otherwise, _ after a while, there wouldn't be anything you could play.
But an important key element of a song that is signature,
that when you hear that, you know that that's that song. _
That's copyrightable, because it's a melody that has the strength to be a key element.
Howard said, you know, Raj should get royalties for that_ _ _ _
_ And if he hadn't said that, I probably wouldn't ever have gotten co _ -writer's _ status with that song.
So thank you, Howard.
_ _ That's how that song was born.
Nice, nice.
Yeah, and _ _ it's_
Oh, those lyrics!
I was a willow last night in my dream.
I bent down over a clear running stream.
I sang you this song that I heard up above, and you kept me alive with your sweet flow and love.
God!
_ That's some of the best lyrics in rock and roll, for sure.
_ [C] _ _ _ _ [F] _ _ _ _ _ [C] _
_ _ [Cm] _ _ _ _ _ _
_ _ _ _ _ _ _ [F] _
_ _ _ _ [C] _ _ _ [Cm] _
_ _ _ _ _ _ _ [F] _
You used this for the Rock and Roll Hall of Fame induction.
Right.
I just had a white _ custom strat body on it at that time.
At that time?
Oh, okay.
That's why I didn't [N] recognize it from that.
But, you know, the song you played, Crazy on You, right?
Take me back in time with that.
Now, I don't know the details behind how the song was completely written, but you co-wrote it, right?
The guitar lick that comes in, who invented that?
This was a real _ great time of heart.
I had gotten together with Nancy when I was living with Ed Myrenick, learning how to build guitars.
_ And she finally broke down and decided she's going to get together with Raj.
So we got together, and it was just so magical, so wonderful.
It was _ _ a time of _ real self-introspection for me, because I'm now with this girl who is unlike any girl I've ever been with before.
And she was beautiful, real intelligent, _ _ spiritual, [F] _
and _ challenging.
Ann was with Mike, and I was with Nance, and we were all living in this A-frame cabin _ on Point Roberts,
which is a little tip of land that extends south of the 49th parallel _ _ into the United States territory.
So it's actually in the United States, but it's separated by land.
_ You have to go through Canada to get there. _
There's the four of us living in our A-frame little _ _ heaven there.
_ One day, the girls [Am] were horsing around with this guitar idea that was fashioned after a Moody Blues song.
It went _ _ _ like that.
Working [G]
the_
[F] _ _ _ They're doing all this [Am] stuff.
_ _ _ _ _ _ [D] She's doing this galloping thing [Eb] like that.
So then they had their song idea, and they're working on it, and the words are coming.
_ I happened to walk into the room, and Ann said,
Hey, Raj, _ what _ _ _ [Cm] _
guitar part would you put on this?
And so I listened to it, and I [B] heard, _ [A] _ [D] _ [F] _
_ _ _ _ [G] yeah.
_ [N]
So I played that for them, and they said, yeah, that sounds good. _
So that's how my inclusion of the songwriting was made to that song.
_ The definition of a songwriter's royalty is _ one who _ comes up with the melody _ _ and or lyrics. _ _ _
Of course you _ can't copyright chord progressions.
Otherwise, _ after a while, there wouldn't be anything you could play.
But an important key element of a song that is signature,
that when you hear that, you know that that's that song. _
That's copyrightable, because it's a melody that has the strength to be a key element.
Howard said, you know, Raj should get royalties for that_ _ _ _
_ And if he hadn't said that, I probably wouldn't ever have gotten co _ -writer's _ status with that song.
So thank you, Howard.
_ _ That's how that song was born.
Nice, nice.
Yeah, and _ _ it's_
Oh, those lyrics!
I was a willow last night in my dream.
I bent down over a clear running stream.
I sang you this song that I heard up above, and you kept me alive with your sweet flow and love.
God!
_ That's some of the best lyrics in rock and roll, for sure.
_ [C] _ _ _ _ [F] _ _ _ _ _ [C] _
_ _ [Cm] _ _ _ _ _ _