Chords for "Milwaukee Blues" Dom Flemons Earl Scruggs Center LiveInTheMusic.com
Tempo:
121.15 bpm
Chords used:
C
G
F
Gm
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
In the exhibit there's a really great section on [E] the [N] precursors to the Earl Scruggs style of three finger banjo.
Because, you know, North Carolina banjo picking, there was two finger style, which Earl talks about actually in the videos himself,
that he used to do kind of a two finger style with thumb and one finger.
And then he added that extra finger and, you know, got the [G]
little [A] extra bits.
You see, I never could do Scruggs style full on.
[Em] That's beyond my little range.
I just tend to strum [A] well.
[Bm] But there's a little section on [N] some of the folks who did a three finger type style that preceded the Scruggs style.
And one of those fellows was a fellow by the name of Charlie [Em] Poole.
And a few years back I got to [A] meet one of Charlie Poole's, [N] I guess it was his fiddler, Posey Roar's great nephew, Kenny Roar.
And he lives out in Danville and he plays a lot of Charlie Poole's old songs.
And one of them that I learned from him was one called [C] Milwaukee Blues.
And I'll play a little bit of that one for you.
This one's about hobos and trains [E] and how the, well, the trains don't particularly care for the hobos because, you know, no money was exchanging hands.
But I'll play this one nevertheless here with some [C] of the ways the hobos got around.
[G] [G]
[C]
[F] [C]
[G] [C]
[G]
[F] [C]
[F] [C]
[G] [C] Gotta get the freight [F] train to leave [C] this town, cause they don't have no hobos hanging around.
[F] Hanging around, [C] just hanging around.
They don't have no hobos hanging around.
They don't have no hobos hanging around here.
[Gm]
[F] [G] [F]
[C]
[G] [C] I left Atlanta one day before the [G] break of day, said you'll all have to pay.
Got no money [F] but a pair of home [C] shoes, I'm going out west [G] to go to Milwaukee.
[F] Milwaukee Blues.
[Bm] Yes, [C] Milwaukee Blues.
Going out west to go to Milwaukee.
What do you got to say, Banjo?
[Gm] [C]
[G] [F]
[C]
[G] [C] Now old Bill said before he [G] died, two old roads he liked to ride.
Old Bill [F] and [C] me, yes, the Southerners [G] saved against [C] Sandy.
Sandy.
[F] [C] Yes, Sandy.
Yes, the Southerners saved against Sandy.
Now old Bill said before he [G] died, I'll clear the roads on the bowling ride.
When they [F] ride, they ride the [C] rods, they put all their trust in the hands of God.
[F] The hands of God.
[C] Yes, hands of God.
They put all their trust in the hands of God.
[G]
[C] [F]
[C] [Am]
[G] [E] [Gm]
[C]
[G]
[Cm]
[Gm] [C]
[N]
Thank you so much, folks.
Because, you know, North Carolina banjo picking, there was two finger style, which Earl talks about actually in the videos himself,
that he used to do kind of a two finger style with thumb and one finger.
And then he added that extra finger and, you know, got the [G]
little [A] extra bits.
You see, I never could do Scruggs style full on.
[Em] That's beyond my little range.
I just tend to strum [A] well.
[Bm] But there's a little section on [N] some of the folks who did a three finger type style that preceded the Scruggs style.
And one of those fellows was a fellow by the name of Charlie [Em] Poole.
And a few years back I got to [A] meet one of Charlie Poole's, [N] I guess it was his fiddler, Posey Roar's great nephew, Kenny Roar.
And he lives out in Danville and he plays a lot of Charlie Poole's old songs.
And one of them that I learned from him was one called [C] Milwaukee Blues.
And I'll play a little bit of that one for you.
This one's about hobos and trains [E] and how the, well, the trains don't particularly care for the hobos because, you know, no money was exchanging hands.
But I'll play this one nevertheless here with some [C] of the ways the hobos got around.
[G] [G]
[C]
[F] [C]
[G] [C]
[G]
[F] [C]
[F] [C]
[G] [C] Gotta get the freight [F] train to leave [C] this town, cause they don't have no hobos hanging around.
[F] Hanging around, [C] just hanging around.
They don't have no hobos hanging around.
They don't have no hobos hanging around here.
[Gm]
[F] [G] [F]
[C]
[G] [C] I left Atlanta one day before the [G] break of day, said you'll all have to pay.
Got no money [F] but a pair of home [C] shoes, I'm going out west [G] to go to Milwaukee.
[F] Milwaukee Blues.
[Bm] Yes, [C] Milwaukee Blues.
Going out west to go to Milwaukee.
What do you got to say, Banjo?
[Gm] [C]
[G] [F]
[C]
[G] [C] Now old Bill said before he [G] died, two old roads he liked to ride.
Old Bill [F] and [C] me, yes, the Southerners [G] saved against [C] Sandy.
Sandy.
[F] [C] Yes, Sandy.
Yes, the Southerners saved against Sandy.
Now old Bill said before he [G] died, I'll clear the roads on the bowling ride.
When they [F] ride, they ride the [C] rods, they put all their trust in the hands of God.
[F] The hands of God.
[C] Yes, hands of God.
They put all their trust in the hands of God.
[G]
[C] [F]
[C] [Am]
[G] [E] [Gm]
[C]
[G]
[Cm]
[Gm] [C]
[N]
Thank you so much, folks.
Key:
C
G
F
Gm
E
C
G
F
In the exhibit there's a really great section on [E] the _ [N] precursors to the Earl Scruggs style of three finger banjo.
_ Because, you know, North Carolina banjo picking, there was two finger style, which Earl talks about actually in the videos himself,
that he used to do kind of a two finger style with thumb and one finger.
And then he added that extra finger and, you know, got the _ [G] _
little [A] extra bits.
You see, I never could do Scruggs style full on.
[Em] That's beyond my little range.
I just tend to strum _ [A] well. _ _
_ _ _ _ [Bm] But there's a little section on [N] some of the folks who did a three finger type style that preceded the Scruggs style.
And one of those fellows was a fellow by the name of Charlie [Em] Poole.
And a few years back I got to [A] meet one of _ Charlie Poole's, [N] I guess it was his fiddler, Posey _ Roar's _ great nephew, Kenny Roar.
And he lives out in Danville and he plays a lot of Charlie Poole's old songs.
And one of them that I learned from him was one called [C] Milwaukee Blues.
And I'll play a little bit of that one for you.
This one's about hobos and trains [E] and how the, well, the trains don't particularly care for the hobos because, you know, no money was exchanging hands.
But I'll play this one nevertheless here with some [C] of the ways the hobos got around. _
_ _ [G] _ _ _ _ _ [G] _
_ _ _ _ _ [C] _ _ _
[F] _ _ _ [C] _ _ _ _ _
_ [G] _ [C] _ _ _ _ _ _
_ _ [G] _ _ _ _ _ _
_ [F] _ [C] _ _ _ _ _ _
[F] _ _ _ [C] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ [C] Gotta get the freight [F] train to leave [C] this town, cause they don't have no hobos hanging around.
[F] Hanging around, [C] just hanging around. _
They don't have no hobos hanging around.
They don't have no hobos hanging around here.
_ _ [Gm] _ _ _ _ _
_ [F] _ _ _ [G] _ _ _ [F] _
_ _ _ [C] _ _ _ _ _
_ [G] _ [C] _ _ _ I left Atlanta one day before the [G] break of day, said you'll all have to pay.
Got no money [F] but a pair of home [C] shoes, I'm going out west [G] to go to Milwaukee.
[F] Milwaukee Blues.
_ [Bm] Yes, [C] Milwaukee Blues. _ _
Going out west to go to Milwaukee. _ _ _
What do you got to say, Banjo?
[Gm] _ _ _ _ [C] _
_ [G] _ _ _ _ _ _ [F] _
_ _ _ [C] _ _ _ _ _
_ [G] _ _ [C] _ _ Now old Bill said before he [G] died, two old roads he liked to ride.
Old Bill [F] and [C] me, yes, the Southerners [G] saved against [C] Sandy.
Sandy.
[F] _ _ [C] Yes, Sandy. _ _ _
Yes, the Southerners saved against Sandy.
_ _ Now old Bill said before he [G] died, I'll clear the roads on the bowling ride.
When they [F] ride, they ride the [C] rods, they put all their trust in the hands of God.
[F] The hands of God.
[C] Yes, hands of God.
They put all their trust in the hands of God. _ _ _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ [C] _ _ [F] _
_ _ _ [C] _ _ [Am] _ _ _
[G] _ _ [E] _ _ _ [Gm] _ _ _
_ _ _ _ _ [C] _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ [Cm] _ _ _ _ _
[Gm] _ _ _ _ [C] _ _ _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ Thank you so much, folks. _
_ Because, you know, North Carolina banjo picking, there was two finger style, which Earl talks about actually in the videos himself,
that he used to do kind of a two finger style with thumb and one finger.
And then he added that extra finger and, you know, got the _ [G] _
little [A] extra bits.
You see, I never could do Scruggs style full on.
[Em] That's beyond my little range.
I just tend to strum _ [A] well. _ _
_ _ _ _ [Bm] But there's a little section on [N] some of the folks who did a three finger type style that preceded the Scruggs style.
And one of those fellows was a fellow by the name of Charlie [Em] Poole.
And a few years back I got to [A] meet one of _ Charlie Poole's, [N] I guess it was his fiddler, Posey _ Roar's _ great nephew, Kenny Roar.
And he lives out in Danville and he plays a lot of Charlie Poole's old songs.
And one of them that I learned from him was one called [C] Milwaukee Blues.
And I'll play a little bit of that one for you.
This one's about hobos and trains [E] and how the, well, the trains don't particularly care for the hobos because, you know, no money was exchanging hands.
But I'll play this one nevertheless here with some [C] of the ways the hobos got around. _
_ _ [G] _ _ _ _ _ [G] _
_ _ _ _ _ [C] _ _ _
[F] _ _ _ [C] _ _ _ _ _
_ [G] _ [C] _ _ _ _ _ _
_ _ [G] _ _ _ _ _ _
_ [F] _ [C] _ _ _ _ _ _
[F] _ _ _ [C] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ [C] Gotta get the freight [F] train to leave [C] this town, cause they don't have no hobos hanging around.
[F] Hanging around, [C] just hanging around. _
They don't have no hobos hanging around.
They don't have no hobos hanging around here.
_ _ [Gm] _ _ _ _ _
_ [F] _ _ _ [G] _ _ _ [F] _
_ _ _ [C] _ _ _ _ _
_ [G] _ [C] _ _ _ I left Atlanta one day before the [G] break of day, said you'll all have to pay.
Got no money [F] but a pair of home [C] shoes, I'm going out west [G] to go to Milwaukee.
[F] Milwaukee Blues.
_ [Bm] Yes, [C] Milwaukee Blues. _ _
Going out west to go to Milwaukee. _ _ _
What do you got to say, Banjo?
[Gm] _ _ _ _ [C] _
_ [G] _ _ _ _ _ _ [F] _
_ _ _ [C] _ _ _ _ _
_ [G] _ _ [C] _ _ Now old Bill said before he [G] died, two old roads he liked to ride.
Old Bill [F] and [C] me, yes, the Southerners [G] saved against [C] Sandy.
Sandy.
[F] _ _ [C] Yes, Sandy. _ _ _
Yes, the Southerners saved against Sandy.
_ _ Now old Bill said before he [G] died, I'll clear the roads on the bowling ride.
When they [F] ride, they ride the [C] rods, they put all their trust in the hands of God.
[F] The hands of God.
[C] Yes, hands of God.
They put all their trust in the hands of God. _ _ _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ [C] _ _ [F] _
_ _ _ [C] _ _ [Am] _ _ _
[G] _ _ [E] _ _ _ [Gm] _ _ _
_ _ _ _ _ [C] _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ [Cm] _ _ _ _ _
[Gm] _ _ _ _ [C] _ _ _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ Thank you so much, folks. _