Chords for 2 Amie Major Pentatonic Scale Lead Solo Guitar Theory Lesson

[D] _ _ _ _ _ _ _ _
[A] _ _ [G] _ [A] _ _ [G] _ _ [A] _
_ _ [D] _ _ [Am] _ _ [C] _ [D] _
[A] _ _ [Em] _ _ [D] _ _ _ _
[C] _ _ _ _ [D] _ _ [D] _ _
[C] _ _ _ [G] _ [F#m] _ _ [B] _ _
[E] _ _ _ [F#m] _ [E] _ [A] _ [F#] _ _
_ [F#m] _ _ So this is right in pattern one, hammer on.
_ _ _ _ _ [C] You don't really [B] hear this note so [G] much, it's kind of like a [F#m] ghost note.
_ _ _ [A] _ _
_ [C#m] _ _ [E] _ _ _ _ [C#m] _
_ [F#m] _ _ _ [A] _ _ [B] _ _
[F#m] _ _ _ [C#m] _ _ _ [F#m] _ [A] _
[C#m] _ _ _ _ _ _ _ _
[F#m] _ [Bm] You get some slide [C] ups and some slide downs.
I'm using my ring finger for the [B] slide this time because it works out better that way.
[C#m] _ _
_ _ _ [F#m] _ [A] _ _ _ [C#m] _
_ _ [F#m] _ [A] _ _ [G#] _ _ [F#m] _
_ [C] _ _ [B] _ [A] _ [B] A little bit of the blues scale there.
[C#m] _ [F#m] _ [C] _ [F#m] _ _ _
_ _ _ _ _ [C#m] _ _ _
[F#] _ _ [A] _ _ [A#] _ _ _ _
[A] _ _ [C] _ [D] _ [A] _ [D] _ [C] So [F#] the next part is [C] more [C#] _ [F#] _ _ [B]
[C] blues [A] scale [C#] there.
[F#m] _ _ [B] _ [F#] More _ [C] _ [C#] _ [E] blues [F#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Am] _ [B] scale.
[A] _ _
_ _ [F#] _ _ _ _ _ [A] _
_ _ _ _ [F#m] _ _ _ _
_ _ Alright _ _ _ [C#m] _
_ [F#m] _ _ [F#] _ _ _ _ _
[A] _ _ [B] _ _ [A] _ [G] _ _ [A] _
_ _ [D] _ [Am] _ _ _ [D] _ _
[A] _ _ [Em] _ _ [D] _ _ so the next part is a slide from pattern one to pattern [B] two.
[C#m] _
[C] Then you play these two notes together [C#m] with your pick, _ alternating. _
And then you slide this up to frets eight [D] and [C] nine.
_ [G] _ _ Let me explain what's happening here.
This is [B] A major [F#m] pentatonic, _ _ [A] sliding from pattern [B] one to two.
[C#m] _ [B] Pretty common [C#m] lick.
_ [F#] _ _ [Em]
And then when you move up, it's actually A minor pentatonic.
Same patterns but they'd start at the fifth fret with your index [C] on A. _ _ _
[C] A minor pentatonic slide from pattern [D] one [Em] to two. _
_ _ [B] So A major pentatonic slide from pattern [C#m] one to two.
_ _ And then A [C] minor pentatonic. _ _
[G] _ _ _ _ _ _ [A] _ [F] _
[B] _ _ [A] _ _ [Bm] _ _ _ _
[B] _ _ _ [Em] _ _ [D] _ _ _
_ [F] _ [B] _ _ _ [F] _ [B] _ _
[A] _ [F] _ [B] _ _ _ [Am] _ _ [D] _
_ [A] _ [G] _ _ [A] _ _ _ [G] _
[A] _ _ _ [G] _ [F#] _ _ _ [C] _
[D] _ [A] _ _ [Em] _ _ [D] _ _ _
_ [Am] _ [A] _ _ [G] _ [A] _ _
[C#] Okay _ [F#m] _ _ [G] _ [F#] _ _ _
[C] _ [D] _ [A] _ _ [Em] _ _ [D] _ _
_ _ [C] so this is over the [D] D chord now.
[F] _
[B] _ _ _ _ [A] _ _ _
[C] And it appears to be still in the A major pentatonic with some blues scale work here.
[Bm] _ _ [A] _ But actually this slide right [F] here [F#] _ [B] _ _ [F#] is part of [B] a _
[N] D major pentatonic.
If I _ just switch positions here real quick, here's D.
This would be pentatonic [D] pattern one.
[E] _ [F] _ _ [F#] _
[F] _ [F#m] _ [D] _ _ _ _ [F#] _ [A] _
_ You might think of the [D] C form, bar [Bm] chord.
Here's [D] your D.
_ [F] _ [F#m] _ _ [D] _ _ _
_ This would be like pentatonic pattern four if it were D major. _
[Bm] _ _ [D] _ _ _ _ _ [F] _
[B] _ [C] _ That note ends up being [D] a seventh interval on the D chord.
_ _ _ _ _ _ _ [F] _
[B] _ _ [B] _ _ [A] _ So that's the lick over [Em] the D chord.
[D] _ _ [G#] _ [D] _ _ _ [F] _ [D] _ [Cm] _ [B] _ [A] _ _ _ _
_ [G] _ [D] _ _ [A] _ _ [G] _ [A] _
_ _ [C#] _ [A] _ _ _ [G] _ [F#] _
_ _ [C] _ [D] _ [A] _ _ [Am] _ _
[D] _ _ _ _ [C] _ _ _ _