Chords for All Through The Night - Cyndi Lauper She's So Unusual Tour 2013
Tempo:
95.95 bpm
Chords used:
G
C
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
The record player, we do the first song, I start to sing the vocal, and all of a sudden,
it's like, all of a sudden everybody's the producer, like, I don't think that's a good
first line, no.
I'm like, what do you mean?
No, the first line of a song has to be like,
drag you in, it has to be a special line.
I'm like, yeah.
And then he says, why don't you cut
the tape and tape the tape before, because in those days there was no Pro Tools.
Do you
understand what Pro Tools says?
It's a computer.
Every single thing's on a computer.
Used to be,
every single thing was on this really thick tape, right?
And they cut it, right?
They don't do that
now.
That's why everything sounds kind of thin.
And they tell you, no, there's no difference.
I got one of them machines.
Let me tell you, hon, there's a big freaking difference.
Anyway,
[N] so, anyway, so they cut the tape, right?
And that was the first line, right?
And they turn around
[G]
and try and put it back together again.
But the razor blade they used to cut the tape was
[N] magnetized as opposed to demagnetized.
In other words, it was like a magnet, it makes a big thump.
So it's like, all through the place.
And they were like, well, you'll have to re-sing that.
I'm like, okay.
So I go in, get a new thing that's not, you know, no on it, right?
I'm standing here
in this dark room because I tortured them a little, because they kept looking at me when
I was singing and I wanted them to listen, right?
So first I started to push everything
up against the window so they couldn't see me.
And then I found a little dark, stingy room in
the back where I could sing.
That's where I sang She Bop.
That's why I took my clothes off and I
was laughing.
That's why on She Bop there's laughter.
I was tickling myself.
I couldn't
believe it.
I was [C] like, wow.
You know, Yoko Ono made Broken Glass.
I'm dying on the mattress.
I was thinking, is there [F] any mattress?
[N] And I looked around and I said,
it's like, all of a sudden everybody's the producer, like, I don't think that's a good
first line, no.
I'm like, what do you mean?
No, the first line of a song has to be like,
drag you in, it has to be a special line.
I'm like, yeah.
And then he says, why don't you cut
the tape and tape the tape before, because in those days there was no Pro Tools.
Do you
understand what Pro Tools says?
It's a computer.
Every single thing's on a computer.
Used to be,
every single thing was on this really thick tape, right?
And they cut it, right?
They don't do that
now.
That's why everything sounds kind of thin.
And they tell you, no, there's no difference.
I got one of them machines.
Let me tell you, hon, there's a big freaking difference.
Anyway,
[N] so, anyway, so they cut the tape, right?
And that was the first line, right?
And they turn around
[G]
and try and put it back together again.
But the razor blade they used to cut the tape was
[N] magnetized as opposed to demagnetized.
In other words, it was like a magnet, it makes a big thump.
So it's like, all through the place.
And they were like, well, you'll have to re-sing that.
I'm like, okay.
So I go in, get a new thing that's not, you know, no on it, right?
I'm standing here
in this dark room because I tortured them a little, because they kept looking at me when
I was singing and I wanted them to listen, right?
So first I started to push everything
up against the window so they couldn't see me.
And then I found a little dark, stingy room in
the back where I could sing.
That's where I sang She Bop.
That's why I took my clothes off and I
was laughing.
That's why on She Bop there's laughter.
I was tickling myself.
I couldn't
believe it.
I was [C] like, wow.
You know, Yoko Ono made Broken Glass.
I'm dying on the mattress.
I was thinking, is there [F] any mattress?
[N] And I looked around and I said,
Key:
G
C
F
G
C
F
G
C
The record player, we do the first song, I start to sing the vocal, and all of a sudden,
it's like, all of a sudden everybody's the producer, like, I don't think that's a good
first line, no.
I'm like, what do you mean?
No, the first line of a song has to be like,
drag you in, it has to be a special line.
I'm like, yeah.
And then he says, why don't you cut
the tape and tape the tape before, because in those days there was no Pro Tools.
Do you
understand what Pro Tools says?
It's a computer.
Every single thing's on a computer.
Used to be,
every single thing was on this really thick tape, right?
And they cut it, right?
They don't do that
now.
That's why everything sounds kind of thin.
And they tell you, no, there's no difference.
_ _ _ I got one of them machines.
Let me tell you, hon, there's a big freaking difference.
Anyway,
[N] so, anyway, so they cut the tape, right?
And that was the first line, right?
And they turn around
[G] _
_ and try and put it back together again.
But the razor blade they used to cut the tape was
[N] magnetized as opposed to demagnetized.
In other words, it was like a magnet, it makes a big thump.
So it's like, all through the place. _ _
_ And they were like, well, you'll have to re-sing that.
_ I'm like, okay.
So I go in, get a new thing that's not, you know, no on it, right?
_ I'm standing here
in this dark room because I tortured them a little, because they kept looking at me when
I was singing and I wanted them to listen, right?
So first I started to push everything
up against the window so they couldn't see me.
And then I found a little dark, stingy room in
the back where I could sing.
That's where I sang She Bop.
That's why I took my clothes off and I
was laughing.
That's why on She Bop there's laughter.
I was tickling myself.
I couldn't
believe it.
I was [C] like, wow.
You know, Yoko Ono made Broken Glass.
I'm dying on the mattress.
I was thinking, is there [F] any mattress?
[N] And I looked around and I said, _ _ _ _ _ _
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it's like, all of a sudden everybody's the producer, like, I don't think that's a good
first line, no.
I'm like, what do you mean?
No, the first line of a song has to be like,
drag you in, it has to be a special line.
I'm like, yeah.
And then he says, why don't you cut
the tape and tape the tape before, because in those days there was no Pro Tools.
Do you
understand what Pro Tools says?
It's a computer.
Every single thing's on a computer.
Used to be,
every single thing was on this really thick tape, right?
And they cut it, right?
They don't do that
now.
That's why everything sounds kind of thin.
And they tell you, no, there's no difference.
_ _ _ I got one of them machines.
Let me tell you, hon, there's a big freaking difference.
Anyway,
[N] so, anyway, so they cut the tape, right?
And that was the first line, right?
And they turn around
[G] _
_ and try and put it back together again.
But the razor blade they used to cut the tape was
[N] magnetized as opposed to demagnetized.
In other words, it was like a magnet, it makes a big thump.
So it's like, all through the place. _ _
_ And they were like, well, you'll have to re-sing that.
_ I'm like, okay.
So I go in, get a new thing that's not, you know, no on it, right?
_ I'm standing here
in this dark room because I tortured them a little, because they kept looking at me when
I was singing and I wanted them to listen, right?
So first I started to push everything
up against the window so they couldn't see me.
And then I found a little dark, stingy room in
the back where I could sing.
That's where I sang She Bop.
That's why I took my clothes off and I
was laughing.
That's why on She Bop there's laughter.
I was tickling myself.
I couldn't
believe it.
I was [C] like, wow.
You know, Yoko Ono made Broken Glass.
I'm dying on the mattress.
I was thinking, is there [F] any mattress?
[N] And I looked around and I said, _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
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