Chords for 3Teeth – Shutdown.exe | Album Review | Rocked
Tempo:
92.45 bpm
Chords used:
C
Ab
D
A
Gb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Em]
[D] [N] Nine Inch Nails, Ministry, these are names you think of when you think dark industrial
rock.
Last year a band came on the scene with some bite in the industrial sound called Three
Teeth.
Their album Shutdown, or technically a program if you use the executable format,
could be a new contender in one of rock's more ignored and rarely acknowledged subgenres.
In 2016 Three Teeth went on tour opening for Tool and were exposed to a lot of new people
while getting the blessing of one of the biggest bands in the world.
It was shortly after this
tour with Tool and Primus that the band started writing and recording new material that would
lead to this new album.
In that material they wrote not only captured the industrial
sounds reminiscent of the early 90s, but with it came a detailed concept album about shutting
down [D] the consensus or what is considered real.
Shutdown itself is a dark, cynical, and at times comical look at our reality.
While looking
at the world in a negative way is not exactly new in the current rock scene, actually making
a story about shutting down our connection to what [Eb] makes our society and interactions
the way they [C] are is something that can actually be played with and thought about.
Putting
all that to heavy [N] industrial rhythms and electronics adds to the story's tone.
[Ab] I feel like bands
are not pushing bigger [A] concepts like this, or at least a majority of them are [Db] not.
The
rock scene is [C] filled with many bands that have a pessimistic look stating, my life sucks
or you suck, [Am] but rarely do we hear a band [Ab] talk about society and how we need [N] to disassociate
with current schemes that could have a negative impact.
There have been several songs already released from Three Teeth's sophomore album, and each
one of them is a fantastic example of both the style that Three Teeth delivers and the
overall sound of Shutdown.
Along with their crazy but fantastic music videos, it feels
like Three Teeth want to make a lasting impression with this album, and the title track holds
that industrial [A] banner proudly.
[C]
[Dbm] [C]
[Db] [C]
The title track [C] hits hard and has just about everything any industrial fan who was longing
for the early 90s style could want.
The synthesized drums, guitars are hypnotic, and Lex's [Em] vocals
add this hazy, distorted sound with [C] just the right amount of elevation into the chorus.
It is industrial to the core, [G] and in my opinion, it works well as a feature track but is [C] still
not the highlight of the album.
Don't [D] get me wrong, I like Shutdown the song, but while
you listen to the album in entirety, you are pulled into the gravity of this album and
many strong choruses and hooks that hit hard.
Tracks [C] like Degrade, Voiceless, and Atrophy
are instantly memorable and make you feel like you are listening to [E] the soundtrack [C] of
a Matrix-like film.
This style of music is supposed to create a feeling that you are
in a dark setting and to a certain extent, a dystopian or future environment.
Three Teeth
nails that emotion in this album.
You hear this depraved anger throughout Shutdown the
album and you get the intended concept of breaking the chains [N] of society or detaching
from what our culture has become.
[A]
[Ab] [Abm]
[A]
[Ab] [Gb] [Ab] I love the powerful chorus of Degrade.
The buildup in the rhythm to a shout of the title
is intense and striking.
The lyrics are brutal, talking about spinning on the young [B] and burning
altars.
Three Teeth pulled no punches in getting dark and a bit shocking in [Bb] their writing to
go along with their music.
Atrophy, Tower of Disease, [Eb] Slave God, all of these insert
imagery of an impending downfall, and it works here.
The album does take a couple tracks
to get into, but once you are past the opening songs Divine Weapon and Pit of Fire, you are
fully sucked into the rhythm that this concept program [Gb] creates.
In 13 tracks at just under
[Ab] an hour, Three Teeth completely engulfed the listener in a world created by the minds of
some extremely creative individuals.
[Dm]
[Bb] [F]
[Dm] [Bb] [Dm]
[N] Three Teeth may not be reinventing the wheel in terms of industrial rock, but the band
definitely has a style that is refreshing and becoming unheard of in 2017.
For lack
of a better phrase, this is the exact kick in the teeth that rock and even metal can
use in terms of edge, both regarding the electronic sound and overarching concept that connects
songs.
Overall, Shutdown is the fierce and dark album that industrial fans have been
wanting in 2017.
If you are looking for something loud and rhythmic and are willing to be slapped
in the face by some dark lyrics and concepts, then let Three Teeth grab you by the throat
and drag you away from your current concept of [Am] reality.
[D] [B]
[Gb] [B] [C]
[Gb] [B]
[D] [N] Nine Inch Nails, Ministry, these are names you think of when you think dark industrial
rock.
Last year a band came on the scene with some bite in the industrial sound called Three
Teeth.
Their album Shutdown, or technically a program if you use the executable format,
could be a new contender in one of rock's more ignored and rarely acknowledged subgenres.
In 2016 Three Teeth went on tour opening for Tool and were exposed to a lot of new people
while getting the blessing of one of the biggest bands in the world.
It was shortly after this
tour with Tool and Primus that the band started writing and recording new material that would
lead to this new album.
In that material they wrote not only captured the industrial
sounds reminiscent of the early 90s, but with it came a detailed concept album about shutting
down [D] the consensus or what is considered real.
Shutdown itself is a dark, cynical, and at times comical look at our reality.
While looking
at the world in a negative way is not exactly new in the current rock scene, actually making
a story about shutting down our connection to what [Eb] makes our society and interactions
the way they [C] are is something that can actually be played with and thought about.
Putting
all that to heavy [N] industrial rhythms and electronics adds to the story's tone.
[Ab] I feel like bands
are not pushing bigger [A] concepts like this, or at least a majority of them are [Db] not.
The
rock scene is [C] filled with many bands that have a pessimistic look stating, my life sucks
or you suck, [Am] but rarely do we hear a band [Ab] talk about society and how we need [N] to disassociate
with current schemes that could have a negative impact.
There have been several songs already released from Three Teeth's sophomore album, and each
one of them is a fantastic example of both the style that Three Teeth delivers and the
overall sound of Shutdown.
Along with their crazy but fantastic music videos, it feels
like Three Teeth want to make a lasting impression with this album, and the title track holds
that industrial [A] banner proudly.
[C]
[Dbm] [C]
[Db] [C]
The title track [C] hits hard and has just about everything any industrial fan who was longing
for the early 90s style could want.
The synthesized drums, guitars are hypnotic, and Lex's [Em] vocals
add this hazy, distorted sound with [C] just the right amount of elevation into the chorus.
It is industrial to the core, [G] and in my opinion, it works well as a feature track but is [C] still
not the highlight of the album.
Don't [D] get me wrong, I like Shutdown the song, but while
you listen to the album in entirety, you are pulled into the gravity of this album and
many strong choruses and hooks that hit hard.
Tracks [C] like Degrade, Voiceless, and Atrophy
are instantly memorable and make you feel like you are listening to [E] the soundtrack [C] of
a Matrix-like film.
This style of music is supposed to create a feeling that you are
in a dark setting and to a certain extent, a dystopian or future environment.
Three Teeth
nails that emotion in this album.
You hear this depraved anger throughout Shutdown the
album and you get the intended concept of breaking the chains [N] of society or detaching
from what our culture has become.
[A]
[Ab] [Abm]
[A]
[Ab] [Gb] [Ab] I love the powerful chorus of Degrade.
The buildup in the rhythm to a shout of the title
is intense and striking.
The lyrics are brutal, talking about spinning on the young [B] and burning
altars.
Three Teeth pulled no punches in getting dark and a bit shocking in [Bb] their writing to
go along with their music.
Atrophy, Tower of Disease, [Eb] Slave God, all of these insert
imagery of an impending downfall, and it works here.
The album does take a couple tracks
to get into, but once you are past the opening songs Divine Weapon and Pit of Fire, you are
fully sucked into the rhythm that this concept program [Gb] creates.
In 13 tracks at just under
[Ab] an hour, Three Teeth completely engulfed the listener in a world created by the minds of
some extremely creative individuals.
[Dm]
[Bb] [F]
[Dm] [Bb] [Dm]
[N] Three Teeth may not be reinventing the wheel in terms of industrial rock, but the band
definitely has a style that is refreshing and becoming unheard of in 2017.
For lack
of a better phrase, this is the exact kick in the teeth that rock and even metal can
use in terms of edge, both regarding the electronic sound and overarching concept that connects
songs.
Overall, Shutdown is the fierce and dark album that industrial fans have been
wanting in 2017.
If you are looking for something loud and rhythmic and are willing to be slapped
in the face by some dark lyrics and concepts, then let Three Teeth grab you by the throat
and drag you away from your current concept of [Am] reality.
[D] [B]
[Gb] [B] [C]
[Gb] [B]
Key:
C
Ab
D
A
Gb
C
Ab
D
_ _ _ _ _ _ _ [Em] _
[D] _ _ _ _ _ [N] Nine Inch Nails, Ministry, these are names you think of when you think dark industrial
rock.
Last year a band came on the scene with some bite in the industrial sound called Three
Teeth.
Their album Shutdown, or technically a program if you use the executable format,
could be a new contender in one of rock's more ignored and rarely acknowledged subgenres.
In 2016 Three Teeth went on tour opening for Tool and were exposed to a lot of new people
while getting the blessing of one of the biggest bands in the world.
It was shortly after this
tour with Tool and Primus that the band started writing and recording new material that would
lead to this new album.
In that material they wrote not only captured the industrial
sounds reminiscent of the early 90s, but with it came a detailed concept album about shutting
down [D] the consensus or what is considered real.
Shutdown itself is a dark, cynical, and at times comical look at our reality.
While looking
at the world in a negative way is not exactly new in the current rock scene, actually making
a story about shutting down our connection to what [Eb] makes our society and interactions
the way they [C] are is something that can actually be played with and thought about.
Putting
all that to heavy [N] industrial rhythms and electronics adds to the story's tone.
[Ab] I feel like bands
are not pushing bigger [A] concepts like this, or at least a majority of them are [Db] not.
The
rock scene is [C] filled with many bands that have a pessimistic look stating, my life sucks
or you suck, [Am] but rarely do we hear a band [Ab] talk about society and how we need [N] to disassociate
with current schemes that could have a negative impact.
There have been several songs already released from Three Teeth's sophomore album, and each
one of them is a fantastic example of both the style that Three Teeth delivers and the
overall sound of Shutdown.
Along with their crazy but fantastic music videos, it feels
like Three Teeth want to make a lasting impression with this album, and the title track holds
that industrial [A] banner proudly.
_ [C] _ _ _ _
_ _ [Dbm] _ _ _ [C] _ _ _
_ _ [Db] _ _ _ [C] _ _ _
_ The title track [C] hits hard and has just about everything any industrial fan who was longing
for the early 90s style could want.
The synthesized drums, guitars are hypnotic, and Lex's [Em] vocals
add this hazy, distorted sound with [C] just the right amount of elevation into the chorus.
It is industrial to the core, [G] and in my opinion, it works well as a feature track but is [C] still
not the highlight of the album.
Don't [D] get me wrong, I like Shutdown the song, but while
you listen to the album in entirety, you are pulled into the gravity of this album and
many strong choruses and hooks that hit hard.
Tracks [C] like Degrade, Voiceless, and Atrophy
are instantly memorable and make you feel like you are listening to [E] the soundtrack [C] of
a Matrix-like film.
This style of music is supposed to create a feeling that you are
in a dark setting and to a certain extent, a dystopian or future environment.
Three Teeth
nails that emotion in this album.
You hear this depraved anger throughout Shutdown the
album and you get the intended concept of breaking the chains [N] of society or detaching
from what our culture has become.
[A] _
[Ab] _ _ [Abm] _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
[Ab] _ _ [Gb] _ _ [Ab] _ I love the powerful chorus of Degrade.
The buildup in the rhythm to a shout of the title
is intense and striking.
The lyrics are brutal, talking about spinning on the young [B] and burning
altars.
Three Teeth pulled no punches in getting dark and a bit shocking in [Bb] their writing to
go along with their music.
Atrophy, Tower of Disease, [Eb] Slave God, all of these insert
imagery of an impending downfall, and it works here.
The album does take a couple tracks
to get into, but once you are past the opening songs Divine Weapon and Pit of Fire, you are
fully sucked into the rhythm that this concept program [Gb] creates.
In 13 tracks at just under
[Ab] an hour, Three Teeth completely engulfed the listener in a world created by the minds of
some extremely creative individuals.
_ [Dm] _
_ _ [Bb] _ _ _ [F] _ _ _
[Dm] _ _ [Bb] _ _ _ _ _ [Dm] _
_ _ _ _ [N] Three Teeth may not be reinventing the wheel in terms of industrial rock, but the band
definitely has a style that is refreshing and becoming unheard of in 2017.
For lack
of a better phrase, this is the exact kick in the teeth that rock and even metal can
use in terms of edge, both regarding the electronic sound and overarching concept that connects
songs.
Overall, Shutdown is the fierce and dark album that industrial fans have been
wanting in 2017.
If you are looking for something loud and rhythmic and are willing to be slapped
in the face by some dark lyrics and concepts, then let Three Teeth grab you by the throat
and drag you away from your current concept of [Am] reality. _ _ _
[D] _ _ _ _ _ _ _ [B] _
_ _ [Gb] _ _ [B] _ _ _ [C] _
_ _ _ _ [Gb] _ _ _ [B] _
[D] _ _ _ _ _ [N] Nine Inch Nails, Ministry, these are names you think of when you think dark industrial
rock.
Last year a band came on the scene with some bite in the industrial sound called Three
Teeth.
Their album Shutdown, or technically a program if you use the executable format,
could be a new contender in one of rock's more ignored and rarely acknowledged subgenres.
In 2016 Three Teeth went on tour opening for Tool and were exposed to a lot of new people
while getting the blessing of one of the biggest bands in the world.
It was shortly after this
tour with Tool and Primus that the band started writing and recording new material that would
lead to this new album.
In that material they wrote not only captured the industrial
sounds reminiscent of the early 90s, but with it came a detailed concept album about shutting
down [D] the consensus or what is considered real.
Shutdown itself is a dark, cynical, and at times comical look at our reality.
While looking
at the world in a negative way is not exactly new in the current rock scene, actually making
a story about shutting down our connection to what [Eb] makes our society and interactions
the way they [C] are is something that can actually be played with and thought about.
Putting
all that to heavy [N] industrial rhythms and electronics adds to the story's tone.
[Ab] I feel like bands
are not pushing bigger [A] concepts like this, or at least a majority of them are [Db] not.
The
rock scene is [C] filled with many bands that have a pessimistic look stating, my life sucks
or you suck, [Am] but rarely do we hear a band [Ab] talk about society and how we need [N] to disassociate
with current schemes that could have a negative impact.
There have been several songs already released from Three Teeth's sophomore album, and each
one of them is a fantastic example of both the style that Three Teeth delivers and the
overall sound of Shutdown.
Along with their crazy but fantastic music videos, it feels
like Three Teeth want to make a lasting impression with this album, and the title track holds
that industrial [A] banner proudly.
_ [C] _ _ _ _
_ _ [Dbm] _ _ _ [C] _ _ _
_ _ [Db] _ _ _ [C] _ _ _
_ The title track [C] hits hard and has just about everything any industrial fan who was longing
for the early 90s style could want.
The synthesized drums, guitars are hypnotic, and Lex's [Em] vocals
add this hazy, distorted sound with [C] just the right amount of elevation into the chorus.
It is industrial to the core, [G] and in my opinion, it works well as a feature track but is [C] still
not the highlight of the album.
Don't [D] get me wrong, I like Shutdown the song, but while
you listen to the album in entirety, you are pulled into the gravity of this album and
many strong choruses and hooks that hit hard.
Tracks [C] like Degrade, Voiceless, and Atrophy
are instantly memorable and make you feel like you are listening to [E] the soundtrack [C] of
a Matrix-like film.
This style of music is supposed to create a feeling that you are
in a dark setting and to a certain extent, a dystopian or future environment.
Three Teeth
nails that emotion in this album.
You hear this depraved anger throughout Shutdown the
album and you get the intended concept of breaking the chains [N] of society or detaching
from what our culture has become.
[A] _
[Ab] _ _ [Abm] _ _ _ _ _ _
_ _ _ _ _ _ _ [A] _
[Ab] _ _ [Gb] _ _ [Ab] _ I love the powerful chorus of Degrade.
The buildup in the rhythm to a shout of the title
is intense and striking.
The lyrics are brutal, talking about spinning on the young [B] and burning
altars.
Three Teeth pulled no punches in getting dark and a bit shocking in [Bb] their writing to
go along with their music.
Atrophy, Tower of Disease, [Eb] Slave God, all of these insert
imagery of an impending downfall, and it works here.
The album does take a couple tracks
to get into, but once you are past the opening songs Divine Weapon and Pit of Fire, you are
fully sucked into the rhythm that this concept program [Gb] creates.
In 13 tracks at just under
[Ab] an hour, Three Teeth completely engulfed the listener in a world created by the minds of
some extremely creative individuals.
_ [Dm] _
_ _ [Bb] _ _ _ [F] _ _ _
[Dm] _ _ [Bb] _ _ _ _ _ [Dm] _
_ _ _ _ [N] Three Teeth may not be reinventing the wheel in terms of industrial rock, but the band
definitely has a style that is refreshing and becoming unheard of in 2017.
For lack
of a better phrase, this is the exact kick in the teeth that rock and even metal can
use in terms of edge, both regarding the electronic sound and overarching concept that connects
songs.
Overall, Shutdown is the fierce and dark album that industrial fans have been
wanting in 2017.
If you are looking for something loud and rhythmic and are willing to be slapped
in the face by some dark lyrics and concepts, then let Three Teeth grab you by the throat
and drag you away from your current concept of [Am] reality. _ _ _
[D] _ _ _ _ _ _ _ [B] _
_ _ [Gb] _ _ [B] _ _ _ [C] _
_ _ _ _ [Gb] _ _ _ [B] _