Chords for Amadeus Clip
Tempo:
165.5 bpm
Chords used:
C
G
Am
A
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C] [G] [C] Morning.
What do you have for me today?
Your Majesty, Herr Mozart.
Yes?
What about him?
He's here.
Huh.
Well, there it is.
Good.
Your Majesty, I hope you won't find it improper,
but I've written a little march of welcome in his honor.
What a charming idea, court composer.
May I see?
Just a
just a trifle, of course.
May I try it?
Your Majesty.
Let's have some fun.
Quite
[G]
[C] folk, court composer.
May I play it when he comes in?
You do me too much honor, sire.
Bring in Herr Mozart, please.
Slowly, slowly.
I need a minute to practice.
Great.
[G]
[A] [D]
[G]
[C]
[G]
[C]
[G] [Am]
Gee?
[C]
[G]
[C]
Excellent.
Very [G] good.
Very good.
[C]
Tempo.
[G] more
[Am] tactly
than strongly The [C] Marchman.
Okay.
[G] [C]
Bravo,
[G]
[C]
[G]
[Am]
[C] [G]
[C]
[G]
[C]
[G] [Am]
[C] [G]
[C]
[N] Majesty!
Captain!
Please, please, please.
Please, yes, I beg you.
Ah.
No.
Majesty.
Ah, no.
Please, please.
It's not a holy relic.
Ha ha.
You know, we have met before.
In this very room.
Perhaps you don't remember it.
You were only six years old.
He was giving the most delightful concert here.
As he got off the stool, he slipped and fell.
My own sister Antoinette helped him up.
And you know what he did?
He jumped into her arms and said,
Will you marry me?
Yes or no?
Ha ha ha ha ha ha!
You know all these gentlemen, I'm sure.
The Baron van Swieten.
I'm a great admirer of yours, young man.
Oh, thank you.
Herr Palmeister Bono.
Signore.
My pleasure.
The director of our opera, Count Orsini-Rosenberg.
Oh, sir, yes.
The honor is mine.
Absolutely.
And here is our illustrious court composer,
Maestro Salieri.
At last.
Such immense joy.
Diletto straordinario.
I know your work well, signore.
Do you know, I actually composed some variations on a melody of yours.
Oh, really?
Which one?
Mio caro addonne.
I'm flattered.
A funny little tune, but it yielded some good things.
And now he has returned the compliment.
Herr Salieri composed this little march of welcome for you.
Really?
Grazie, signore.
Sono commosso.
Well, there it is.
Now, down to business.
Young man, we're going to commission an opera for me.
What do you say?
Majesty.
Did we vote in the end for German or Italian?
Well, actually, sire, if you remember, we did finally incline to Italian.
Did we?
I don't think it was really decided, your majesty.
Oh, German.
German, please.
Let it be German.
Why so?
Because I've already found the most wonderful libretto.
Oh?
Have I seen it?
I don't think you have, Herr Director.
Not yet.
I mean, it's quite new.
I'll show it to you immediately, of course.
I think you'd better.
Well, tell us about it.
Tell us the story.
Well, it's quite amusing, majesty.
It's set.
The whole thing is set in a
Yes? Where?
In a harem, majesty.
In a seraglio.
You mean in Turkey?
Yes, exactly.
Then why especially?
Does it have to be in German?
It doesn't especially.
It could be in Turkish if you really want.
My dear fellow, the language is not finally the point.
Do you really think that subject is quite appropriate for a national theatre?
Why not?
It's charming.
I mean, I won't actually show concubines exposing their
No, it's not indecent.
It's highly moral, majesty.
It's full of proper German virtues.
Excuse me, majesty, but what do you think these could be?
Being a foreigner, I would love to learn.
Well, tell him, Mozart, name us a German virtue.
Love, sire.
Oh, love.
Well, of course, in Italy we know nothing about love.
I don't think you do.
I mean, watching Italian opera,
all those male sopranos screeching, stupid fat couples rolling their eyes about,
that's not love.
It's just rubbish.
Majesty, you choose the language.
It will be my task to set it to the finest music ever offered a monarch.
Oh, that it does.
Let it be German.
Keep it, majesty, if you want.
It's already healing my head.
What?
On one hearing only?
I think so, sire.
Yes.
Show us.
[G]
[C]
[G] The
[C]
[G] [Am]
[C]
[G] [C]
[G] [Am]
[C] [G]
[C]
[G] rest is just the same, [C] isn't it?
[G] [Am] It
[G] doesn't really work, does it?
[Am]
Could [Ab] you [C]
try
Shouldn't it be a bit
[Am] more [B] [C] Or this?
What do
[G] [C]
you think?
[G]
[C]
[G]
[C]
[G] [C]
[G]
[C]
[F] [C]
[G] [C]
[G] [C] [G] [C]
[G] [C]
[G] [C]
[E] [C]
Grazie, signore.
What do you have for me today?
Your Majesty, Herr Mozart.
Yes?
What about him?
He's here.
Huh.
Well, there it is.
Good.
Your Majesty, I hope you won't find it improper,
but I've written a little march of welcome in his honor.
What a charming idea, court composer.
May I see?
Just a
just a trifle, of course.
May I try it?
Your Majesty.
Let's have some fun.
Quite
[G]
[C] folk, court composer.
May I play it when he comes in?
You do me too much honor, sire.
Bring in Herr Mozart, please.
Slowly, slowly.
I need a minute to practice.
Great.
[G]
[A] [D]
[G]
[C]
[G]
[C]
[G] [Am]
Gee?
[C]
[G]
[C]
Excellent.
Very [G] good.
Very good.
[C]
Tempo.
[G] more
[Am] tactly
than strongly The [C] Marchman.
Okay.
[G] [C]
Bravo,
[G]
[C]
[G]
[Am]
[C] [G]
[C]
[G]
[C]
[G] [Am]
[C] [G]
[C]
[N] Majesty!
Captain!
Please, please, please.
Please, yes, I beg you.
Ah.
No.
Majesty.
Ah, no.
Please, please.
It's not a holy relic.
Ha ha.
You know, we have met before.
In this very room.
Perhaps you don't remember it.
You were only six years old.
He was giving the most delightful concert here.
As he got off the stool, he slipped and fell.
My own sister Antoinette helped him up.
And you know what he did?
He jumped into her arms and said,
Will you marry me?
Yes or no?
Ha ha ha ha ha ha!
You know all these gentlemen, I'm sure.
The Baron van Swieten.
I'm a great admirer of yours, young man.
Oh, thank you.
Herr Palmeister Bono.
Signore.
My pleasure.
The director of our opera, Count Orsini-Rosenberg.
Oh, sir, yes.
The honor is mine.
Absolutely.
And here is our illustrious court composer,
Maestro Salieri.
At last.
Such immense joy.
Diletto straordinario.
I know your work well, signore.
Do you know, I actually composed some variations on a melody of yours.
Oh, really?
Which one?
Mio caro addonne.
I'm flattered.
A funny little tune, but it yielded some good things.
And now he has returned the compliment.
Herr Salieri composed this little march of welcome for you.
Really?
Grazie, signore.
Sono commosso.
Well, there it is.
Now, down to business.
Young man, we're going to commission an opera for me.
What do you say?
Majesty.
Did we vote in the end for German or Italian?
Well, actually, sire, if you remember, we did finally incline to Italian.
Did we?
I don't think it was really decided, your majesty.
Oh, German.
German, please.
Let it be German.
Why so?
Because I've already found the most wonderful libretto.
Oh?
Have I seen it?
I don't think you have, Herr Director.
Not yet.
I mean, it's quite new.
I'll show it to you immediately, of course.
I think you'd better.
Well, tell us about it.
Tell us the story.
Well, it's quite amusing, majesty.
It's set.
The whole thing is set in a
Yes? Where?
In a harem, majesty.
In a seraglio.
You mean in Turkey?
Yes, exactly.
Then why especially?
Does it have to be in German?
It doesn't especially.
It could be in Turkish if you really want.
My dear fellow, the language is not finally the point.
Do you really think that subject is quite appropriate for a national theatre?
Why not?
It's charming.
I mean, I won't actually show concubines exposing their
No, it's not indecent.
It's highly moral, majesty.
It's full of proper German virtues.
Excuse me, majesty, but what do you think these could be?
Being a foreigner, I would love to learn.
Well, tell him, Mozart, name us a German virtue.
Love, sire.
Oh, love.
Well, of course, in Italy we know nothing about love.
I don't think you do.
I mean, watching Italian opera,
all those male sopranos screeching, stupid fat couples rolling their eyes about,
that's not love.
It's just rubbish.
Majesty, you choose the language.
It will be my task to set it to the finest music ever offered a monarch.
Oh, that it does.
Let it be German.
Keep it, majesty, if you want.
It's already healing my head.
What?
On one hearing only?
I think so, sire.
Yes.
Show us.
[G]
[C]
[G] The
[C]
[G] [Am]
[C]
[G] [C]
[G] [Am]
[C] [G]
[C]
[G] rest is just the same, [C] isn't it?
[G] [Am] It
[G] doesn't really work, does it?
[Am]
Could [Ab] you [C]
try
Shouldn't it be a bit
[Am] more [B] [C] Or this?
What do
[G] [C]
you think?
[G]
[C]
[G]
[C]
[G] [C]
[G]
[C]
[F] [C]
[G] [C]
[G] [C] [G] [C]
[G] [C]
[G] [C]
[E] [C]
Grazie, signore.
Key:
C
G
Am
A
D
C
G
Am
[C] _ _ [G] _ _ [C] Morning.
_ _ _ _ _ _
_ _ _ _ _
What do you have for me today? _ _ _
_ Your Majesty, Herr Mozart.
Yes?
What about him? _ _
_ He's here. _ _ _
_ Huh. _ _ _
Well, there it is. _
Good.
Your Majesty, I hope you won't find it _ improper,
but I've written a little march of welcome in his honor.
What a charming idea, court composer.
May I see?
_ _ _ Just a_
_ just a trifle, of course. _ _ _ _ _
_ _ _ _ May I try it?
_ _ _ Your Majesty.
_ _ _ _ _ _
_ Let's have some fun. _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ Quite
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [G] _ _ _ _
_ _ _ _ _ _
[C] _ folk, court composer. _
_ _ _ _ _ _
May I play it when he comes in? _ _
_ _ _ _ You do me too much honor, sire.
_ _ Bring in Herr Mozart, please.
_ Slowly, _ slowly.
I need a minute to practice.
_ _ _ _ _ _
_ _ _ _ _ _
_ _ Great. _ _
_ _ [G] _ _ _ _
_ _ _ [A] _ _ [D] _
[G] _ _ _ _ _ _
_ _ [C] _ _ _ _
_ _ _ _ _ _
_ _ _ _ [G] _ _
_ _ [C] _ _ _ _
[G] _ _ [Am] _ _ _ _
Gee?
[C] _ _ _ _
_ [G] _ _ _ _ _
_ _ _ _ _ _
_ _ [C] _ _ _ _
_ _ _ Excellent. _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
Very [G] good. _ _
_ _ _ Very good.
_ _ _ _ [C] _ _
_ _ _ _ _
Tempo.
_ _ _ [G] _more_
_ [Am] _tactly
than _ strongly_ The [C] Marchman.
_ Okay.
_ [G] _ _ [C] _ _ _
_ _ _ _ _ _
_ Bravo, _ _ _
[G] _ _ _ _ _ _
_ _ _ _ _ _
[C] _ _ _ _ _ _
_ _ _ _ _ [G] _
[Am] _ _ _ _ _ _
[C] _ _ _ _ _ [G] _
_ _ [C] _ _ _ _
_ _ _ _ _ _
_ _ [G] _ _ _ _
_ _ _ _ _ _
_ _ [C] _ _ _ _
_ _ _ _ _ _
[G] _ _ [Am] _ _ _ _
_ [C] _ _ _ _ [G] _
_ _ [C] _ _ _ _
_ _ _ [N] _ Majesty!
_ Captain! _ _ _
_ Please, _ please, please.
Please, yes, I beg you. _ _
Ah. _ _ _ _
No.
_ _ Majesty.
Ah, no.
Please, please.
It's not a holy relic.
Ha ha.
_ _ _ _ _ _
_ _ You know, we have met before.
In this very room.
_ Perhaps you don't remember it.
You were only six years old.
He was giving the most delightful concert here.
As he got off the stool, he slipped and fell.
My own sister Antoinette helped him up.
And you know what he did?
He jumped into her arms and said,
Will you marry me?
Yes or no?
Ha ha ha ha ha _ _ _ _ _ _ _ _ _ _
ha!
You know all these gentlemen, I'm sure.
_ The Baron van Swieten.
I'm a great admirer of yours, young man.
Oh, thank you. _
Herr Palmeister Bono.
_ Signore.
_ _ _ My pleasure.
The director of our opera, Count Orsini-Rosenberg.
_ Oh, sir, yes.
The honor is mine.
_ Absolutely. _ _
And here _ is our illustrious court composer, _
_ Maestro Salieri. _
_ _ _ At last.
Such immense joy.
Diletto straordinario. _ _ _ _
I know your work well, signore.
Do you know, I actually composed some variations on a melody of yours.
Oh, really?
Which one?
Mio caro addonne.
_ _ I'm flattered.
_ A funny little tune, but it yielded some good things.
And now he has returned the compliment.
_ Herr Salieri composed this little march of welcome for you. _
Really? _ _ _
Grazie, signore.
Sono commosso.
Well, there it is.
Now, _ down to business.
Young man, _ _ we're going to commission an opera for me. _
_ What do you say? _ _ _
_ _ _ Majesty.
Did we vote in the end for German or Italian?
_ Well, actually, sire, if you remember, we did finally incline to Italian. _ _ _
Did we? _ _ _
_ I don't think it was really decided, your majesty. _ _
_ _ Oh, _ _ German.
_ German, please.
Let it be German.
_ Why so?
Because I've already found the most wonderful libretto.
_ Oh? _
Have I seen it?
_ I _ _ don't think you have, Herr Director.
Not yet.
I mean, it's quite new.
I'll show it to you immediately, of course.
I think you'd better.
_ _ Well, _ _ _ tell us about it. _ _
Tell us the story. _ _ _
_ _ _ _ _ _
_ Well, it's quite amusing, majesty. _ _ _ _ _
It's set.
The whole thing is set in _ _ _ _ _ _ a_ _
_ _ _ _ _ _
_ _ _ Yes? _ _ Where? _ _ _
In a harem, majesty. _ _
In a seraglio. _ _
You mean in Turkey? _
Yes, _ exactly. _ _
Then why especially?
Does it have to be in German? _ _ _ _ _
_ _ It doesn't especially.
It could be in Turkish if you really want. _ _ _ _
My dear fellow, the language is not finally the point. _ _ _
Do you really think that subject is quite appropriate for a national theatre?
_ _ _ _ _
Why not?
_ It's charming.
_ _ I mean, I _ _ won't actually show concubines exposing _ _ _ their_
_ No, it's not indecent.
_ It's highly moral, majesty.
It's full of proper German virtues.
_ Excuse me, majesty, but _ _ what do you think these could be?
_ _ Being a foreigner, I would love to learn. _ _ _ _
_ Well, _ _ tell him, Mozart, _ _ name us a German virtue. _ _
Love, sire.
Oh, love.
Well, of course, in Italy we know nothing about love. _ _
_ _ _ _ _ _
_ _ _ _ _ _
I don't think you do. _
I mean, watching Italian opera, _
_ all those male sopranos screeching, stupid fat couples rolling their eyes about,
that's not love.
It's just rubbish. _ _ _ _
_ _ _ _ Majesty, _ _ you choose the language.
_ It will be my task to set it to the finest music ever offered a monarch.
_ Oh, that it does.
_ Let it be German.
_ _ _ _ _ _
_ _ _ _ Keep it, majesty, if you want.
It's already healing my head.
What? _ _
On one hearing only?
I think so, sire.
Yes. _
_ _ _ _ _ _
_ _ _ _ _
Show us. _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [G] _ _ _ _
_ [C] _ _ _ _
[G] The _ _ _ _ _
_ _ _ [C] _ _ _
_ _ _ _ [G] _ [Am] _
_ _ _ [C] _ _ _
[G] _ _ [C] _ _ _ _
_ _ _ _ [G] _ [Am] _
_ _ [C] _ _ _ [G] _
_ [C] _ _ _ _ _
_ _ _ _ _ _
[G] _ _ rest is just the same, [C] isn't it? _ _ _ _ _
_ [G] _ [Am] It _ _
_ _ [G] doesn't really work, does it?
_ [Am] _ _ _ _
_ _ _ _ Could [Ab] you _ _ [C] _ _ _
try_
Shouldn't it be a bit _
[Am] _ more_ _ [B] [C] Or this? _ _ _ _ _
_ _ What do _
[G] _ [C] _ _ _ _ _
_ _ you _ _ think?
_ _ [G] _ _
[C] _ _ _ _ _ _
_ _ _ _ [G] _ _
_ _ _ _ _ _
_ _ [C] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
[G] _ _ [C] _ _ _ _
_ _ _ _ _ [G] _
_ _ _ _ _ _
_ _ [C] _ _ _ _
[F] _ _ _ _ _ [C] _
_ _ _ _ _ _
[G] _ _ [C] _ _ _ _
_ [G] _ [C] _ [G] _ _ [C] _
_ _ _ [G] _ [C] _ _
[G] _ _ [C] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ [E] _ [C] _
_ _ _ _ Grazie, _ _ _ _ _ _
_ _ _ _ signore.
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _
What do you have for me today? _ _ _
_ Your Majesty, Herr Mozart.
Yes?
What about him? _ _
_ He's here. _ _ _
_ Huh. _ _ _
Well, there it is. _
Good.
Your Majesty, I hope you won't find it _ improper,
but I've written a little march of welcome in his honor.
What a charming idea, court composer.
May I see?
_ _ _ Just a_
_ just a trifle, of course. _ _ _ _ _
_ _ _ _ May I try it?
_ _ _ Your Majesty.
_ _ _ _ _ _
_ Let's have some fun. _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ Quite
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [G] _ _ _ _
_ _ _ _ _ _
[C] _ folk, court composer. _
_ _ _ _ _ _
May I play it when he comes in? _ _
_ _ _ _ You do me too much honor, sire.
_ _ Bring in Herr Mozart, please.
_ Slowly, _ slowly.
I need a minute to practice.
_ _ _ _ _ _
_ _ _ _ _ _
_ _ Great. _ _
_ _ [G] _ _ _ _
_ _ _ [A] _ _ [D] _
[G] _ _ _ _ _ _
_ _ [C] _ _ _ _
_ _ _ _ _ _
_ _ _ _ [G] _ _
_ _ [C] _ _ _ _
[G] _ _ [Am] _ _ _ _
Gee?
[C] _ _ _ _
_ [G] _ _ _ _ _
_ _ _ _ _ _
_ _ [C] _ _ _ _
_ _ _ Excellent. _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
Very [G] good. _ _
_ _ _ Very good.
_ _ _ _ [C] _ _
_ _ _ _ _
Tempo.
_ _ _ [G] _more_
_ [Am] _tactly
than _ strongly_ The [C] Marchman.
_ Okay.
_ [G] _ _ [C] _ _ _
_ _ _ _ _ _
_ Bravo, _ _ _
[G] _ _ _ _ _ _
_ _ _ _ _ _
[C] _ _ _ _ _ _
_ _ _ _ _ [G] _
[Am] _ _ _ _ _ _
[C] _ _ _ _ _ [G] _
_ _ [C] _ _ _ _
_ _ _ _ _ _
_ _ [G] _ _ _ _
_ _ _ _ _ _
_ _ [C] _ _ _ _
_ _ _ _ _ _
[G] _ _ [Am] _ _ _ _
_ [C] _ _ _ _ [G] _
_ _ [C] _ _ _ _
_ _ _ [N] _ Majesty!
_ Captain! _ _ _
_ Please, _ please, please.
Please, yes, I beg you. _ _
Ah. _ _ _ _
No.
_ _ Majesty.
Ah, no.
Please, please.
It's not a holy relic.
Ha ha.
_ _ _ _ _ _
_ _ You know, we have met before.
In this very room.
_ Perhaps you don't remember it.
You were only six years old.
He was giving the most delightful concert here.
As he got off the stool, he slipped and fell.
My own sister Antoinette helped him up.
And you know what he did?
He jumped into her arms and said,
Will you marry me?
Yes or no?
Ha ha ha ha ha _ _ _ _ _ _ _ _ _ _
ha!
You know all these gentlemen, I'm sure.
_ The Baron van Swieten.
I'm a great admirer of yours, young man.
Oh, thank you. _
Herr Palmeister Bono.
_ Signore.
_ _ _ My pleasure.
The director of our opera, Count Orsini-Rosenberg.
_ Oh, sir, yes.
The honor is mine.
_ Absolutely. _ _
And here _ is our illustrious court composer, _
_ Maestro Salieri. _
_ _ _ At last.
Such immense joy.
Diletto straordinario. _ _ _ _
I know your work well, signore.
Do you know, I actually composed some variations on a melody of yours.
Oh, really?
Which one?
Mio caro addonne.
_ _ I'm flattered.
_ A funny little tune, but it yielded some good things.
And now he has returned the compliment.
_ Herr Salieri composed this little march of welcome for you. _
Really? _ _ _
Grazie, signore.
Sono commosso.
Well, there it is.
Now, _ down to business.
Young man, _ _ we're going to commission an opera for me. _
_ What do you say? _ _ _
_ _ _ Majesty.
Did we vote in the end for German or Italian?
_ Well, actually, sire, if you remember, we did finally incline to Italian. _ _ _
Did we? _ _ _
_ I don't think it was really decided, your majesty. _ _
_ _ Oh, _ _ German.
_ German, please.
Let it be German.
_ Why so?
Because I've already found the most wonderful libretto.
_ Oh? _
Have I seen it?
_ I _ _ don't think you have, Herr Director.
Not yet.
I mean, it's quite new.
I'll show it to you immediately, of course.
I think you'd better.
_ _ Well, _ _ _ tell us about it. _ _
Tell us the story. _ _ _
_ _ _ _ _ _
_ Well, it's quite amusing, majesty. _ _ _ _ _
It's set.
The whole thing is set in _ _ _ _ _ _ a_ _
_ _ _ _ _ _
_ _ _ Yes? _ _ Where? _ _ _
In a harem, majesty. _ _
In a seraglio. _ _
You mean in Turkey? _
Yes, _ exactly. _ _
Then why especially?
Does it have to be in German? _ _ _ _ _
_ _ It doesn't especially.
It could be in Turkish if you really want. _ _ _ _
My dear fellow, the language is not finally the point. _ _ _
Do you really think that subject is quite appropriate for a national theatre?
_ _ _ _ _
Why not?
_ It's charming.
_ _ I mean, I _ _ won't actually show concubines exposing _ _ _ their_
_ No, it's not indecent.
_ It's highly moral, majesty.
It's full of proper German virtues.
_ Excuse me, majesty, but _ _ what do you think these could be?
_ _ Being a foreigner, I would love to learn. _ _ _ _
_ Well, _ _ tell him, Mozart, _ _ name us a German virtue. _ _
Love, sire.
Oh, love.
Well, of course, in Italy we know nothing about love. _ _
_ _ _ _ _ _
_ _ _ _ _ _
I don't think you do. _
I mean, watching Italian opera, _
_ all those male sopranos screeching, stupid fat couples rolling their eyes about,
that's not love.
It's just rubbish. _ _ _ _
_ _ _ _ Majesty, _ _ you choose the language.
_ It will be my task to set it to the finest music ever offered a monarch.
_ Oh, that it does.
_ Let it be German.
_ _ _ _ _ _
_ _ _ _ Keep it, majesty, if you want.
It's already healing my head.
What? _ _
On one hearing only?
I think so, sire.
Yes. _
_ _ _ _ _ _
_ _ _ _ _
Show us. _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [G] _ _ _ _
_ [C] _ _ _ _
[G] The _ _ _ _ _
_ _ _ [C] _ _ _
_ _ _ _ [G] _ [Am] _
_ _ _ [C] _ _ _
[G] _ _ [C] _ _ _ _
_ _ _ _ [G] _ [Am] _
_ _ [C] _ _ _ [G] _
_ [C] _ _ _ _ _
_ _ _ _ _ _
[G] _ _ rest is just the same, [C] isn't it? _ _ _ _ _
_ [G] _ [Am] It _ _
_ _ [G] doesn't really work, does it?
_ [Am] _ _ _ _
_ _ _ _ Could [Ab] you _ _ [C] _ _ _
try_
Shouldn't it be a bit _
[Am] _ more_ _ [B] [C] Or this? _ _ _ _ _
_ _ What do _
[G] _ [C] _ _ _ _ _
_ _ you _ _ think?
_ _ [G] _ _
[C] _ _ _ _ _ _
_ _ _ _ [G] _ _
_ _ _ _ _ _
_ _ [C] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
[G] _ _ [C] _ _ _ _
_ _ _ _ _ [G] _
_ _ _ _ _ _
_ _ [C] _ _ _ _
[F] _ _ _ _ _ [C] _
_ _ _ _ _ _
[G] _ _ [C] _ _ _ _
_ [G] _ [C] _ [G] _ _ [C] _
_ _ _ [G] _ [C] _ _
[G] _ _ [C] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ [E] _ [C] _
_ _ _ _ Grazie, _ _ _ _ _ _
_ _ _ _ signore.
_ _ _ _ _ _